Christine Falls

A Novel

De: Benjamin Black

Narrado por: Timothy Dalton

Duración: 9 h y 27 m

Resumen del Editor

It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death.

It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin's high Catholic society, among them members of his own family.

Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville's fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black's debut marks him as a true master of the form.

©2006 Benjamin Black (P)2006 Audio Renaissance, a division of Holtzbrinck Publishers LLC

Reseñas de la Crítica

“Christine Falls is a triumph of classical crime fiction, finely, carefully made, not a single false move or wrong word--why don't they write books like this anymore?” —Alan Furst

I'm no more morbid than the next pathologist.

It is hard to review this novel without wanting to give the whole nursery away. The nasty, dark, secretive details of this book are where it's all at, but I'm afraid if I started swinging around just one detail, I would end up spilling it all. Dropping the baby I was dangling. So, I'll just stick with some of the things that are obvious and have already been said.

Benjamin Black is really John Banville. The Man Booker award winner who wrote The Sea and The Untouchable. Banville is a serious artist. He has been honored with such wild descriptions as the "the heir to Proust, via Nabokov." So, what does a serious, literary author do for money? I remember reading once that the poet Allen Ginsberg made less than $70k per year at the height of his success. For most authors/poets, literature just doesn't sell or pay the damn mortgage. So, there is option 1) literature + professorship. This seems to be the route of a lot of serious fiction writers. William H. Gass is a professor, so too was Vladimir Nabokov. Yes, true. Many of these top tier authors get their jobs because of their notoriety and the benefit it brings to the University. It works well for all involved. So, there is option 2) literature + other job. This is the route chosen by T.S. Eliot and Franz Kafka. You write at night, work selling insurance or something during the day. But there is also option 3) literature + entertainments.* This happens, but not as often as the others.

Probably the best example of this is Graham Greene. He wrote his serious major literature: Brighton Rock, The Power and the Glory, The Heart of the Matter, The End of the Affair, The Quiet American, etc. But he also wrote his entertainments: Stamboul Train, A Gun for Sale, The Confidential Agent, The Third Man, Our Man in Havana, Travels With My Aunt, etc. These were his less serious novels. His spy novels. I'm not sure if Greene meant they were inferior, but I don't think he took them quite as seriously. The reason I bring this up is because I think that is what the Quirke novels of John Banville are. His quirky (sorry, I had to) entertainments. They aren't mean to be dripping with poetry. They aren't supposed to be masterpieces. They are supposed to be entertaining. But because they are written by Banville they can't help being great entertainments. The writing is tight. They pacing is fantastic. It works. I loved it. It wasn't a perfect novel, but I'll give it to Banville. I think he has the opportunity to write a perfect entertainment. One that is on par with John le Carré or Graham Greene.

* There is also family money, etc., but I'm already bored with my list making.

A Good Listen

I received much enjoyment from listening to this book. It has a very different setting from my midwestern US life, and the character development is outstanding. Hats off to T. Dalton who narrated superbly. While he is not in the class with Scott Brick and others, he is easy to listen to. The book itself has dark and brooding tones. If you are looking for an uplifting and enlightening book, look elsewhere. But if you want your imagination to be stimulated, as well as your intellect, this book is a good choice.

Lubricious Narration Made Me Weak in the Knees

Any additional comments?

I always read something entirely frivolous at the end of quarter to unwind from several months of complex literature and pedantic professors. I listened to this on audio instead of reading. I almost never get fiction for audio books because I like to multi-task when I listen to audio books and find nonfiction much more suitable attention span wise for that task, but I found this on Audible.com and picked it mainly for the narrator, Timothy Dalton, who is in my opinion, the finest example of masculine energy on planet earth.

I knew it was a hard boiled noir kind of detective story, but oh. my. stars. I had no idea it would be so deliciously salacious. Combining the lascivious prose with Timothy Dalton's lubricious narration made for many awkward blushing moments while I was on the bus, at the laundromat, and grocery shopping with my headphones on.

