Mostrando resultados por autor "Eric Kraft" en Todas las categorías

Peter Leroy considers the origins of his childhood pelecypodophobia (the fear of bivalve mollusks), meets the imaginary friend who will remain his best friend for life, memorizes the legends of his ancestors in the Leroy line (including Black Jacques Leroy, who “invented beer”), studies his father's nude photographs of family friend May Castle, and enjoys a moonlight swim with Margot and Martha, the Glynn twins, after which he concludes that clams do not bite. "Do Clams Bite? chronicles Peter's sufferings when he goes clamming with his grandfather, expecting momentarily to have a vital ...

“[What a Piece of Work I Am] centers on the sultry Ariane, who had been the town bad girl in the 1950s. Baring the sexual secrets and bizarre events of her past to Peter, the platonic friend who is newly out of college and working as a teacher at their old high school when she first begins her story, Ariane pieces together a wild, fascinating tale based on her erotic history. Peter listens as Ariane, who is six years older and more worldly, recounts growing up lower-class and having sex with many boys while the good girls shunned and hounded her for it. He remembers vividly his own puppy ...

Peter Leroy recalls the trouble that ensued when a well-meaning teacher appointed him director of Babbington’s annual fourth-grade production of King Lear. Three of his classmates wanted the role of Lear’s loving daughter, Cordelia, and each had her strategy for ensuring that she got it. Clarissa Bud, the girl with the white fur muff, used sweetness and charm; Veronica McCall used sex; and Lily O’Grady, known as Spike, threatened to break his foot if he chose anyone but her. Reviewing The Girl with the White Fur Muff in the St. Petersburg Times, Malcolm Jones wrote: Wit and humor ...

In the town of Babbington, New York, at the tail end of an alternative version of the 1950s, a young dreamer named Peter Leroy has set out to build a flying motorcycle, using a design ripped from the pages of Impractical Craftsman magazine. This two-wheeled wonder will carry him not only to such faraway places as New Mexico and the Summer Institute in Mathematics, Physics, and Weaponry, but deep into the heart of a commercialized American culture, and return him to Babbington a hero. More than forty years later, as Babbington is about to rebuild itself as a theme park commemorating his ...

Peter Leroy, summoned for jury duty, allows his mind to wander, and slips into the mind of Matthew Barber, who finds himself in the cardiac catheter lab in a Boston hospital, where he allows his mind to wander, and slips into the mind of Bertram W. Beath, who checks into a hotel in Miami’s South Beach and into a life as an erotic opportunist and passionate spectator of beauty and human folly. “Middle age, mortality, and the meaning of life: all are examined with the lightest touch imaginable. Kirkus Reviews “Ebullient, canny, and entertaining. Donna Seaman, Booklist “As devious as a...

Peter Leroy struggles to win the affections of the toothsome Patti Fiorenza while keeping his mother’s hopes and his mother’s boat afloat. Ella Leroy dreams of escaping the dreary routine of her 1950s wife-and-mom life. Without telling her husband, she enlists her son Peter and his locally-notorious girlfriend Patti in a scheme to buy a run-down clamboat and re-invent it as an elegant cruising vessel for summer people in the bayside town of Babbington, Long Island. But after they’ve bought the boat, Peter discovers that it is slowly sinking. “Inflating a Dog . . . is a novel about ...

Small’s Hotel, on a little island off Long Island, is where Peter and his wife, Albertine, have spent most of their adult lives. Albertine runs the hotel while Peter works quietly on his memoirs, but the future of the hotel, and of every gift Peter dreams of giving Albertine, is in jeopardy. Business has fallen off and the old hotel is falling down. Bills are mounting. Foreclosure looms. What Peter does to save the hotel, his marriage, and possibly his life involves storytelling, friendship, memory, ghostwriting, real-estate, electrical contraptions, and great, abiding love. “A compact ...

Peter Leroy receives his sexual initiation at the hands of the Glynn twins, becomes a sketch doctor, listens to many tales about the night the Nevsky mansion burned, learns the value of hope, and discovers the love of his life. “Peter Leroy’s preadolescent voice, recaptured years later by his fictive middle-aged persona, is always unerringly itself, at once unexpectedly articulate and believably childlike. It is a likable voice, ingenuous, modest, wholly engaging. As such, it earns the most fanciful events in his story a certain credibility, or at least an unresisting suspension of ...

