The Love Plot
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Narrado por:
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Savannah Peachwood
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De:
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Samantha Young
Star Shine Meadows is all about freedom, thanks to the hippie parents who raised her. Juggling her jobs as a professional costume character actor and a line sitter, she believes in no expectations, no stressful ambitions, and no-strings-attached relationships. So when she meets a birthday girl’s grumpy uncle while working a princess party, she can’t help but needle him. She’ll never see him again, and honestly, he's pretty hot.
Rafe Whitman may be a veterinarian with a great bedside manner, but that doesn’t mean his patience extends to anyone with opposable thumbs. His family will not stop nagging him about finding “the one,” so when he runs into obnoxiously cheery Star again, he makes her an offer: He’ll pay her more than she would make doing her odd jobs if she’ll pretend to be his girlfriend at family gatherings. She can stop sitting in line waiting for someone else’s new phone, and he’ll get his family off his back.
When the tension between them heats to a breaking point, Star’s desire for "no strings" is tested against Rafe’s staunch stability. They say opposites attract, after all....
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Reseñas de la Crítica
“Full of charm, humor and swoon, The Love Plot is the grumpy/sunshine book that I didn’t know I needed! Young’s writing shines in this trope-heavy rom-com, and I never wanted it to end!”—Lynn Painter, New York Times bestselling author
"Young’s take on the fake dating trope is sexy and charmingly unpretentious. This is sure to leave readers smiling.”—Publishers Weekly
"A steamy, tension-filled read.”—Library Journal
"Young’s take on the fake dating trope is sexy and charmingly unpretentious. This is sure to leave readers smiling.”—Publishers Weekly
"A steamy, tension-filled read.”—Library Journal
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Flirty, sexy, fun!
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Fun!
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Her happiness
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Something else that bothered me was that it kind of felt like the spicy scenes were written by a man. Not that men can’t write good spicy scenes! But what I mean by that is these scenes felt like, despite the female-only POV, that the woman was often a prop or a male fantasy version of a woman, like it was written to appeal specifically to men. It was weird, compared to what spicy scenes are like in most romance novels, and it felt disconnected from the main character’s otherwise empowered and relatively self-aware personality.
I thought the performance was great. The voices were distinctive, so it was never unclear who was talking, and it was engaging to listen to. Sometimes it was hard to tell in audio what was internal monologue and what the main character actually said out loud, but that’s not a narrator issue.
Felt like reading a diary in a bad way
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