Mostrando resultados por autor "Ezra Pound" en Todas las categorías

Some of these sketches and essays have appeared in Poetry, The Fortnightly Review, The New Age, The Quarterly Review, The Future, The Egoist, and The Little Review.

Hear rare recordings from some of the world's most-respected poets reading their own works: Ezra Pound, "Old Men With Beautiful Manners"; W. B. Yeats, "The Lake Isle of Innisfree"; Robert Graves, "A Last Poem"'; Edna St. Vincent Millay, "The Harp-Weaver"; Richard Eberhart, "The Groundhog"; Philip Levine, "Blasting from Heaven"; Marianne Moore, "The Mind Is an Enchanting Thing"; Stephen Spender, "What I Expected"; and Vachel Lindsay, "An Interpolation by Mr. Lindsay".

Ezra Weston Loomis Pound (October 30, 1885-November 1, 1972), born in what is now Hailey, Idaho, was a major American figure in the early modernist poetry movement and a fascist collaborator in Italy during World War II. Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit.

The Noh theatre of Japan was popularized towards the end of the 14th century. It was heavily influenced by Buddhism in philosophy and style, and was made up of dances performed at Shinto shrines to honor spirits and gods and old lyric poetry. Around the same time Shakespeare's Hamlet was being performed in London, Noh was integral to official ceremonies at Kyoto, and young nobles and princes were encouraged to attend and perform. This is a collection of four short plays from the Noh theatres of Japan - Hagoromo, Kumasaka, Kagekiyo, and Nishigiki.