Mostrando resultados por autor "William Thackeray" en Todas las categorías

Set during the time of the Napoleonic Wars, this classic gives a satirical picture of a worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp who craves wealth and a position in society. Calculating and determined to succeed, she charms, deceives and manipulates everyone she meets. A novel of early 19th-century English society, it takes its title from the place designated as the centre of human corruption in John Bunyan's 17th-century allegory.

Set in the reign of Queen Anne, Thackeray's novel follows the troubled progress of Henry Esmond Esq, a gentleman and an officer in Marlborough's army. Enamoured of the Jacobite Lady Castlewood and her wayward daughter Beatrix, he distinguishes himself in Marlborough's campaigns against Louis XIV, but comes to grief in an ingenious but ultimately unsuccessful attempt to depose George I in favour of the Old Pretender.

Generally considered to be his masterpiece, Vanity Fair is Thackeray's resplendent social satire that exposes the greed and corruption raging in England during the turmoil of the Napoleonic wars. Subtitled "A Novel Without a Hero", it traces the changing fortunes of two unforgettable women: the scheming opportunist Becky Sharp, one of literature's most resourceful, engaging, and amoral heroines, and her foil, the faithful, naive Amelia Sedley.

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had £5,000 a year."

No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

Vanity Fair features two heroines: the faithful, loyal Amelia Sedley, and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton's academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London.

Like Tom Jones before him, Barry Lyndon is one of the most lively and roguish characters in English literature. He may now be best known through the colorful Stanley Kubrick film released in 1975, but it is Thackeray who, in true 19th-century style, shows him best.

Best known today for his comic masterpiece, Vanity Fair, W. M. Thackeray was regarded in his time as the only rival to his contemporary, Charles Dickens. This collection includes a selection of his finest satirical fiction, as well as two fascinating programmes exploring his life and writings.

Vanity Fair centers on the young Becky Sharp and her dear friend Amelia Sedley during the time of the Napoleonic Wars. Rebecca Sharp is the daughter of an art teacher and a French dancer, being ambitious, intelligent, and strong willed in order to get what she wants out of society. She is often touted as amoral and an anti-heroine. Alternately, her friend Amelia is kind, good natured, and born into wealth. The interwoven fortunes of the two women play out among a backdrop of social skirmishes and human afflictions of pride and ego.

Barry Lyndon, first serialized in 1844, is a swashbuckling romp through the aristocratic Europe of the 18th century. The central character, a roguish Irishman, narrates most of the story in the first person, relating his adventures as a soldier in both the British and Prussian armies; as a gambler and confidence man under the guidance of his uncle, a practiced fraud; and as a fortune hunting gigolo in search of wealthy widows and heiresses.

"I do not say there is no character as well drawn in Shakespeare [as D'Artagnan]. I do say there is none that I love so wholly." --Robert Louis Stevenson "The lasting and universal popularity of The Three Musketeers shows that Dumas, by artlessly expressing his own nature in the persons of his...

Ambitious. Ruthless. Unprincipled. With their blurred morals and relatable imperfections, it’s no wonder we find anti-heroes so appealing and fascinating. Featuring a mixture of male and female anti-heroes across England, Scotland, France and New York, these fantastic adaptations of five of the best-known and best-loved classics of literature follow some of these flawed, nuanced characters as they steal the spotlight and make their presence known.

The Rose and The Ring is a satirical work of fantasy fiction by William Makepeace Thackeray, which was originally published in 1854. It is the tale of a fairy, a king of two kingdoms, their offspring, and an old woman. Set in the fictional countries of Paflagonia and Crim Tartary, it criticizes the attitudes of the British upper class and challenges their ideals of beauty and marriage. The story revolves around the lives and fortunes of four royal cousins, Princesses Angelica and Rosalba, and Princes Bulbo and Giglio. The narrative is filled with humor.

En el recinto de la Feria se erige suntuoso uno de los mejores retratos de la sociedad inglesa de principios del siglo XIX, cuyo director de escena de mirada desencantada no es otro que William M. Thackeray, maestro en el arte de crear personajes femeninos. Así, pronto veremos pisar el escenario a dos mujeres inolvidables: la dulce y apocada Amelia Sedley y la inteligente y ambiciosa Becky Sharp cobran vida en un juego fascinante, lleno de trampas y de emoción con las Guerras Napoleónicas como trasfondo, en una obra magistral de la literatura de todos los tiempos: La feria de las vanidades.

Set in Regency England, Vanity Fair follows the lives of two young women from drastically different backgrounds. Becky Sharp is the daughter of a lowly art teacher while Amelia Sedley is the daughter of a wealthy investor. Although the two women are worlds apart in personality and background, Becky and Amelia become friends while in finishing school. When Amelia invites Becky to her family home, events are set in motion that result in both tragedy and fortune.

Dive into the fascinating world of snobs through the lens of history, as articulated by the brilliant W. M. Thackeray. In this eloquent exploration, Thackeray reveals his destined purpose to examine the snobbery that permeates all social classes. He argues that snobs, much like objects of natural science, deserve our study and appreciation as part of the Beautiful (with a capital B). Through engaging anecdotes, including the memorable Colonel Snobley, this work invites readers to reflect on the nuances of social pretension and the human experience.

Vanity Fair is a satirical novel of manners which takes place during, and in the decade after, the battle of Waterloo in 1815. The various scenes in the novel range across Europe and England. It was first published in serial form beginning in 1847. The work is by turns witty, scintillating, brutally realistic, tragic, humorous, and always fascinating. The title of the book stems from Bunyan’s “Pilgrim’s Progress”, where Vanity is a town along the pilgrim’s route, and which holds an eternal fair of the vanities. It is a place where people are ensnared by worldly things.

This book comes with an introduction and notes by Owen Knowles, University of Hull. Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer. Although subtitled 'A Novel without a Hero', "Vanity Fair" follows the fortunes of two contrasting but inter-linked lives.

First published as a serial in Fraser's Magazine in 1844 as The Luck of Barry Lyndon, The Memoirs of Barry Lyndon, Esq is a picaresque novel, narrated (occasionally charmingly, always unreliably) by a member of the 18th-century Irish gentry. Redmond Barry, later Barry Lyndon, describes his rise to - and inevitable fall from - the top of the English aristocracy. Romantic, military and political intrigue, as well as satire and pathos, follow. Editorial notes, courtesy of Thackeray's fictitious alter ego, G. S. FitzBoodle, interject further levels of irony, humour and detachment. Thackeray, who ...