Mostrando resultados por autor "Mary Wollstonecraft" en Todas las categorías

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

NOW A NETFLIX FILM FROM ACADEMY AWARD–WINNING VISIONARY GUILLERMO DEL TORO NOMINATED FOR NINE ACADEMY AWARDS, INCLUDING BEST PICTURE Mary Shelley’s timeless gothic classic accompanied by the art of legendary illustrator Bernie Wrightson live on in this gorgeous illustrated adaptation of...

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

Brought to you by Penguin. This Penguin Classic is performed by celebrated British novelist Jeanette Winterson, CBE. This definitive recording includes an introduction to the audio edition written and performed by Jeanette Winterson. Writing in an age when the call for the rights of man had...

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

Mary Shelley wished with her classic Gothic novel Frankenstein to "make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart". Mary Shelley succeeded. Victor Frankenstein finally fulfills his dream of creating his own living creature, stitched together from the macabre remains of corpses. To his horror he finds he has created something even more ghastly than in his worst imaginings. Frankenstein has created a monster with a soul!

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

First published in 1818, Mary Shelley’s Frankenstein: Or the Modern Prometheus stands as one of the greatest achievements in English literature and the foundation of modern science fiction. In this groundbreaking novel, Shelley weaves a tale of genius and despair, creation and destruction, exploring the boundaries of human ambition and the consequences of defying nature.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Following the framework of a tale within a tale, Mary Shelley's novel Frankenstein, which features the subtitle The Modern Prometheus follows the scientific - and at times horrific - exploits of Victor Frankenstein. Victor studied alchemy in college, and after a mere two years he figures out that he can put human body pieces back together and restore the entire corpse to life.

Frankenstein; or, The Modern Prometheus is a groundbreaking novel by British author Mary Shelley, penned when she was just 18 years old. First published anonymously in London in 1818, this audiobook is based on that original text. Shelleys name finally graced the revised third edition released in 1831. The title refers to Victor Frankenstein, a scientist who discovers the secret to creating life and brings to existence a powerful being resembling a man, yet larger and fearsome. In popular culture, the Creature is often mistakenly called Frankenstein, a confusion that has persisted since the ...

What begins as a desperate act of heartbreak turns into an eternal sentence in this haunting short tale by Mary Wollstonecraft Shelley, the famed author of Frankenstein. When young Winzy drinks a mysterious elixir meant to cure the torment of love, he unwittingly trades fleeting pain for everlasting regret. Blessed—or cursed—with youth that never fades, Winzy watches the world age around him. Love, joy, grief, and time twist into a tragic knot of memories as centuries slip by and those he cherishes wither and pass.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

In Frankenstein, Mary Wollstonecraft Shelley tells the chilling story of Victor Frankenstein, a scientist driven by an unrelenting thirst for knowledge and power. In his quest to unlock the secrets of life, Frankenstein creates a creature from the remains of the dead, only to find himself horrified by the monster he has unleashed. The tale of the creature’s struggle for acceptance, and Frankenstein’s descent into despair, raises timeless questions about the dangers of ambition, the power of creation, and the moral responsibilities of humanity.

Narrating from her deathbed, Mathilda, a young woman barely in her twenties, writes her story as a way of explaining her actions to her friend, Woodville. Her narration follows her lonely upbringing and climaxes at a point when her unnamed father confesses his incestuous love for her. Mathilda has also been seen as an example of redefining female Gothic narratives which includes the first person female narrator having more control over the story than was common at the time.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.