Fantasy

Dragons, spells and kingdoms, no explanation required

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Harry Potter and the Sorcerer's Stone, Book 1
A Game of Thrones
The Way of Kings
The Name of the Wind
A Court of Thorns and Roses

Step into the wardrobe

Your next listen could follow a huntress into a faerie court, a homebody on a wizard's errand, or a sorceress defying the gods, through worlds of ash, storms and long winters.

Popular fantasy books

Meet a defiant sorceress, a wandering wizard and a monster hunter, from storm-lashed stone to faerie woods.

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Where to begin with fantasy

Start at the very beginning of expansive new worlds.

  • Summary of Harry Potter and the Sorcerer's Stone, Book 1

    An orphaned boy who sleeps in a cupboard under the stairs finds out he has a place waiting at a school for young witches and wizards, if the letters his aunt and uncle keep seizing ever reach him. The magic arrives one discovery at a time, so newcomers learn the rules right alongside Harry.

  • A Game of Thrones

    By: George R. R. Martin

    33h 46m

    Summary of A Game of Thrones

    Noble families scheme and go to war over a kingdom's throne in a land where a season can last for years, while an old threat stirs beyond the northern wall. Told through characters on every side, it lets newcomers enter a vast world through personal stakes as winter draws near.

  • The Name of the Wind

    By: Patrick Rothfuss

    27h 55m

    Summary of The Name of the Wind

    A legendary figure now hiding as a quiet innkeeper finally tells his true story, from a childhood among traveling performers to his hunger to study magic at a famed university. Told as one man's own account, it gives newcomers a close, human guide into a world where names hold power.

  • The Final Empire

    By: Brandon Sanderson

    24h 39m

    Summary of The Final Empire

    In an empire where ash falls from the sky and an immortal ruler keeps the enslaved skaa in fear, a street thief is pulled into a crew planning an impossible heist. Its magic runs on clear rules, fueled by swallowed metals, so newcomers can follow every fight and scheme as the plan takes shape.

What makes a story fantasy

Fantasy is where a dragon can land in the village square, a kid can learn a spell, and nobody stops to explain how it works. In these stories, magic is simply real. It might fill a whole invented world of kingdoms and storms, or it might hide just behind a door in our own cities. Either way, the impossible is part of life, and the characters have to deal with it.

What you get is a sense of wonder mixed with real danger. There are wizards and farm kids, gods and thieves, long journeys and hard choices. Some stories are warm and hopeful, some are grim and bloody, and plenty make room for a slow-burning romance. The modern genre took shape with Tolkien's The Hobbit and The Lord of the Rings, which showed how big an invented world could feel. Science fiction explains its marvels with machines; fantasy lets them stay magic.

Enrolled in magic school

Each of these four books puts its students in a classroom where the lessons can hurt them. You'll find a war college with dragons, a secret college in upstate New York, an Oxford translation institute and a school that tries to eat its pupils.

  • Fourth Wing

    By: Rebecca Yarros

    22h 2m

    Summary of Fourth Wing

    Frail and bookish, Violet Sorrengail is ordered into the rider quadrant of Basgiath War College, where cadets either bond with dragons or die trying. She has rivals who want her gone and a mother who rules the school, so every training day is a test of survival.

  • The Magicians

    By: Lev Grossman

    17h 24m

    Summary of The Magicians

    What if the magic school you dreamed about as a kid turned out to be real, and still left you miserable? Quentin Coldwater gets into Brakebills, a hidden college of magic in New York, and finds that spells take years of hard work and don't make anyone happy.

  • Babel

    By: R. F. Kuang

    21h 46m

    Summary of Babel

    In 1830s Oxford, Robin Swift trains at the Royal Institute of Translation, where silver bars use the gaps between languages to power the British Empire. As he learns the craft, he has to decide whether his loyalty belongs to the institution or to the people it exploits.

  • A Deadly Education

    By: Naomi Novik

    10h 59m

    Summary of A Deadly Education

    Graduation is a matter of survival at the Scholomance, a school with no teachers where monsters hunt students through the halls. El has a dark power that could level cities, and all she wants is to get out alive without anyone noticing what she is, or trying to use her power.

