Mostrando resultados por "radio movies" en Todas las categorías

Filmmakers and entertainers discuss the movies that inspired them. Hosted by Oscar nominated screenwriter and TFH Guru Josh Olson and fearless leader himself, director Joe Dante. The Movies That Made Me is recorded live in Hollywood and engineered by film composer Don Barrett. SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We’re a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ...

John Barrowman, Eve Myles and Gareth David-Lloyd star in seven full-cast BBC Radio 4 dramas based on the hit BBC TV series. In "Lost Souls" by Joseph Lidster, voices from the past are calling out from the Large Hadron Collider at CERN, and scientists are disappearing. Can Torchwood help? 'Asylum' by Anita Sullivan sees PC Andy Davidson turn to Torchwood after he arrests a very unusual shoplifter. 'Golden Age' by James Goss finds the team in Delhi, on the trail of a dangerous energy field.

A new edition of the collection featuring each of the Doctor's full-cast BBC radio adventures—and more. Also included in this new edition is a 45-minute conversation with Elisabeth Sladen, recorded exclusively for BBC Audio in 2004.

A tour of Christmas through the years from the first film about the holiday in 1898 through a certain Red nosed Reindeer and a too rich Scrooge of a cartoon character in 1949. Short write-ups about movies, radio shows, magazine covers and more that are good for a few minutes snatched here and there during your busy Christmas season.

The Mighty Boosh is unlike any show you are ever likely to hear, and one that defies description; the closest you could get to the unique style of Julian Barratt and Noel Fielding would be in the early days of Reeves and Mortimer, with their cardboard props and men with sticks.

A compelling dramatisation of Rohinton Mistry's Booker Prize-nominated novel about India's underclass. India, 1975. Desperate to preserve her independence from her abusive brother, Parsi widow Dina Dilal turns her cramped city apartment into a sweatshop. But when her eyesight begins to fail, she hires two tailors - uncle and nephew Ishvar and Om, who have fled from caste violence in their native village. She also takes in a lodger - Maneck, a reluctant student from the mountains.

This radio dramatization of the classic movie features the original stars, including Gregory Peck, who recreated his Oscar-nominated role. It aired on Janunary 6, 1947.

We have entered an age where we now have instant, unlimited, free access to the history of recorded music. We have the ability to listen across genres and eras. This is a world-wide phenomenon. This book is a guide to taking advantage of this astonishing new power. This book is also a way to appreciate one of our great cultural legacies; one that is very alive today. It is about American popular song and the body of work referred to as the Great American Songbook. These tunes are appreciated and treasured by listeners all over the world. This book is an effort to introduce you to the songs,...

This radio dramatization of the classic musical features Judy Garland re-creating the role for which she received an honorary Academy Award. It aired on Dec. 25, 1950, a dozen years after the movie was released.

First there was the insomnia.Then there were the support groups that helped him sleep.Then Marla Singer turned up, muscled in on ascending bowel cancer and ruined everything.Then he met Tyler Durden. Then came Fight Club. Fight Club is the psychological story of a man's descent into an underground world of violence. Mild mannered product recall specialist by day, tortured insomniac by night, our narrator meets Tyler Durden - part-time projectionist, banquet waiter, soap-maker and anarchic genius. Together they create Fight Club.

Benedict Cumberbatch plays the young, feisty, devastatingly acute Horace Rumpole in this collection of cracking cases, also starring Timothy West as the older Rumpole. Rumpole and the Penge Bungalow Murders: It is the '50s, and two war heroes have been shot dead. Defending the suspect is deemed hopeless, so the case is handed to a novice. But the novice's superiors didn't count on the tenacity and wit of the young and hungry Horace Rumpole.

In The Unquenchable Thirst of Dracula, one of seven 'unmade movies' available on audio, it is 1934, and young Englishwoman Penny is travelling by train across India in search of her missing sister. En route, she meets sibling artistes Prem and Lakshmi, who have been hired by a Maharajah and his wife, the Rani, to entertain their aristocratic European guest. But evil lurks in the hidden caverns beneath the ancient palace, where the acolytes of a fiendish blood cult await their next human sacrifice....

On Halloween eve 1938, people across America gathered around the radio to listen to their favorite Sunday evening program. Expecting to hear the latest drama from Orson Welles's Mercury Theatre, many were alarmed when news bulletins interrupted the show. New Jersey had been rocked by mysterious explosions. The announcements continued, each more frantic than the last. An invading army's strange and powerful weapons had killed thousands. Listeners feared the worst. Was America under attack by the Germans? Could this be the start of another world war?

The annals of movie history are full of lost treasures – spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th Century writers, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

The Queen of Urban Airwaves and VH1 host, Wendy Williams, dishes up juicy revelations and insider stories without batting a false eyelash.

This radio dramatization of the classic movie is introduced by its director, Frank Capra, and features James Stewart re-creating his Oscar-nominated role. It aired on May 8, 1949.

When radio reporter Carol Childs is called to a crime scene in the Hollywood Hills at five thirty in the morning, she’s convinced it must be a publicity stunt to promote a new movie. That is, until she sees the body hanging from the center of the Hollywood sign. The police are quick to rule it a suicide, but something doesn’t add up for Carol. Particularly after a mysterious caller named Mustang Sally confesses to the murder on the air and threatens to kill again. With the help of an incorrigible PI, her best friend, and a kooky psychic, Carol is drawn into the world of contract killers...

How about a Halloween gift? More quality fare to watch this spooky season? I’m making my Finding Hermes presentation public. Get ready to delve into various forms of Gnostic horror films, from mind parasite fare to cosmic horror to simulated reality flicks. The list is varied and includes some classics that might surprise you. I also argue that both sci-fi and horror originated in Gnostic thought, and that one of history’s worst filmmakers tapped into deep Gnosis for his “art.” The presentation will further crystallize Gnosticism and its subtleties. Boo! Get The Occult Elvis: https://...

The White Hotel, one of seven 'unmade movies' available on audio, centres around circus performer Lisa, who visits famous Berlin psychoanalyst Dr Probst to discover the cause of her mysterious breast and pelvic pains. Reading her sexually charged journal, Probst concludes that the answer lies in her past. But then Lisa reveals her unsettling premonitions - 'I see what is going to happen. And what is going to happen cannot be endured.' Is her trauma really the result of childhood memories or a dark vision of the future?