Mostrando títulos en Historia y Crítica

In his rough yet sweet voice, Alex recounts the brothers’ childhood, first in the Netherlands and then in working class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother—the kind of mom who admonished her boys to “always wear a suit” no matter how famous they became—a woman who was both proud and practical, nonchalant about taking a doggie bag from a star-studded dinner. He also shares tales of musical politics, infighting, and plenty of bad-boy behavior. But mostly his is a story of brotherhood, music, and enduring love.

For millennia, the sacred drummers of pre-Christian Mediterranean and western Asia were women. In this inspiring book, Layne Redmond, herself a renowned drummer, tells their history.

From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists—Miles Davis, John Coltrane, and Bill Evans—who came together to create the most iconic jazz album of all time, Kind of Blue.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

Millions of people know the name of the iconic country music artist, George Jones, but few people know that behind the man and his golden voice was a strong, feisty woman who not only saved his life from cocaine addiction, alcoholism, and other abusive and self-destructive behaviors, but also was instrumental in saving his soul. For the first time, in Playin' Possum, Nancy Jones reveals the true “insider” perspectives and little known poignant and as well as humorous stories about the country music icon.

A landmark release, this is the first of a two-volume biography of Metallica, the biggest metal band of all time, told via exclusive interviews with the band and their world.

On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general, and even the larger American culture over the next 40 years.

Jazz is more than a musical genre. It is a movement, an escape, and a form of rebellion—one whose mystery you can uncover through the fascinating musicians that shaped its history. Jazz doesn’t easily fit into any category owing to its diverse roots, incredible flexibility, and passion for improvisation. It is, therefore, ironic, yet somehow understandable, that this mysterious genre, so different even from other Black-inspired music, should be so well-loved by millions of people across the globe

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy that resonates profoundly. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—Abdurraqib uses music and culture as a lens through which to view our world so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music's structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead's dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence.

The Everly Brothers—aka Don and Phil to fans with an intimate appreciation for them—seemed to exist almost as an apparition. Emerging within the formative era for young Baby Boomers during the blandly regimented '50s, they were a ubiquitous presence, clad in snug suits and skinny ties, hair neatly Brylcreemed, never raising their voices when they sang. The two prim-looking country boys with dark, curiously penetrating eyes and perfectly merged, honey-dipped harmonies, were oddly but comfortably settled as sentimental, soothing, sometimes lovelorn voices of a still-uncharted cultural turf.

In this widely praised book, Annik LaFarge presents a very different Frédéric Chopin from the melancholy, sickly, Romantic figure that has predominated for so long. The artist she discovered is, instead, a purely independent - and endlessly relevant - spirit: an innovator who created a new musical language; an autodidact who became a spiritually generous, trailblazing teacher; a stalwart patriot during a time of revolution, pandemic, and exile.

An original journalist for The Source, Dan Charnas built a celebrated career in the rap industry. In The Big Payback, he chronicles the rise of the hip-hop culture and shows how it became so powerful in a matter of decades. Charnas also profiles many of the movers and shakers in this burgeoning cultural movement, offering unprecedented access to an industry that continues to shake the globe.

Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative - from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour.

In this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones' infamous Altamont concert in San Francisco, the disastrous historic event that marked the end of the idealistic 1960s.

January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

They were the last great band of the '60s and the first great band of the '70s. They rose, somewhat unpromisingly, from the ashes of the Yardbirds to become one of the biggest-selling rock bands of all time - and eventually paid the price for it, with disaster, drug addiction, and death.

Kendrick Lamar is one of the most influential rappers, songwriters and record producers of his generation. Widely known for his incredible lyrics and powerful music, he is regarded as one of the greatest rappers of all time. In Promise That You Will Sing About Me, pop culture critic and music journalist Miles Marshall Lewis explores Kendrick Lamar’s life, his roots, his music, his lyrics, and how he has shaped the musical landscape.