Dead in Dublin

Dublin Driver Mysteries, Book 1

De: Catie Murphy

Narrado por: Lucy Rayner

Duración: 8 h y 18 m

Resumen del Editor

In Dublin's fair city, where the girls are so pretty, murder occurs at the feet of sweet Molly Malone....

Ferrying tourists around Dublin for the Leprechaun Limo Service makes quite a change after years in the military. Still, Megan Malone is enjoying her life in Ireland. She likes the scenery, the easy pace, the quirky, quick-witted locals. Everything - except having one of her clients drop dead at the statue of fabled fishmonger, Molly Malone.

Most restaurant critics notch up their share of enemies. Elizabeth Darr, however, was a well-loved international star. She and her husband, Simon, had just had dinner when Elizabeth collapsed, and spoiled seafood is the first suspect. The restaurant's owner, worried her business is doomed, begs Megan to look into it. Between her irate boss and a handsome Garda who's both amused and annoyed by her persistence, Megan has her hands full even before she's cajoled into taking care of two adorable Jack Russell puppies (which she is almost definitely not keeping). But if cockles and mussels aren't to blame, can Megan find the real culprit...before another fishy death occurs?

©2020 C. E. Murphy (P)2019 Tantor

Omg the narration is DISTRACTING

So the story is good but I can’t keep my attention on it because the narration is off somehow. It’s too slow or sing song. Or too dramatic . I’m not sure. Caroline Lennon style narration would’ve done the storytelling justice- a bit more straightforward and not so slow with a more natural delivery.

Megan's tenacity

Excellent read and the combination of Irish and American characters 👌 perfection! Can't wait to read the next book in the series.

Narrator Nearly Ruined

While narrator, Lucy Raynor, did a fine-enough job on the dialogue parts of Dead In Dublin, her insistence on using her irritating, predictable, cadenced, sing-song story narration drove me wild! Because I enjoyed the various characters that author, Catie Murray, created, I hung in there and didn’t return this book.

The sing-song pitch and cadence of Raynor’s delivery was insistent and predictable enough that I, incredulous, considered dragging out a sheet of music composition paper and setting down the notes she used, over…and…over…in her gawd-awful delivery. As the story progressed, she seemed to have lost some of that maddening, formulaic delivery “technique” — or as the story progressed, there was more dialogue between characters, so the prevalence of her insistent delivery “approach” to the story telling was diluted.

Anyway, I wish Audible had a way to make “Notes to Self” within its subscriber pages as I’d flag this narrator to totally avoid in the future.

My two — or rather twenty — cents.

The narrator is superb 

It’s a simple story. Done well and the narrator is so fun to listen too.

Great start to a new series

I throughly enjoyed this story. The narrator did a great job with the Irish voices however when speaking in her own voice has a funny cadence that can be distracting. I had to speed up the narration, otherwise all was great.

Ca girl

Liked story fast moving and twisting. But loved voice telling tale and my dogs listened too.

Great Storyline and Relatable Characters

Lucy Raynor is an amazing narrator! Loved the surprising plot twist! Looking forward to the next in this series!

Not bad

A fun jaunt through Dublin with an ex- military limo driver to the wealthy who gets involved in solving the murders of her clients

Good story but too much cussing for a cozy mystery

Enjoyed the main story and characters. However I didn’t appreciate all the cussing and taking the Lord’s Name in vain.
I thoroughly enjoyed the narration by Lucy Rayner who also narrated the Daisy Dalrymple mystery series.
I picked up this title via the Plus Catalog. While, as noted above, I enjoyed the story line and characters I won’t be continuing this series due to the cussing and profane use of Jesus’s Holy Name

Jesus name I gain and F word

Story line okay. But not the language. The story could have done just as well without it.