Mostrando resultados por autor "Ruth Ozeki" en Todas las categorías

In Tokyo, 16-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox - possibly debris from the devastating 2011 tsunami.

One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.

After the tragic death of his beloved musician father, 14-year-old Benny Oh begins to hear voices. The voices belong to the things in his house - a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother develops a hoarding problem, the voices grow more clamorous.

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

What did your face look like before your parents were born? In The Face: A Time Code, best-selling author and Zen Buddhist priest Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. According to ancient Zen tradition, 'your face before your parents were born' is your original face. Who are you? What is your true self? What is your identity before or beyond the dualistic distinctions, like father/mother and good/evil, that come to define us?

Ruth discovers a Hello Kitty lunchbox washed up on the shore of her beach home. Within it lies a diary that expresses the hopes and dreams of a young girl. She suspects it might have arrived on a drift of debris from the 2011 tsunami. With every turn of the page, she is sucked deeper into an enchanting mystery. In a small cafe in Tokyo, 16-year-old Nao Yasutani is navigating the challenges thrown up by modern life. In the face of cyber-bullying, the mysteries of a 104-year-old Buddhist nun and great-grandmother, and the joy and heartbreak of family, Nao is trying to find her own place - and voice - through a diary.

When documentarian Jane Takagi-Little finally lands a job producing a Japanese television show that just happens to be sponsored by an American meat-exporting business, she uncovers some unsavory truths about love, fertility, and a dangerous hormone called DES. Soon she will also cross paths with Akiko Ueno, a beleaguered Japanese housewife struggling to escape her overbearing husband.

Yumi Fuller hasn’t set foot in her hometown of Liberty Falls, Idaho—heart of the potato-farming industry—since she ran away at age fifteen. Twenty-five years later, the prodigal daughter returns to confront her dying parents, her best friend, and her conflicted past, and finds herself caught up in an altogether new drama. The post-millennial farming community has been invaded by Agribusiness forces at war with a posse of activists, the Seeds of Resistance, who travel the country in a camping car, “The Spudnick,” biofueled by pilfered McDonald’s french-fry oil.

After his father dies, Benny Oh finds he can hear objects talking: teapots, marbles and sharpened pencils, babbling in anger or distress. His mother, struggling to support their household alone, starts collecting things to give her comfort. Overwhelmed by the clamour of all the stuff, Benny seeks refuge in the beautiful silence of the public library. There, the objects speak only in whispers. There, he meets a homeless poet and a mesmerising young performance artist. There, a book reaches out to him. Not just any book: his own book.

O que acontece quando um diário perdido cai nas mãos da pessoa certa? Catando mariscos na praia de uma remota ilha do Canadá, a escritora Ruth se depara com um saco plástico coberto de cracas que envolve uma lancheira da Hello Kitty. Dentro, encontra o livro de Marcel Proust, Em busca do tempo perdido, e se surpreende ao descobrir que na verdade se trata do diário da menina japonesa, Nao.

Meet Yumi Fuller. A Japanese-American prodigal daughter, Yumi (aka Yummy) is returning home to the Idaho potato farm she ran away from 25 years earlier. Then a freewheeling hippie chick, Yumi is now a fairly responsible parent and a professor with a side gig selling lava lots in Hawaii. But can she possibly be prepared to face her dying father, her Alzheimer's-devastated mother, and Cass, the best friend she left behind?

Jane, a struggling filmmaker in New York, is given her big break, a chance to travel through the United States to produce a Japanese television program sponsored by American meat exporters. Meanwhile, Akiko, a painfully thin Japanese woman struggling with bulimia, is being pressured by her child-craving husband to put some meat on her bones, literally.

One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.

Ein Jahr nach dem Unfalltod seines Vaters beginnt der dreizehn Jahre alte Benny Oh Stimmen zu hören. Es sind die Stimmen der unbelebten Gegenstände in seinem Zuhause – seine Sneakers, eine zerbrochene Weihnachtskugel, ein Blatt welker Salat. Gleichzeitig beginnt seine Mutter Annabelle, immer mehr Dinge zu horten, bis es kaum mehr einen freien Platz auf dem Fußboden oder in den Regalen ihres Hauses gibt. Mutter und Sohn drohen in ihrer Trauer den Halt zu verlieren – bis sie auf ein Buch stoßen, das sie womöglich zu retten imstande ist.