Severance Audiolibro Por Ling Ma arte de portada

Severance

A Novel

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Severance

De: Ling Ma
Narrado por: Nancy Wu
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Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend.

So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.

Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?

A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

©2018 Ling Ma (P)2018 Macmillan Audio
Ciencia Ficción Estados Unidos Ficción Ficción Literaria Género Ficción Literatura Mundial Literatura y Ficción Postapocalíptico Sátira Comedia Supervivencia Divertido Ingenioso Sincero

Reseñas de la Crítica

"Narrator Nancy Wu delivers an outstanding performance of this cheeky satirical novel...Listeners will be entertained by the world building; cast of amusing, eccentric characters; and bizarre charm of the aloof heroine." (AudioFile Magazine, Earphones Award Winner)

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I throughly enjoyed the story, at times it shocked me with the changes in tone, odd descriptors that contributed to a general feeling of uneasiness throughly the book (which works well for a novel about the disintegration of society due to a virus). Nancy Wu’s narration fit well with the tone of the story, and I really felt that she was Candace. No spoilers, but the ending was particularly good. Not predictable, but it felt like an ending that made sense and fit with the characters personalities and the general plot of the novel. It didn’t feel inevitable, it felt like it belonged.

A surprising novel, excellent narration

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This is a beautifully crafted and haunting end-of-the-world tale that weaves the disparate yet entangled realities of life in urban USA and factory-city China together into a captivating and satirical critique of contemporary society. It takes a bit to get used to the Millennial-like, detached tone of the narrator before you realize that it is perfect for the story. The book has left me thinking for days. Ling Ma is an excellent writer and I look forward to her next book.

One of the best

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In this apocalyptic novels with out-of-order flashbacks to the days before society's breakdown, future and past pair nicely: I think the way you're supposed to pretend wine pairs nicely with your food.

A little unnecessary (and literal) "as you know Bob" and some inconsistency between what technical details are explains vs. which are not, and which violence is detailed and which is conveniently censored.

It's a good technically thought-out apocalyptic book.

The thing I really just couldn't handle was Nancy Wu's voice for all the male characters. Kind of a gratey, raspy mixture of lifeguard bro and Batman parody. It's not fun to listen to, and in many instances I feel it brought a tone to their lines that wasn't supposed to be there. A couple instances where tone or sarcasm felt invented on female characters too.

But! Wu did bring a loving warmth to the Chinese characters as they expressed love and dismay though a cultural divide (a big part of the book) and as they pronounced—sometimes struggling to pronounce—English phrases and names. I thought that was a lovely audible addition to the story.

Lovingly paired future & past, in odd raspy voices

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Good story but the ending was a little unsatisfactory for me. I would like to know how the main character fares
past where the story ends.

Is there a sequel?

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I was surprised to know that this was written before COVID. I liked the story but was disappointed in the end - it just left you hanging. The narration was very good.

Just OK

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I wish there was a part two! This was a great book. I found some of the sex scenes cringey and wished I could help the character our but overall loved the visits to Hong Kong and the office life and New York

Loved it

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I had to read this book as a part of my Undergraduate Literature curriculum. I think the story is great and it addresses a lot of consumerist tensions, and it addresses a lot in relatively few pages. 4/5 stars for the story, not as much as depth or as well written as many classics, but not bad by any means. Poor performance by the narrator. narrator just isn't multifaceted enough for a novel with this many characters. Very poor job voicing the different characters which I think takes away from the uniqueness of them.

Great Novel, not the best narrator

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Prescient, evocative, allegorical. Thoroughly enjoyed the story and reading. Affected me deeply as a child of immigrants.

Fantastic

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Interesting story. It felt incomplete. It ended abruptly right in the middle of a plot arc. The narrator was awful. Deadpan, emotionless and nasal. She frankly ruined it for me.

The narrator ruined it for me

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It’s about a plague, Shen Fever, that originates in China and kills most of the world’s population. There are several exceptions, people who just don’t become infected. It was published in August 1918 and has an uncanny, unsettling parallel to our present day. It's satirical, bleak, funny and serious.
Ling Ma is a young writer and I look forward to what comes next.

Adrift in the Apocalypse

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