Grim, brutal and morally gray

Mercenaries, torturers, weary soldiers and lost souls hunting for vengeance fill this row, all of them living in worlds where violence costs something and choices rarely stay clean. Each title here kicks off a longer saga, with plenty more darkness to follow.

  • The Blade Itself

    By: Joe Abercrombie

    22h 15m

    Summary of The Blade Itself

    Logen Ninefingers, a notorious Northern fighter, has finally run out of luck and ends up in the Union, a land of war and scheming where the torturer Glokta hunts traitors. Nobody here is a hero, and the dark humor cuts as deep as the blades.

  • Gardens of the Moon

    By: Steven Erikson

    26h 3m

    Summary of Gardens of the Moon

    An empire worn down by endless war and feuding in its own ranks turns its armies on a rich free city, and the ancient sorcerer Anomander Rake stands in the way. Soldiers, mages and gods all work their own angles, and loyalty costs dearly.

  • The Black Company

    By: Glen Cook

    10h 54m

    Summary of The Black Company

    What happens when the mercenaries you follow sign on with a sorceress who may be evil itself? The Company's physician, Croaker, keeps its records and sets down their campaigns for the Lady in plain terms, where survival matters more than who is right.

  • The Shadow of the Gods

    By: John Gwynne

    18h 14m

    Summary of The Shadow of the Gods

    A hundred years after the gods destroyed one another, their bones still lie scattered across a Norse-inspired land, promising power to whoever digs them up. Three people chase vengeance, belonging and lost family through a world of bloodshed and hard choices.

Cozy tales with low stakes

None of these stories are about saving the world. They're about smaller things: an island orphanage, a coffee shop, a castle kitchen and a seaside shop selling jam and spells, each told with warmth and humor.

  • Summary of The House in the Cerulean Sea

    Linus Baker, a by-the-book caseworker who inspects homes for magical children, is sent to a remote island orphanage where his report will decide its future. Six unusual kids and their guarded caretaker slowly pull his rule-bound life toward something warmer.

  • Legends & Lattes

    By: Travis Baldree

    7h 19m

    Summary of Legends & Lattes

    Viv, an orc mercenary tired of swinging a sword, retires to the city of Thune with a plan nobody there understands: open its first coffee shop. Fixing up the place, winning over locals and gathering odd new friends becomes the whole adventure.

  • Summary of The House Witch: A Humorous Romantic Fantasy

    Finlay Ashowan takes a job as cook for the King and Queen of Daxaria while hiding a quiet talent: he is a house witch, whose magic works through hearth and home. Kitchen banter, a prickly knight and a court mystery simmer together in a funny, warm romance.

  • The Spellshop

    By: Sarah Beth Durst

    12h 11m

    Summary of The Spellshop

    When her library burns in a revolution, librarian Kiela flees to her quiet home island with a stash of forbidden spellbooks and Caz, her talking spider plant. Selling jam and small secret spells to her neighbors, she slowly builds friendships and a new life.

Fantasy: definition

Part of speech: noun

  1. Fiction in which magic, supernatural beings, or other impossible elements not explained by science form a real and central part of the story's world, whether that world is invented or a version of our own.

  2. Informal. The literature of the impossible, taken seriously.

  • What if magic ran in certain bloodlines?

  • What if the old gods still walked city streets?

  • What if a door in the wardrobe led to another world?

  • What if dragons chose their riders?

The branches of fantasy

Three major branches of fantasy and what sets each one apart.

  • Epic fantasy

    Big stakes define it: wars, fallen empires and threats that could end the world, played out across an invented land with its own history. Stories often follow several characters over many books as small choices grow into battles that decide the fate of nations.

    Tropes
    the dark lord, the chosen one
    Characters
    the farm boy heir, the exiled queen
    Worlds
    warring kingdoms, ancient ruined empires
  • Urban fantasy

    What if magic were hiding in a city you already know? Here wizards, vampires and shapeshifters live just out of sight in modern streets, and the plots often run like detective stories with spells in place of forensics.

    Tropes
    the hidden magical underworld, the supernatural case
    Characters
    the wizard detective, the reluctant werewolf
    Worlds
    modern cities, secret night markets
  • Romantasy

    A love story and a fully magical world carry equal weight, and neither works without the other. Expect slow-burn tension, dangerous alliances and courtship tangled up with court politics, curses or war.

