Mostrando resultados por autor "Michael Cunningham" en Todas las categorías

Que Son Valley is actually a large area of hills and valleys just to the west of Da Nang, Viet Nam. During the 1960s, units from the US Marines and US Army engaged the 2nd North Vietnamese Division in heavy and close combat. Our mission was to keep the enemy from capturing the cities of Da Nang, Tam Ky, and Chu Lai and to pacify the area. We did prevent the enemy from capturing these vital cities, but the area was far from pacified.

Peter and Rebecca Harris: mid-forties denizens of Manhattan's SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca's much younger look-alike brother, Ethan (known in the family as Mizzy, "the mistake"), shows up for a visit.

April 5, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, husband and wife, are slowly drifting apart—and both, it seems, are a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, is living vicariously through a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart.

There's Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family.

Michael Cunningham's luminous novel begins with a vision. It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn't believe in visions—or in God—but he can't deny what he's seen. At the same time, in the not-quite-gentrified Bushwick neighborhood of Brooklyn, Tyler, Barrett's older brother, a struggling musician, is trying—and failing—to write a wedding song for Beth, his wife-to-be, who is seriously ill.

Passionate, profound, and deeply moving, The Hours tells the story of three women: Clarissa Vaughan, who one New York morning goes about planning a party in honor of a beloved friend; Laura Brown, who in a 1950s Los Angeles suburb slowly begins to feel the constraints of a perfect family and home; and Virginia Woolf, recuperating with her husband in a London suburb and beginning to write Mrs. Dalloway. By the end of the novel, the stories have intertwined, and finally come together in an act of subtle and haunting grace.

In each section of Michael Cunningham's new book, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story which takes place at the height of the Industrial Revolution, as human beings confront the alienated realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band which is detonating bombs seemingly at random around the city.

A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away—the mythic figures of our childhoods and the source of so much of our wonder—are transformed by Michael Cunningham into stories of sublime revelation.

Three separate women, living in different locations and eras, are linked by their passion for Virginia Woolf's novel Mrs Dalloway. As they each live through a Tuesday in June, their thoughts and experiences mirror each other and become interwoven. In Richmond in 1923, Virginia Woolf struggles to write a novel whose protagonist is Mrs Dalloway. In Los Angeles in 1949, Laura ignores her chores and small son to sit in bed reading Mrs Dalloway. In 1990s New York, Clarissa goes to buy flowers for a party, mirroring the start of the fictional Mrs Dalloway’s day.

The whole course of one’s life really can change in an instant. Peter is 44, prosperous, childless, the owner of a big New York apartment, a player in the NY contemporary art dealing scene. He has been married to Rebecca for close on 20 years. Their marriage is sound, in the way marriages are. Peter might even describe himself to be happy. But when Mizzy, Rebecca’s much younger brother, comes to stay, his world is turned upside down.

There's Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family.

It was the start of my second new life, in a city that had a spin of its own - a wilder orbit inside the earth's calm blue-green whirl. New York wasn't open to the hopelessness and lost purpose that drifted around lesser places.... Meet Bobby, Jonathan and Clare. Three friends, three lovers, three ordinary people trying to make a place for themselves in the harsh and uncompromising world of the '70s and '80s.

April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart.

Meet Peter and Rebecca Harris: mid-40s denizens of Manhattan’s SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger lookalike brother, Ethan (known in the family as Mizzy, “the mistake”), shows up for a visit.

Welcome to the Ghibliotheque, the podcast that leafs through libraries of films from the world’s greatest animation studios.In 2018, Michael Leader, an avowed Studio Ghibli fanatic, sat down with Jake Cunningham, who had never seen any of the Studio’s work before. Together they looked at the history behind Ghibli's films (including Spirited Away, My Neighbour Totoro and Princess Mononoke), and got a critical perspective from Jake as a first-time viewer. They covered all of Studio Ghibli's films, visited Japan on the ultimate Ghibli pilgrimage, and have since interviewed artists, animators ...

Pulitzer Prize-winning author Michael Cunningham’s critically-acclaimed short story "Mister Brother" first appeared in Duke University's DoubleTake magazine and was included in the 1999 O. Henry Prize Stories. “Mister Brother” investigates the relationship between two brothers, a relationship that sustains the fairly universal complication of sibling rivalry. This particular rivalry, however, turns out to bear lifelong consequences neither of the boys could possibly have foreseen.

It’s November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn’t believe in visions - or in God - but he can’t deny what he’s seen. At the same time, in the not-quite-gentrified Bushwick neighbourhood of Brooklyn, Tyler, Barrett’s older brother, a struggling musician, is trying - and failing - to write a song for Beth, his wife-to-be, who is seriously ill.

Come tre fili sottili, s'intrecciano in questo romanzo le vite di tre donne lontane nel tempo. La prima è Virginia Woolf, ritratta nei suoi ultimi giorni e, con un salto temporale, mentre dà vita al personaggio della signora Dalloway. Nel frattempo Clarissa, editor newyorkese di oggi, compra i fiori per festeggiare l'amico più amato, e la signora Brown, casalinga californiana del dopoguerra, tenta di sfuggire alla prigione della sua vita matrimoniale.