Mostrando resultados por autor "Virginia Woolf" en Todas las categorías

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

An extended essay initially written in response to a letter pondering how to end war, Three Guineas eloquently relates women’s equal opportunity to the end of the power structures which contribute to conflict. Using the metaphor of three guineas, Woolf highlights three worthy causes to donate to in order to end violence: rebuilding education for women, supporting professional opportunities for women and the promotion of pacifism.

Una habitación propia (A Room of One’s Own) es un ensayo fundamental de Virginia Woolf, publicado en 1929. En este texto, la autora reflexiona sobre el papel de las mujeres en la literatura y en la sociedad de su tiempo. A partir de unas conferencias que ofreció en 1928, Woolf plantea que, para que una mujer pueda escribir y desarrollar todo su potencial creativo, necesita independencia económica y un espacio propio, libre de interrupciones.

Mrs. Dalloway by Virginia Woolf, details a day in the life of Clarissa Dalloway in post-World War I England. Clarissa visits London in the morning, getting ready to host a party that evening. The nice day reminds her of her youth and makes her wonder about her choice of husband; she married the reliable Richard Dalloway instead of the enigmatic and demanding Peter Walsh, and she "had not the option" to be with Sally Seton for whom she felt strongly.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

What if the everyday world hides whispers of mystery, fleeting moments of wonder, and shadows you almost don’t notice? Step into the hauntingly beautiful and lyrical world of A Haunted House and Other Short Stories—a mesmerizing collection of tales that reveal the hidden currents of life, memory, and imagination. Each story offers a glimpse into Woolf’s keen observations of human emotion: from the ghostly reflections in "A Haunted House" to the fleeting impressions and fragmented lives in "Monday or Tuesday", where the ordinary becomes quietly extraordinary.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Based on two lectures Woolf delivered at the University of Cambridge, A Room of One’s Own compellingly argues for women’s intellectual freedom and the importance of financial independence. It is still considered one of the most powerful pieces of feminist writing to this day. Published in 1929, A Room of One’s Own asserts a simple message: in order for women to reach their full creative potential, they must have their own money and space with which to do it with.

The Ultimate Modern Classics Collection: Volume One is the first instalment in our classics collection focusing on the most important and iconic novels, stories, and poems of the 20th century. Featuring 22 essential modern classics from Ernest Hemingway, F. Scott Fitzgerald, Herman Hesse, Agatha Christie, Virigna Woolf, and many more, and read by a cast of incredible narrators including David Rintoul, Robert G. Slade, Karen Cass, Nathan Osgood, amongst others, this is an essential addition to your library.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; and Mary Shelley, amongst a host of others.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

The collected BBC dramatisations of the fiction of Virginia Woolf, with star casts including Kristin Scott-Thomas, Vanessa Redgrave, Juliet Stevenson, Laura Fraser, Robert Glenister and Fenella Woolgar....

Nuestra apariencia, las cosas por las que se nos conoce, es meramente pueril. Por debajo todo es oscuro, vasto y de una profundidad insondable; solo de vez en cuando salimos a la superficie y eso es lo que ven los demás. Basada en la propia infancia de la autora, Al faro cuenta la historia de la familia Ramsay durante sus visitas en el periodo de entreguerras a la casa de veraneo que tiene en la isla escocesa de Skye.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Desde que se publicó en 1928, Orlando ha sido una de las novelas más populares de Virginia Woolf por su originalidad y espíritu transgresor. Cuenta las peripecias de un joven aristócrata inglés, apuesto, rico, seductor y amante de la literatura—figura inspirada en la vida y la personalidad de la escritora Vita Sackville-West, gran amiga de la autora—que cabalga la Historia con mayúsculas desde el siglo XVI hasta el siglo XX y que, durante el reinado de Carlos II, se convierte en mujer.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia.

The events of the story occupy a single June day in post-World War I Central London, as wealthy and fashionable society hostess Clarissa Dalloway is preparing for a party she is to give that evening. Through her thoughts and memories, the voices of others who have touched on her life and will attend her party, Virginia Woolf shows her genius as a writer who is both accessible and popular.