Afterland
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Narrado por:
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Bianca Amato
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De:
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Lauren Beukes
Most of the men are dead. Three years after the pandemic known as The Manfall, governments still hold and life continues—but a world run by women isn't always a better place.
Twelve-year-old Miles is one of the last boys alive, and his mother, Cole, will protect him at all costs. On the run after a horrific act of violence-and pursued by Cole's own ruthless sister, Billie—all Cole wants is to raise her kid somewhere he won't be preyed on as a reproductive resource or a sex object or a stand-in son. Someplace like home.
To get there, Cole and Miles must journey across a changed America in disguise as mother and daughter. From a military base in Seattle to a luxury bunker, from an anarchist commune in Salt Lake City to a roaming cult that's all too ready to see Miles as the answer to their prayers, the two race to stay ahead at every step . . . even as Billie and her sinister crew draw closer.
A sharply feminist, high-stakes thriller from award-winning author Lauren Beukes, Afterland brilliantly blends psychological suspense, American noir, and science fiction into an adventure all its own—and perfect for our times.
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Reseñas de la Crítica
Named one of the Hottest Books of the SummerGoodreads * Entertainment Weekly * Good Housekeeping * Milwaukee Journal Sentinel * Publishers Weekly * PopSugar * Literary Hub * CrimeReads
"Bowstring-taut, visceral, and incredibly timely: Beukes's plague-tale is a parable about the glory and terror of Americanism in times of calamity."—Cory Doctorow, author of Walkaway and Little Brother
"Part thriller, part science fiction, and all amazing"—Good Housekeeping
"A post-pandemic gender-spun thriller that's sharp-as-a-pin and manages both urgency and relevancy in equal measure. Gripping prose from the first page that made me want to be a better writer. Beukes always moves to the top of my must-read list."—Chuck Wendig, author of national bestseller Wanderers
"A harrowing tale that ably explores grief, motherhood, and gender roles . . . Beukes is a gifted storyteller who makes it thrillingly easy for readers to fall under her spell as she weaves a hypnotic vision of a fractured world without men. A propulsive and all-too-timely near-future thriller."—Kirkus Reviews
"Lauren Beukes is a writer with a startling imagination, and a masterful ability to rewrite the rules of whatever genre she turns to; and now, right on time, she has turned to dystopian plague."—Ben Winters, author of Underground Airlines and Golden State
"Eerily relevant . . . Beukes' tender, insightful treatment of the relationship between mother and son is significant, and the interplay between feuding sisters is fascinating, as well."—Booklist
"Deeply compelling . . . I haven't been able to stop thinking about Afterland. Beukes brings a deep tenderness to the tangle of humanity that comes with widespread grief and clumsy attempts at coping with the weight of loss. This is really something special."—Sarah Gailey, author of Upright Women Wanted and Magic For Liars
"I'm an enormous fan of Lauren Beukes. She's an endlessly interesting writer, able to bend and weld genre to ask provocative questions and bring light to the shadows of the human condition. Afterland is a thoroughly gripping, imaginative thriller about a mother protecting her son, a rare survivor of a devastating plague that wiped out most of Earth's male population. In this new world, women exercise power for and against each other--the power of love, the power of violence, unleashed in the absence of men."
—Steph Cha, author of Your House Will Pay
—Steph Cha, author of Your House Will Pay
"Beukes nails the speed of the unraveling, and the strangeness of living in a suddenly altered world. I hope none of the rest of it comes true."—Emily Temple, Lit Hub
"A timely postapocalyptic tale"—PopSugar
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This should also have been a quarter shorter, as it lagged and went on unneeded descriptive tangents.
Not and easy read. So much promise.
All that said. the narrator was quite good.
Bad decisions.
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First, it’s important to point out that the premise of this book is not entirely original. Many other writers have explored the concept of a disease wiping out a specific gender (Brian Vaughn in “Y: The Last Man” and Frank Herbert in “The White Plague,” to name a few), but I still wanted to give this book a shot. Beukes brings nothing new to the table and even manages to make it boring. There’s no real mystery to the story despite being marketed as a dystopian thriller and much of the story unfolds in a predictable, uninspired fashion. What’s more, the ending is so utterly anticlimactic that one gets the sense that it should have been written as a short story. It’s eye-rollingly cheesy and cringe-worthy in its predictability.
The performance is the only saving grace here. Amato’s narration often saves what is otherwise a flat, platitudinous tale that is easily forgettable.
Unoriginal, uninspired and entirely too long
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Fun read
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good book, not earth shaking.
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Although the narrators ap problems with some “American” pronunciations, I liked the energy and variety of voices she brought to the performance.
I think I would have preferred they went back to the Nuns, but I liked the “mama bear” protectiveness of Cole. Overall an entertaining listen and so appropriate during the Coronavirus pandemic!
Captivating story, until the end
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On & On
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Too much background and context was missing. I get that a virus led to the death of most males, but between that and the story so much was skipped. How did society and government survive? What major changes took place and what didn’t change? There are still gas stations, hotels, restaurants, roads, and many other parts of the world. How did some things survive and others not? I never realized until near the end that there were still lots of people around.
Too much swearing, not enough context
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Good Plot
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Had me on the edge of my seat
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dark
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