Mostrando resultados por autor "Raymond A. Palmer" en Todas las categorías

In this Saucerian roundtable discussion, several luminaries in the paranormal field offer their thoughts on the Inner Earth theory. Does the subterranean world support several different races of sentient beings, as well as impressive underground cities linked by underground tunnels? Do surface dwellers sometimes stumble upon above-ground openings to this subterranean realm? Do we often meet the denizens of the underworld and not even know it?

Meet pilot Kenneth Arnold. In The Coming of the Saucers, Arnold describes - in breathtaking detail - his incredible sighting of the flying saucers on June 24, 1947. Arnold also recounts his harrowing investigation into the infamous Maury Island Incident, which ended with the deaths of two Air Force intelligence officers after they flew past Mount Rainier - where Arnold had seen the discs.

During the late 1960s and early 1970s, when he was subject to nonstop surveillance and harassment from both human and supernatural spooks, intrepid Fortean investigator John A. Keel made extensive field notes concerning the phenomena he was confronting in West Virginia and New York. In this volume, we look at Keel's favorite articles from Flying Saucers magazine, which was published and edited largely by Ray Palmer. Keel went on record as saying that he thought Palmer was the "father of ufology", and he helped Palmer by submitting many articles to the magazine.

This SF pulp magazine classic of a female space pirate was a huge hit with readers when it was first serialized in Amazing Stories during the early 1940s. Golden Age pulp editor and author Raymond A. Palmer's masterwork mixes romance, interplanetary conflict, space piracy, and exotic alien worlds into the unique blend that is so emblematic of the science fiction of the period. Black World begins when John Carver of the Stellar Patrol falls for playgirl heiress Ina Malden on the luxury spaceliner Josephine, en route to the outer worlds.

In this book, Palmer took a giant stride forward from his contemporaries, replacing the noble, uncomplicated heroes of the first space operas, with the tormented anti-hero, "Suicide" Martin Brand, one of science fiction's most memorable characters. The half-crazed Brand, who likes to play classical music while rocketing toward a half-dozen enemy ships, atomic cannons blasting, is Earth's only hope.