Próximamente

Deborah Harkness first introduced the world to Diana Bishop, an Oxford scholar and witch, and vampire geneticist Matthew de Clermont in A Discovery of Witches. Drawn to each other despite long-standing taboos, these two otherworldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England, dissolved the Covenant between the three species, and awoken the dark powers within Diana’s family line.

Quincy Harker needs a vacation, but there's no peace to be found in the usually sleepy seaside resort of North Carolina's Outer Banks. No, there's a serial killer stalking the streets of Manteo, and there's even more to the crimes than usual. Add in a heavily warded cemetery with hints of magic long thought to have vanished from the earth, a mystery centuries in the making, and a string of horrifyingly realistic nightmares plaguing Rebecca Flynn, Harker's fiancee, and our boy isn't getting any rest or relaxation. But he is getting the one thing he's really, really good at handling—a fight.

Constance Greene confronts Manhattan’s most dangerous serial killer, Enoch Leng, bartering for her sister's life—but she is betrayed and turned away empty-handed, incandescent with rage. Unknown to Leng, Pendergast’s brother, Diogenes, appears unexpectedly, offering to help—for mysterious reasons of his own. Disguised as a cleric, Diogenes establishes himself in New York's notorious Five Points slum, manipulating events like a chess master, watching Leng’s every move…and awaiting his own chance to strike.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

On stage at an awards banquet is the last place Lexi Cole expected to drown. But as she accepts the award for top-seller at her realty firm, something unusual catches Lexi's eye: a man surrounded by a dark haze. Then she hears a woman screaming for help, and the taste of saltwater overwhelms her. Just as Lexi's throat begins to close, the man leaves the room and the sensation of drowning abruptly stops. Later that night, the man dies of an overdose, and Lexi learns about the traumatic boating accident that killed his sons and tore his family apart.

In Conan and the Emerald Lotus, the seeds of a deadly plant grant sorcerers immense power, but turn its users into inhuman killers. In the exclusive, long-awaited sequel Conan and the Living Plague, a Shemite wizard seeks to create a serum to use as a lethal weapon. Instead he unleashes a hideous monster on the city of Dulcine. Hired to loot the city of its treasures, Conan and his fellows in the mercenary troop find themselves trapped in the depths of the city’s keep. To escape, they must defeat the creature, its undead followers, then face Lovecraftian horrors beyond mortal comprehension.

When Cassie Graves discovers her husband’s affair, it’s enough to chip away at the foundation of her life. But after researching her family’s Italian ancestry, it completely crumbles beneath her. Her grandmother Gia’s often-told stories about the past are a lie. Her much-romanticized great-grandfather Giovanni may not even have existed. Most alarming of all, it appears her mysterious great-grandmother Violetta died by stregoneria—witchcraft.

The Witches of Bellinas unfolds as a confession from Tansy, filled with anguish over the life and sense of self she’s surrendered in her desperation to belong. In J. Nicole Jones’s clever reimagining of cult power and groupthink, the question isn’t why join, but rather, what happens when you understand the danger but can’t conceive of a way out?

Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life. Her husband surprises her with a birthday-weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi. Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity.

Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.

Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played 'The Thin Kid' is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming and the dangerous crossed lines on set that resulted in tragedy.

Sarita has been watched over by a guardian angel her entire life. She calls him Angelo, and keeps him a secret. But secrets can’t stay buried forever. When Angelo murders someone she loves, Sarita begins to see what's really been lurking in the shadows surrounding her. And she will have to embrace the evil within if she hopes to make it out alive. Johnny Compton, critically acclaimed author of The Spite House and master of dread, takes you on a terrifying race of one woman against the hordes of hell.

London, 1891. Elizabeth Whittle and William Grant enjoy scalping London’s bourgeoise, taking on the persona of grand spiritist Cerulia Trent and her agent to connect the living and the dead. When a detective arrives, sniffing out fraud with a scientifically minded spiritualist society, the duo decides to take one last job before escaping to the continent. However, their final séance ends horrifically… and soon Lizzie isn’t Lizzie anymore.

On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate mountain highway. She is at the end of her rope, out of money and food. Still, she refuses help from a man in a pickup truck—Rebecca’s adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet.

Margot needs a minute. She’s been working eighty-hour weeks as a newly minted partner at her law firm. She’s disconnected from her brother, the only family she has left. And she’s still not pregnant after years of trying. Stars Harbor Astrological Retreat promises rest, relaxation, and wisdom for Margot and her friends. With Instagram-worthy views and nightly astrology readings in an impeccably restored waterfront Victorian house, this getaway should be nothing but idyllic fun.

Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.

Lady Tiffany Worthington has always had a special talent for making the world around her come to life – whether she wants it to or not – but it’s only with the arrival of her mysterious great aunt Esme on the eve of the Battle of Waterloo that she learns she’s a witch … and that the magic she’s long feared is actually a gift to be embraced.

Camford, 1920. Gilded and glittering, England's secret magical academy is no place for Clover, a commoner with neither connections nor magical blood. She tells herself she has fought her way there only to find a cure for her brother Matthew, one of the few survivors of a faerie attack on the battlefields of WWI which left the doors to faerie country sealed, the study of its magic banned, and its victims cursed.