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Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

This collection is a compilation of novels and short stories by some of the greatest masters of fiction literature. The collection includes works spanning over 150 years from the beginning of the 19th century to the second half of the 20th century. The works vary in genre, including humorous, lyrical, psychological, romantic, detective, fantastic, adventurous, and mystical prose. It features classics of American, British, Irish, French, German, and Russian literature.

In the realm of the short story, Katherine Mansfield established a highly original style. Undramatic, poetic and lyrical, her writing is exquisitely subtle in its treatment of human behaviour. When these 14 short stories were published in 1920, she had already effected a transformation in this form of fiction, and her influence has been deeply felt by subsequent writers.

This recording contains four of Katherine Mansfield's best stories. In The Daughters of the Late Colonel, two sisters are recently bereaved; while in Her First Ball a young girl attends her first dance. The Singing Lesson features Miss Meadows, a music teacher in turmoil; and in The Stranger, a middle-aged couple are reunited.

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

In At Lehmann’s by Katherine Mansfield we have the theme of innocence, vulnerability, appearance, confusion and desire. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and from the beginning of the story the reader realises that Mansfield may be exploring the theme of innocence. Sabina believes Hans’ story about why his hands are so dirty even though the story is exceptionally far-fetched and borders on the impossible.

A Blaze is a short story by Katherine Mansfield: “Max, you silly devil, you’ll break your neck if you go careering down the slide that way. Drop it, and come to the Club House with me and get some coffee.” - “I’ve had enough for to-day. I’m damp all through. There, give us a cigarette, Victor, old man. When are you going home?”

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as The Garden-Party) in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in.

Katherine Mansfield (1888-1923) was a prominent modernist writer of short fiction and a close associate of D. H. Lawrence and Virginia Woolf. In 'The Wrong House', an elderly lady is traumatised when a funeral cortege turns up unexpectedly at her door.

Katherine Mansfield accomplishes an incredible drama with detailed characterization in "Miss Brill", a story only four pages long, written in the early 1920's. The main character is a lonely spinster, probably an elderly Englishwoman, living in a resort area of France near the seashore, earning enough to support herself by tutoring English children and reading the newspapers to an old invalid whose ability to hear and comprehend are questionable. She sits on a bench at the park and creates fantasy scenarios involving the people around her, enhanced by her eavesdropping skills.

This collection brings together stories by Edith Wharton, Katherine Mansfield, Wilkie Collins and Marcel Proust, with forays into the supernatural and the comedic by Sabine Baring-Gould and Saki. Be them funny or moving, all stories are beautifully read by Harriet Walter (Atonement, Netflix’s The Crown), Juliet Stevenson (Bend it Like Beckham, The Enfield Haunting), Barbara Leigh-Hunt (Pride and Prejudice, Billy Elliot) and Rosalind Ayres (Titanic, Outnumbered).

Katherine Mansfield's heartbreaking story of playground bullying. The Kelvey children are excluded from the schoolyard crowd because they come from a poor family with more than a hint of disreputableness about them. When the Burnell children are given a doll's house and invite their school friends two by two to see it, only the Kelveys are excluded. Until one day, Kezia Burnell decides to invite the Kelveys in to see it....

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

This is a story from the Bliss & Other Stories collection.

The Complete Katherine Mansfield Collection contains the five volumes of short stories written by Mansfield between 1911 and 1924 which established her as one of the best short story writers of her generation, as-well as the only novel she ever penned: The Aloe. Katherine Mansfield (1888-1923) was a New Zealand-born English writer, famous for her expertly observed short stories. She had a great influence on the development of the short story as a form of literature.

A wonderful collection of 50 phenomenal stories by the world’s great short story writers.

"The Fly", by Katherine Mansfield, deals with the aftermath of the loss of an only beloved son in the wake of World War I. Rife with symbolism, the short story leaves the listener with intriguing questions to ponder. "The Fly" is a wonderful example of writing from a century prior addressing contemporary issues. Read by professional actor and narrator Sara Morsey.

Germans at Meat is a short story by Katherine Mansfield: Bread soup was placed upon the table. "Ah," said the Herr Rat, leaning upon the table as he peered into the tureen, "that is what I need. My 'magen' has not been in order for several days. Bread soup, and just the right consistency. I am a good cook myself"-he turned to me. "How interesting," I said, attempting to infuse just the right amount of enthusiasm into my voice.

In this volume we gather together verse from lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label lesbian might be anachronistic and so also include those who stand by their sides or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.