Mostrando resultados por autor "Virginia Woolf" en Todas las categorías

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

An extended essay initially written in response to a letter pondering how to end war, Three Guineas eloquently relates women’s equal opportunity to the end of the power structures which contribute to conflict. Using the metaphor of three guineas, Woolf highlights three worthy causes to donate to in order to end violence: rebuilding education for women, supporting professional opportunities for women and the promotion of pacifism.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

A treasure chest of timeless short stories by some of the world's greatest authors.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

One of the most famous of all literary dogs, Flush was the golden cocker spaniel belonging to Elizabeth Barrett. In this charming and heartfelt biography, Viginia Woolf tells his story: his early days as Miss Mitford's puppy running across the fields in wild abandon and fathering another, then the years spent in his invalid mistress' bedroom in Wimpole Street.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia.

The Ramsay family is on holiday on the Isle of Sky in Scotland. As the family and their guests decide on whether or not to visit a nearby lighthouse, Virginia Woolf spins a tale that focuses on the intricate web of family life and the conflict that occurs between genders.

Virginia Woolf’s most famous "stream of consciousness" novel, Mrs. Dalloway, records the events of one June day in 1923 - the day on which Clarissa Dalloway is hosting a party in her London home. Mrs. Dalloway continues to fascinate and challenge, hinting at homosexuality, mental illness, racial prejudice, infidelity, and unrequited love. It presents a perfect picture of London between the wars, in an England where the class system is still firmly entrenched while carrying throughout an undercurrent of rage at the resulting inequalities.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

La primera de las novelas con que Virginia Woolf revolucionó la narrativa de su tiempo La señora Dalloway relata un día en la vida londinense de Clarissa, una dama de alta alcurnia casada con un diputado conservador y madre de una adolescente.La historia comienza una soleada mañana de 1923 y termina esa misma noche, cuando empiezan a retirarse los invitados de una fiesta que se celebra en la mansión de los Dalloway.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.