Bitterroot
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Narrado por:
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Tom Stechschulte
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De:
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James Lee Burke
Set in the Bitterroot Valley of Montana, home to celebrities seeking to escape the pressures of public life, as well as to xenophobes dedicated to establishing a bulkhead of patriotic paranoia, Burke’s novel features Billy Bob Holland, former Texas Ranger and now a Texas-based lawyer, who has come to Big Sky Country for some fishing and ends up helping out an old friend in trouble.
And big trouble it is, not just for his friend but for Billy Bob himself—in the form of Wyatt Dixon, a recent prison parolee sworn to kill Billy Bob as revenge for both his imprisonment and his sister's death, both of which he blames on the former Texas lawman. As the mysteries multiply and the body count mounts, the reader is drawn deeper into the tortured mind of Billy Bob Holland, a complex hero tormented by the mistakes of his past and driven to make things—all things—right. But beneath the guise of justice for the weak and downtrodden lies a tendency for violence that at times becomes more terrifying than the danger he is trying to eradicate.
As USA TODAY noted in discussing the parallels between Billy Bob Holland and Burke’s other popular series hero, David Robicheaux, “Robicheaux and Holland are two of a kind, white-hat heroes whose essential goodness doesn’t keep them from fighting back. The two series describe different landscapes, but one theme remains constant: the inner conflict when upright men are provoked into violence in defense of hearth, home, women, and children. There are plenty of parallels. Billy Bob is an ex-Texas Ranger; Dave is an ex-New Orleans cop. Dave battles alcoholism and the ghosts of Vietnam; Billy Bob actually sees ghosts, including the Ranger he accidentally gunned down....But most of all, both protagonists hold a vision of a pure and simple life.”
In Bitterroot, with its rugged and vivid setting, its intricate plot, and a set of remarkable, unforgettable characters, and crafted with the lyrical prose and the elegiac tone that have inspired many critics to compare him to William Faulkner, James Lee Burke has written a thriller destined to surpass the success of his previous novels.
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Any additional comments?
I like all of James Lee Burke's books. The narrator for the Billy Bob Holland series is good but he has two odd quirks: 1-He can't pronounce words that end in "r-n" correctly. He says "Northerun," "Southerun," and "lanterun." Not a huge problem, but wierd. 2-He makes Lucas sound like a total moron. I keep waiting for him to say, "Tell me about the rabbits, George," or "Which way did he go, George? Which way did he go?"Good Book - Narrator has Quirks
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As I've mentioned before, Tom Stechschulte is a fantastic narrator, just as good as Will Patton who reads most of Burke's more current works. This is the third novel in the Billy Bob Holland series. I actually tried to listen to the 2cd novel in the series called Heartwood, which is a favorite of the author, but the narrator's exaggerated southern accent was so convoluted I got a refund. It's a great illustration of how important the reader's performance is for any book.
This book and really the series is less violent and more thoughtful in mystery than the Robicheaux series.
Big novel for the Big Sky!
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This guy is no Will Patton. Thats for damn sure.
Really bad narration
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Reflects true violence of american era.
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Holland and Voss might be good at slugging it out when pressed (or if the virtue of a female character has been besmirched), but their inept emotional responses to truly terrifying and painful traumas in the lives of loved ones makes them seem like a couple of dullards. Dave and Clete wear their emotions like tattoos on their biceps...that's what makes them compelling, particularly Clete whose "take no prisoners" response to threats on those he loves is raised to a unique art form.
Something else is missing from this story of Mafia Meets Western Motif; there is none of the painfully beautiful prose to describe the striking Montana landscape that listeners experience when they hear Burke's descriptions of Bayou Teche, Louisiana, or New Orleans (pre and post-Katrina). Montana may be a rugged and forested landscape in reality, but in Bitterroot it is a pancake-flat character. In Dave Robicheaux novels setting is character. In Bitterroot, Billy Bob, Doc, and the mountains from which the title derives are mere obstacles the reader must endure as he/she passes the hours waiting for the story to erode.
Vacuous Characters in an Absence of Poetry
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