The Invention of Sound
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Narrado por:
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Jefferson Mays
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De:
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Chuck Palahniuk
Gates Foster lost his daughter, Lucy, seventeen years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth.
Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.
Soon Foster and Ives find themselves on a collision course that threatens to expose the violence hidden beneath Hollywood's glamorous façade. A grim and disturbing reflection on the commodification of suffering and the dangerous power of art, The Invention of Sound is Chuck Palahniuk at the peak of his literary powers -- his most suspenseful, most daring, and most genre-defying work yet.
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Reseñas de la Crítica
PRAISE FOR THE INVENTION OF SOUND:
"This dark, humorous tale sparkles with the inventive details -- including a scream powerful enough to crumble buildings -- and provocative insights on the 'commodification of pain' and what it means to turn 'people's basic humanity into something that could be bought and sold.' The result is a wry, devilish delight."—Publishers Weekly
"This dark, humorous tale sparkles with the inventive details -- including a scream powerful enough to crumble buildings -- and provocative insights on the 'commodification of pain' and what it means to turn 'people's basic humanity into something that could be bought and sold.' The result is a wry, devilish delight."—Publishers Weekly
"Palahniuk expertly balances skewering of cultural institutions with profound insights into the nature of authenticity and the myriad ways we become damaged. The sheer abundance of creative ideas buoyed aloft by the vibrancy of the prose signal a master storyteller energized by delight in his own ingenuity...After his foray into literary advice, Consider This (2020), Palahniuk's heralded return to fiction will galvanize his many avid readers."—Booklist
PRAISE FOR CHUCK PALAHNIUK:
"Chuck Palahniuk's stories don't unfold. They hurtle headlong, changing lanes in threes and banging off the guard rails of modern fiction... With his love of contemporary fairytales that are gritty and dirty rather than pretty, Palahniuk is the likeliest inheritor of Vonnegut's place in American writing."—San Francisco Chronicle
"Chuck Palahniuk's stories don't unfold. They hurtle headlong, changing lanes in threes and banging off the guard rails of modern fiction... With his love of contemporary fairytales that are gritty and dirty rather than pretty, Palahniuk is the likeliest inheritor of Vonnegut's place in American writing."—San Francisco Chronicle
"One of the most feverish imaginations in American letters."—The Washington Post
"Like Edgar Allan Poe, Palahniuk is a bracingly toxic purveyor of dread and mounting horror. He makes nihilism fun."—Vanity Fair
"Dark riffing on modernity is the reason people read Palahniuk. His books are not so much novels as jagged fables, cautionary tales about the creeping peril represented by almost everything."—Time
Las personas que vieron esto también vieron:
Bone Chilling Enjoyment
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Not Palahniuk's Best
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Great narration as well.
Chuck returns to forn
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Not Chuck's best
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Even for Palaniuk it was dark
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Short but Sweet..ly Disturbing
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Twisted and Thought Provoking
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Fabulous book!
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Oof
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Two character dance around each other with LA as a backdrop. One is a murderous drug addict; the other is an angry vengeful vigilante.
This book explores how and why we allow people to be hurt for our amusement. Why do we enjoy narratives that include horrific acts? Who is harmed in the making of these movies?
I couldn’t help but wonder how much this book is a take down of Hollywood after the revelations of Harvey Winstien and men of his ilk. It seems a good chunk of part two is a fantasy revenge against an industry that allows people (especially women and children) to abused and forgotten in the name of entertainment.
Palahniuk at his finest
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