The Emperor's Children

A Novel

De: Claire Messud

Narrado por: Suzanne Toren

Two-time PEN/Faulkner Award nominee Claire Messud is hailed as "a writer of enormous skill and stylistic grace" by Publishers Weekly. This wonderfully crafted comedy of manners was called a "stinging portrait of life among Manhattan's junior glitterati" in a starred review by Kirkus Reviews.

Friends at Brown University, Marina, Danielle, and Julius are still looking to make their marks as they approach their 30s. Marina lives with her celebrated parents on the Upper West Side while trying to complete her book. TV producer Danielle's success is due to the puff pieces she churns out. Freelance critic Julius can barely make ends meet. Into this mix comes Bootie, Marina's college dropout cousin, who is just the catalyst the three friends need to start making significant changes in their lives.

©2006 Claire Messud (P)2006 Recorded Books

Reseñas de la Crítica

"Tangy dialogue, provocative asides, glittering imagery, and nimble postulations build toward an electrifying and edifying conclusion." (Booklist)
"Her writing is so fluid, and her plot so cleverly constructed, that events seem inevitable, yet the narrative is ultimately surprising and masterful as a contemporary comedy of manners." (Publishers Weekly)

overwrought narration

Would you recommend this book to a friend? Why or why not?

I feel the narration really overwhelmed my impression of the book. Audiobooks, I suppose, are prone to this phenomenon for good or for bad. In this case, trust me, it took away from the book. There is some pretty prose in this novel though the story itself may disappoint. Lots of navel gazing and some whining, and sympathetic characters were scarce. The writer has a gift for expression. I may try another of her novels sans the over affected, boorish narration.

Who would you have cast as narrator instead of Suzanne Toren?

someone less affected and overbearing.

Was The Emperor's Children worth the listening time?

no

Read Reviews Before Buying

This was one of those "why did I choose this?" selections for me. The majority of reviews state it like it is: a bunch of young adults whining about their sorry self-fulfilled lives. If that is your thing, go for it. But I need something a little more solid.

Meh

Not sure if it was just the performance that made this hard to be excited to listen to or if the story was just kind of mediocre without any characters who were remotely likeable

Great Book/Lame Director

I loved the book but wasn't crazy about the narrator. I really wanted a simpler, less obvious reading of what is a morally and intellectually complex story. I felt as though the reader didn't quite trust the writing to speak for itself so added unnecessary embellishment.

I felt that several of her characterizations were really heavy-handed. Instead of trusting the listener to determine a character's strengths and weaknesses she seemed determined to telegraph them for us.

Ultimately this overwrought interpretation rests squarely on the director's shoulders. It is the director's job to help the actor temper her reading. Because he didn't do this, the reader got in the way of the beautiful narrative flow of this magnificent novel.

Whining 20 somethings

This story has no point and in the end I was disappointed with the time I spent listening to the book. The characters wander aimlessly for too long, then just when you expect there to be some big event/blowup or closure (the affair is discovered, he really did marry her to get at her father, etc.) the book just ends. I don't know if the writer is also of this generation, but it felt like she struggled to write a book with any meaning, just as Marina couldn't pull her book together. It left me wondering if the author was describing her own unfulfilling life. The original setup of characters and situations had so much potential, but the end left me flat. For the last hour of the book (at least), I wanted to slap all 4 characters, the 3 friends and the cousin, and say 'grow up and dump this illusion that you have to 'be somebody' or do something 'significant' and be noticed and get on with your life'.