
Thirteen Storeys
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Jonathan Sims
Thirteen voices. Thirteen storeys. One dinner party to die for.
An innovative haunted house tour-de-force from the creator of THE MAGNUS ARCHIVES podcast.
GOING UP?
A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building
.
None of them know why they were selected to receive his invitation. Whether privileged or deprived, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.
By the end of the night, their host is dead, and none of the guests will say what happened. His death has remained one of the biggest unsolved mysteries - until now.
But are you ready for their stories?
'A modern horror classic from one of the most exciting writers in the field today' Starburst Magazine
'Combines a creeping sense of unease with all-out gore . . . Nerve-jangling.' Guardian
'A wonderfully creepy climax, hitting that perfect spot of uncanny horror' Grimdark Magazine
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As someone terrified of the grotesque and nasty Leon's story was a lot I was revolted in the best way possible. and Carrie's story actually moved me deeply.
I loved how the story at first felt like an anthology, but as the complex was more explored the stories began to weave together and become one interwoven piece.
lovely job!
Spooky and Entralling
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Thirteen Storeys is an amalgamation of, as the title indicates, thirteen stories (although it is in fact a bon mot regarding the thirteen floors of a building as well) that circle around people who become in various ways roped into the will of something seemingly out of their control.
The reason I find this work to be a modern gothic masterpiece is for the literary purposes through which other gothic/horror writers have exercised the fears prevalent in society at the time of their conceptions (e.g., Frankenstein and the fear of modern science replacing God, Dracula and its overt sexuality and xenophobic tendencies).
Sims’ work excels in this very same vein — although with the “modern twist” — in its exploration of the machinations of a billionaire who is apathetic to the world at large as well as the suffering and deaths of those who he has deemed lesser than himself. The twist to which I refer is how the characters choose to react in opposition to a deal that seemingly no one could refuse.
I’ve followed Sims’s work since The Magnus Archives and find his work to be extremely interesting and compelling. I was curious to see how well executed his writing would be on his own without the production team of TMA, but found myself loving every second. I fully recommend to any horror fan. Remember patience is a virtue, give the book its due and wait for the end. You won’t be disappointed.
A Modern Gothic Masterpiece
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Terrifficly Terrifying!
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Creator of TMA did not disappoint!!
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Sims is a phenomenal writer
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Sheer Delight
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Wonderful
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Pleasantly grotesque horror.
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Beyond this, the VO work of each and every actor involved is spectacular. Each character being allowed their own unique voice has done wonders for bringing their already vibrant personalities in written form across as deep, meaningful, and truly 3-dimensional. The final culmination in the end as all come together makes for a wonderfully-tense ending that will have anyone gripped and dying to know what comes next.
This was a work that only occasionally dips into the realm of finger-waving PSA on the dangers of late-stage capitalism, and honestly, even when it does, there is a certain tinge of vindictive glee to be found from it that makes the occasional lecture worth it. Truly a good chicken soup for the lower-class soul.
Horrific Vindication
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Compelling and thoughtful!
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