Mostrando resultados por autor "John McPhee" en Todas las categorías

The brief, brilliant essay "Silk Parachute", which first appeared in The New Yorker over a decade ago, has become John McPhee's most anthologized piece of writing. In the nine other pieces here - highly varied in length and theme - McPhee ranges with his characteristic humor and intensity through lacrosse, long-exposure view-camera photography, the weird foods he has sometimes been served in the course of his travels, a US Open golf championship, and a season in Europe "on the chalk" from the downs and sea cliffs of England to the Netherlands and France.

With his Pulitzer Prize-winning Annals of the Former World, John McPhee explores not only the richly varied surface of the United States, but the geological wonders hidden deep beneath our feet. In this final book of the series, he embarks on a fascinating journey across the basement of the continent - the land masses forming Illinois, Iowa, Nebraska, and thereabouts - with a professor and geochronologist acting as a guide.

The Patch is the seventh collection of essays by the nonfiction master John McPhee. It is divided into two parts. It is an "album quilt", an artful assortment of nonfiction writings that have not previously appeared in any book.

For a person who has not encountered John McPhee's lively writing, The Second John McPhee Reader is the perfect introduction. McPhee, author of Coming Into the Country, and Assembling California punctuates his delightful prose with a sharp sense of humor and a fascination with things most of us never bother to notice.

John McPhee's Pulitzer Prize-winning Annals of the Former World takes readers on mind-expanding adventures in geology. In the first book, Basin and Range, McPhee traveled to Nevada with a proponent of plate techtonics. Now, an engaging sceptic working for the United States Geological Survey is his guide to some of eastern America's most fascinating geologic formations.

From Pulitzer Prize-winner John McPhee, author of The Founding Fish, comes the fascinating story of an often overlooked, yet vitally important part of America. This first-hand account of the transportation sector features evocative portraits of the men and women who deliver our consumer and industrial goods.

For a person who has not encountered John McPhee's lively writing, The Second John McPhee Reader is the perfect introduction. McPhee, author of Coming Into the Country, punctuates his delightful prose with a sharp sense of humor, and a fascination with things most of us never bother to notice.

This account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968 begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description while examining the backgrounds and attitudes which have molded the players' games.

Few fish are as beloved, or as obsessed over, as the American shad. Although shad spend most of their lives in salt water, they enter rivers by the hundreds of thousands in the spring and swim upstream heroic distances in order to spawn, then return to the ocean.

Fabulously entertaining and filled with the intriguing trivia of life, Irons in the Fire is another impeccably crafted collection of seven essays by John McPhee. His peerless writing, punctuated with a sharp sense of humor and fascinating detail, has earned him legions of fans across the country.

Those who have traveled into America’s only remaining frontier rarely come back out the same. Only in Alaska can we come close to understanding what our forefathers must have felt upon their arrival in the New World. McPhee brings to this narrative the qualities that have distinguished him in the field of travel literature—tolerance, brisk, and entertaining prose, and a fascination with things most of us never bother to notice.

Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.

A classic of reportage, Oranges was first conceived as a magazine article, but John McPhee kept encountering so much irresistible information that he wrote a book. It is perhaps the last word on the subject (the first came in 500 BC and is attributed to Confucius). McPhee writes about the botany, history, and industry of oranges, from the great orangeries of European monarchs to a fascinating profile of Ben Hill Griffin of Frostproof, Florida, who may be the last of the individual orange barons.

At various times in a span of 15 years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults.

Rising From the Plains takes McPhee to the high country of Utah along the Continental Divide. His guide is David Love, "the grand old man of Rocky Mountain geology". Helping McPhee see the physical changes that have shaped this region over millions of years, Love also traces his own family's history in this oil-rich, windswept land.

To geologists, rocks are beautiful, roadcuts are windowpanes, and the earth is alive, a work in progress. The cataclysmic movement that gives birth to mountains and oceans is ongoing and can still be seen at certain places on our planet. One of these is the Basin and Range region centered in Nevada and Utah.

The narratives in this book are of journeys made in three wildernesses—on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.

Over seven decades, John McPhee has set a standard for literary nonfiction. Assaying mountain ranges, bark canoes, experimental aircraft, the Swiss Army, geophysical hot spots, ocean shipping, shad fishing, dissident art in the Soviet Union, and an even wider variety of other subjects, he has consistently written narrative pieces of immaculate design. In Tabula Rasa, Volume 1, McPhee looks back at his career from the vantage point of his desk drawer, reflecting wryly upon projects he once planned to do but never got around to—people to profile, regions he meant to portray.

Most people think of New Jersey as a suburban-industrial corridor that runs between New York and Philadelphia. Yet in the low center of the state is a near wilderness, larger than most national parks, which has been known since the seventeenth century as the Pine Barrens.

Starting in 1902 at a country school that had an enrollment of fourteen, Frank Boyden built an academy that has long since taken its place on a level with Andover and Exeter. Boyden, who died in 1972, was the school's headmaster for sixty-six years. John McPhee portrays a remarkable man "at the near end of a skein of magnanimous despots who...created enduring schools through their own individual energies, maintained them under their own absolute rule, and left them forever imprinted with their own personalities."