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The shadows are in my blood. I can feel them crawling through me, slithering under my skin and taking me hostage. But the darkness within me isn't nearly as bad as the darkness that lives around me. The four Celestial Heirs will stop at nothing to destroy the lives of me and my sister. But they haven't figured out yet, that we're the strongest creatures they've ever known. And when that secret comes out, we need to be ready to face them as well as any other cruel Fae who rises against us.

We Might Just Make It After All brings us on the rollercoaster of adventures (and misadventures) that the best friends embarked on, from transferring colleges on a whim, to falling in and out of love with suitors, cramming into roach-infested Hell’s Kitchen apartments, and eventually designing the chic, simple bag that would launch the pair to global fame. Through it all, Katy and Elyce’s friendship remained unshakeable.

The shadows are in my blood. I can feel them crawling through me, slithering under my skin and taking me hostage. But the darkness within me isn't nearly as bad as the darkness that lives around me. The four Celestial Heirs will stop at nothing to destroy the lives of me and my sister. But they haven't figured out yet, that we're the strongest creatures they've ever known. And when that secret comes out, we need to be ready to face them as well as any other cruel Fae who rises against us. It’s us or them. And it damn well won’t be us.

It’s been over three months since my friends and I took down Cyrus. Three months where my biggest fear was what paper was due next... But I should have known it was too good to last. Now everything is falling apart. The Vampire Court has no king, the Dragon Court has no heart, and the Gargoyle Court has me—a teenager in way over her head. And it’s the worst possible timing, because a threat is brewing just as the Circle is collapsing. I have no choice but to return to the Shadow Realm and face the terrifying queen who nearly ended us…and make a deal with her to save Mekhi.

Edgar does not cheat in flower shows. He might use a magically enhanced serum, but anyone could do that. It's not his fault the other competitors don’t know magic exists! But when the Ivy House crew goes to the pre-show to support him, it becomes clear that someone should've been watching Edgar much more carefully. What he's done is way worse than overgrown flora.

After a disappointing return from the basajaunak lands, it's clear that Jessie and her crew need to form an alliance and fast! A massive battle is materializing, targeting Kingsley. Without more help, they'll never be enough to save Austin's brother from total annihilation. The good news is, gargoyle cairns are interested in meeting her. She's the only living female gargoyle and a connection with her has the opportunity to improve their status. They'd just have to change their way of life to accommodate her, not an easy ask for a gruff, stubborn sort of creature.

Over the course of his sixty-year career, Elmore Leonard, “the Dickens of Detroit,” published forty-five novels that have had enduring appeal to readers around the world. Revered by Martin Amis, Margaret Atwood, Raymond Carver, and Stephen King, his books were innovative in their blending of a Hemingway-inspired noirish minimalism and a masterful use of realistic dialogue over exposition—a direct evolution spurred by his years as a screenwriter. C. M. Kushins tells Leonard’s full life story.

Young dancer Nia Sioux was only nine years old when she stepped into stardom as one of the original cast members of Lifetime’s reality TV show Dance Moms. Training under the notorious Abby Lee Miller, Nia learned new choreography week after week, competed against dancers from across the country as well as at her own studio, and suffered through Abby’s ranking of the girls against each other in her infamous pyramid—all in front of an audience of millions. In this captivating memoir, Nia reclaims both the spotlight and her narrative.

In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time—a slice of entertainment history that’s never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.

An Bord einer Segeljacht begleiten Professor van Dusen und Hannah Hatch eine englische Reisegruppe an die Südwestküste von Portugal. Dort zwischen den schroffen Klippen befindet sich ein Haus: Charonion. Es ist düster, verwinkelt und birgt zahlreiche Geheimnisse. Mindestens eines davon erweist sich für eine Mitreisende als tödlich. Van Dusen und Hatch beginnen mit der Jagd nach einem Mörder und lassen dabei keinen Raum aus. Bis der Professor an die einzige verschlossene Tür des Hauses gerät. Doch was erwartet ihn dahinter?

C-L-I-N-T. In that short, sharp syllable, there is an emblem of American manhood and morality and sheer bloody-minded will, for better and worse, on screen and off, for more than sixty years. Whether he's holding a pistol, an orangutan, or a boxing glove; whether he's facing down bad guys on a western street (Old West or new, no matter); staring through the lens of a camera; or accepting one of his thirteen Oscars (including two for Best Picture); he is as blunt, curt, and solid as his name.

Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

She might just look like an ordinary—if beautiful—young woman, but Iriya is anything but ordinary! A ruthless warrior clad in red armor, Iriya is a Hunter determined to exterminate the vampires that were once her parents and siblings. Now, half-vampire, half-human D has to decide to offer his assistance, get out of the way, or have a dangerous battle on his hands! Adapted from the novel and produced with a full cast of actors, immersive sound effects and cinematic music!

As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, 'Budgie' became one of the era-defining drummers in the much-mythologised post punk scene of the late 1970s and early 1980s. A man and musician whose creativity and singular style came to define the goth-pop 1980s as much as any other individual, Budgie's life is both fabulously glamorous and a tawdry cautionary tale. For the first time the story of this most exalted and mysterious of bands has been told by one who survived inside the belly of the beast.

Commissioned by a vampire ancient to recover the coffin containing the body of the demonic Gilzen, hated even by his own kind, D travels to a frightening mountain landscape perennially shrouded in snow. Within a castle piercing the mountainside, D discovers a group of knights tasked to protect Gilzen at any cost. It’s time for D to use all the forces and powers at his command to prevent Gilzen’s resurrection!

Anxiety, depression, financial struggles, illness—Debbie writes candidly about these and other challenges, and how she ultimately redesigned her life to overcome them. This is the story of her not only surviving, but thriving: returning to her musical roots, releasing new albums, going back out on tour, and living the best version of her authentic self to remain…Eternally Electric!

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Roger Ebert, the famed film writer and critic, wrote biweekly essays for a feature called "The Great Movies," in which he offered a fresh and fervent appreciation of a great film. The Great Movies collects one hundred of these essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send listeners back to that film with a fresh set of eyes and renewed enthusiasm–or perhaps to an avid first-time viewing.

Score a front-row seat for the thrilling story of the icons and iconoclasts that revolutionized professional wrestling, packed with exclusive interviews and explosive action shots of your favorite stars.

Evan Dando, front man of The Lemonheads and “poster boy—and prettiest boy—of Gen X” (The New York Times), spills the true story of his band’s tumultuous history and what it was like to be famous in the pre-internet days in this candid, colorful, and unputdownable memoir. His memoir will remind readers what was so great about the pre-internet ’90s: the innocence, the access, and the anonymity.