Leroy recalls his childhood friend Matthew Barber. Peter and Matthew seem unlikely friends. Matthew finds little to like in life, and his outlook is decidedly blue. Peter finds much to like in life, though nearly everything puzzles him, and he is essentially sanguine about his future, no matter how groundless his optimism might be. Eventually the friends find, as most friends do, that each has added to his developing self a little of the other. "The Fox and the Clam is a wonderfully wacky ringing of plot changes on the kind of idiotically moralistic fables that used to fill the pages of ...

Peter Leroy recalls a childhood journey of discovery that he made from the mouth of the Bolotomy River to its source, traveling with his best (and imaginary) friend Rodney “Raskol” Lodkochnikov. The journey begins with the work of turning a packing case (which Cap’n Andrew Leech intends to use, later, as a coffin) into a shallow-draft boat, it involves encounters with a philosophical vagrant and a gaggle of beautiful nymphs, and it ends with the metaphor of life as a river turned on its head. "Life on the Bolotomy concerns the river journey of Peter and his chum Raskolnikov to the ...

Peter Leroy explores his earliest memories, which involve Dudley Beaker, a next-door neighbor with a shady occupation; Eliza Foote, a shapely blonde (a product of his imagination); six kittens and one red wagon; and his mother’s tumble from her lawn chair. "A good half of [My Mother Takes a Tumble] is spent on a loony romantic correspondence between a man and a woman, where each thinks the other is someone else, and each writes in the guise if the opposite sex. Somehow this oddball romance intertwines with Peter's first memory — piling a litter of kittens into his wagon — and the day ...

Peter Leroy recalls his maternal grandfather’s attempt to build a shortwave radio, a project that begins with an article in Impractical Craftsman magazine promising "hour after interminable hour of baffling precision work." After many, many hours spent watching his grandfather labor at his basement workbench, Peter at last gets to put the earphones on, flip the switch, and twiddle the dials. Through the crackling and sussurous static he detects the sounds of love and lust, joy and sorrow, hope and loss. “Reading the Peter Leroy saga is akin to watching a champion juggler deftly keep ...

“The title of this sly and extremely funny book is also the title of a paper that Peter is assigned by his science teacher, the luscious, leggy Miss Rheingold. We — and Peter — learn quite a bit about Miss Rheingold, although nowhere near as much as Peter would like. We also learn about epistemology; the boundaries of the self; the building of backyard lighthouses; terrazzo floors; Chinese Checkers; American education; the restricted vision of children (and their parents); and the design of such exquisitely intricate gadgets as the phonograph, the scanning tunneling microscope, the ...

Peter Leroy explores one of his earliest memories, his mother’s tumble from her lawn chair; probes the root causes of his childhood pelecypodophobia (fear of bivalve mollusks, particularly clams); navigates the upper reaches of the Bolotomy River; builds a radio receiver and explores the farthest reaches of the galaxy; ponders the differences between dour foxes and happy clams; falls in love with the girl with the white fur muff; learns the pleasures of skating on ice and taking the long way home; becomes a fan of the Larry Peters Adventure series; and rises to the rank of Aluminum ...

Peter Leroy recalls an episode from his grade-school years, an episode that he would really rather forget, one of the dark, gritty bits that one finds at the bottom of the chowder bowl of life. It involves the Young Tars, an organization originally intended to raise the morale of students at the new Babbington Central Upper Elementary School, and the treacherous Mr. Summers, a teacher whose armamentarium of instructional techniques featured "humility sessions" and a toy weapon that fired ping-pong balls. Reviewing the original edition of the novellas that became Little Follies, Lee Pennock ...

Peter Leroy recalls his childhood affection for the Larry Peters series of adventure books. As a boy, he entered the world of the books so completely that he went from wanting to be Larry Peters to believing, sometimes, that he was. As Larry, he relished the company of his wisecracking sister Lucy and his square-jawed and capable pal, Rocky King. Later, when he had become a grownup, circumstances led to his taking his place as the last in a line of pseudonymous authors of the series, so that, in a way, he really did become Larry Peters. "In one especially funny [novella], Call Me Larry, ...

Peter Leroy returns in memory to the fifth grade, where he finds himself gazing at Veronica McCall across the Gulf of Puberty. Remembering Veronica, the hottest little number in Babbington's elementary grades at that time, inevitably leads him to reflect on the many varieties of love and lust to which the human animal is subject; to consider the roots of the animosity between Babbington's clamdiggers and chicken-farmers; to recall the occasion of his first meeting Porky White, who was to become the brains behind the Kap'n Klam chain of bivalve-based fast-food restaurants; and forces him to ...