    Tropes
    enemies to lovers, the fated bond
    Characters
    the fae prince, the mortal bargainer
    Worlds
    fae courts, cursed kingdoms

Popular fantasy authors

These cards cover the invented languages and deep history of Middle-earth, sprawling multi-book epics, magic with strict rules, and a wizard for hire working cases in modern Chicago. Some of these worlds take shape over one long quest; others grow across whole shelves of connected books.

Brandon Sanderson

2000s – 2020s

Brandon Sanderson builds magic the way an engineer builds machines, with clear costs and limits that his characters learn to exploit. Many of his novels share a hidden universe he calls the Cosmere, so a detail planted in one world can surface in another. He is famously prolific, and he was chosen to complete Robert Jordan's Wheel of Time after Jordan's death.

J. R. R. Tolkien

1920s – 1970s

J. R. R. Tolkien was an Oxford professor of Old English who invented languages first and then built a world where they could be spoken. That scholarly patience shows in Middle-earth, with its maps, songs, family lines and long ages of history behind every road. The Lord of the Rings set a template that much of modern epic fantasy still follows: a perilous quest, a band of companions, and the sense of an old world slowly passing.

Robert Jordan

1980s – 2000s

Robert Jordan was the pen name of James Oliver Rigney Jr., a Vietnam veteran from Charleston who worked as a nuclear engineer before turning to fiction. His Wheel of Time works on a continental scale, with rival nations, a huge cast and a magic split into male and female halves. In his world time turns in cycles, so the legends of one age return as the history of the next.

Jim Butcher

2000s – 2020s

Jim Butcher made his name with Harry Dresden, a wisecracking Chicago wizard who takes on cases the police would rather not touch. The Dresden Files mixes hard-boiled detective fiction with a hidden world of vampires, faeries and wizard politics, and the series keeps widening from book to book. Away from Chicago, Butcher has written epic fantasy with a Roman flavor and airship adventures set among towering stone spires.

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Fantasy questions, answered

Answers to common questions about fantasy on audio, from long series and romantasy to what to try after the books you already love.

Yes, and the longevity of fantasy series is part of the reason why! The Wheel of Time, for example, is comprised of fourteen books. The same narrators often stay with a series for years: Kate Reading and Michael Kramer narrate both The Eye of the World and The Great Hunt, and they also share The Way of Kings. Audio also lends itself well to the invented names and places that are so common in the fantasy genre, since you hear them spoken instead of having to guess how they might sound.

For big epics like A Game of Thrones or The Way of Kings, it helps to start at the beginning because the story builds from book to book. But that's not always the case. Some series offer easier ways in. The Hobbit stands on its own as a prelude to Tolkien's trilogy, and The Last Wish is a collection of Geralt's adventures that serves as the entry point to The Witcher. If you'd rather not commit to a series, Circe, The Night Circus and Good Omens are complete in one book.

Both can have monsters, curses and things that go bump in the night. The difference is what the story is after. Supernatural horror often uses the unknown to build fear, while fantasy is more focused on building an alternate world in which characters can learn lessons or fall in love, for instance.

Romantasy is short for romantic fantasy: the love story drives the plot, which plays out in a fully magical world. A Court of Thorns and Roses by Sarah J. Maas mixes romance, adventure and faerie lore, and it's the best-known example. Fourth Wing by Rebecca Yarros adds some danger to the mix. If you want something gentler, The Spellshop by Sarah Beth Durst is a cottagecore love story built around stolen spellbooks and a sentient spider plant.

If magic school was your favorite part, A Deadly Education by Naomi Novik is set at a far deadlier school, told by an unwilling dark sorceress. The Magicians by Lev Grossman is an adult take on a young man studying magic in the real world. For another kid who finds out he's part of a hidden magical world, try The Lightning Thief by Rick Riordan, which brings Greek gods into modern life.

The Blade Itself by Joe Abercrombie has the same feuds, shifting loyalties and characters who are hard to call heroes, plus a lot of dark humor. The Shadow of the Gods by John Gwynne is set in a Norse-inspired world where dead gods' bones promise power, and it's built on vengeance. For a monster hunter caught up in human politics, The Last Wish by Andrzej Sapkowski begins The Witcher saga.

The map is yours now

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