Mostrando resultados por autor "Robert L. Mccullough" en Todas las categorías

There has never been a better time to be a screenwriter. The recent explosion of cable and streaming services has created a huge demand for movies, limited series, and those long running “bingeable” shows that can hook viewers for years. Before streaming cable networks, the internet, and home entertainment systems radically changed how we consume our entertainment, there was a clear dividing line between writing for feature films and writing for television. That distinction no longer exists. Most major writers, filmmakers and movie stars are now eager to work on projects for the ...

If you're serious about your screenwriting, then you're serious about seeing your scripts produced. This book cuts to the chase with the point-by-point essentials behind every successful screenplay and shows you how to demonstrate the professional expertise that will get your scripts noticed. It's a quick, concise listen that gets to the bottom line with a no-nonsense approach to put your writing on a level with Hollywood's working professional screenwriters. Making movies is a complex matter so difficult that very few atempt it.

In the later part of the 19th century, American bicyclists were explorers, cycling through both charted and uncharted territory. These wheelmen and wheelwomen became keen observers of suburban and rural landscapes, and left copious records of their journeys - in travel narratives, journalism, maps, photographs, illustrations. They were also instrumental in the construction of roads and paths ("wheelways") - building them, funding them, and lobbying legislators for them.

Gone are the days of Hollywood agents going home each night with a stack of unsolicited screenplays by unknown script writers in the hope of finding their next star screenwriting client. Unsolicited material (your script) just doesn’t get read. Script writing competitions are now the system that provides the reading and analysis formerly conducted by Hollywood agents, producers, and studio development executives. This audiobook won't teach you the finer points of writing or how to write a screenplay. It's only about one thing: How to win a screenplay competition.