I wasn't expecting a literary masterpiece, and it isn't one by any stretch of the imagination. The books is stuffed full of trite cliches, exhausted metaphors and genre archetypes. The book was kind of like the restaurant Olive Garden - a corporate franchise that looks the same in each city with the same menu and prefabricated meals. I mean that you know exactly what you're getting when you walk in. That's the strength and failing of genre novels. But for chrissakes, as much as we all love patronizing the new avant-garde bistro with locally grown sustainable organic fairy dust, sometimes you just wanna go to Olive Garden and have some corporate pasta.

I know a lot of reviewers want to imbue this with some kind of literary merit because Banville, the author behind the pen name, does write literary fiction. I don't know why everyone feels the need to puff up genre fiction and try and legitimize it. What's wrong with a book just being entertaining? I picked this up exactly because I didn't want to over-think and analyze something to death. It was a fun read from a highly competent writer who either enjoys the genre or is milking the old cash cow--neither of which detract from or add to the literary merit of the book. It isn't fine dining, but it was a good meal and Timothy Dalton's smutty narration has me queuing up the sequel.

A literary tour de force

I have listened to dozens of books in the past few years, and "Christine Falls" ranks high on my list of the best of them. It is well plotted, with breathtaking descriptions and rich atmosphere, and the reader, Timothy Dalton, is superb. I was engrossed from its dark, moody beginning to its surprising and twisted ending. I love mysteries that combine a strong story line with good characters and a smart, literary sensibility - Le Carre is one of my favorite writers - and this book didn't disappoint me in any way. I highly recommend it.

Well-written downer

The Irish moving back and forth between Ireland and Boston makes an interesting cultural perspective. Irish Catholics don't come out looking good. Depressing storyline, but well-written for all that.

Dalton Rocks!

The narrator is WONDERFUL. I had not looked to see who he was, but was blown away by the force and flow he gives to this novel. Then, I realized that this book was narrated by a famous actor, and understood.

The book itself is absorbing, evocative, grounded in the period. I enjoyed it very much. But I have to say that I found the plot slightly slipping away. The big revelation is not so big after all. One is poised for something more. And the minor characters become entirely lacking in the capacity to evoke empathy. Still, it is an excellent listen, and I would recommend.

Voice is heavenly- Story is Mediocre

Any additional comments?

Timothy Dalton's voice is why I listened to this. The story wasn't awful but I would say it was mediocre. But I listened to very word of it because it was so masterly narrated. If you are looking for more of an "audio experience" this would be a good choice.

Good book

I enjoyed this book. &I mostly likely will listen to it again. I had someone say once if you will listen to a book a second time it deserves at least a 4-star. I did have some problems following the beginning of this book I don't know if it was that the characters were not developed completely at the beginning to my liking or if it was that the story wasn't explained well in the beginning but as it went on it got better and by the end of the book I really liked the characters the development of the characters and the plot .

The narrator makes this one a winner!

I try to avoid books that include the murder of infants, spousal abuse, and rape as part of the plot since reading is escapism for me and I want to escape to a better world this this one. However, there was no hint of those themes in the snyopsis or other reviews. But I am not sorry I chose it. In spite of those painful passages, this is a good book. But I am not recommending it for that reason -- it is for the narrator. Timothy Dalton took my breath away. What a disspointment that there are no other Audible books narrated by him. Wish I could listen to this one again, but I will have to wait for his next one.

Powerful and Seductive Narration!

This is one of the best narrated audiobooks I have heard in years. The atmosphere of the novel and its setting were perfectly enhanced by Timothy Dalton's rich deep voice which almost hypnotised me, it kept me so focused on the story.

Although the story is a mystery there is a feeling of foreboding throughout that makes events much less shocking and more inevitable than might be usual for this genre. THe writing is beautiful and much better than one is likely to expect from a conventional mystery story.

THe story is also deep and complex and composed of many interwoven strands--it's really quite a stunning performance when you take apart the simple and direct pieces of which it is made and see the complexity of the outcome.

Very much enjoyed, very highly recommended. Will look forward to hearing the SILVER SWAN with great anticipation and pleasure.