The Burning Man. It’s the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London’s parks. And now there’s a fifth.Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve’s empathy clouds her judgment, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke?
Maeve’s frenetic hunt for a killer in The Burning, Jane Casey’s series debut, is a gripping introduction to one of the most engaging crime fiction characters in recent memory.
©2011 Jane Casey (P)2012 Brilliance Audio, Inc.
Avid reader and audiobook listener; I love paranormal lit, mysteries, historical fiction, romance, Brit-crime novels and thrillers.
This is not one of the better detective stories I have listened to recently. The plot is fairly predictable, nothing very interesting. It's a standard whodunnit. I do not like the deliberately misleading introduction of Louise (if you listen to/read it, you'll understand what I mean). It's immature and lacks imagination on the writer's part. There is nothing here that makes me want to continue listening if this should become a series.
What I enjoyed least about this book is the narrator. The chair she is sitting in often creaks noticeably in the background. She has a bad habit of sucking in air between her teeth. Sometimes it could be appropriate to the dialogue, but at other times it's just annoying. Her portrayal of male characters is very distracting as her voice becomes extremely harsh-sounding and nasal. Right around the beginning of the second half it is obvious that she has a rather bad head cold and at times her voice becomes so scratchy that it I found myself actually clearing MY throat! I wanted to yell at her to take a drink of water! When this happens, I don't understand why they don't just stop recording and wait a few days for the reader to get better instead of pushing them until they are hoarse. Things like this are distracting to me and really detract from the listening experience. A narrator should be unobtrusive, in my opinion.
I wish I had saved the credit, but it isn't the worst I've listened to. It's just....meh. Save your credit unless you're desperate for Britcrime and have listened to everything else.
I thought I'd have a tough time listening to the narrator at the start of the book but she turned out to be very skilled in changing from one voice to another and differentiating between characters.
I enjoyed Jane Casey's style of writing and the story kept me wanting to listen to more.
This is Casey’s debut novel involving Maeve Kerrigan, a bright and ambitious detective on the murder squad. She is willing to give all she has to the job, to bring murderers to justice. This puts her in conflict with her boy friend, Ian, and her parents, all of whom don’t want her to be a policewoman at all and think it’s too dangerous for her. She also has to fight against her male counterparts who make cracks about her being a woman, and who feel that her “compassion” gets in the way of her judgment. At present they are tracking down a serial killer, dubbed “the burning man” by the press because he has killed four women, savaged their looks unbelievably so as to disguise who they are, and then set them on fire. There is a fifth victim, who fits some, but not all of the MO of the burning man. Maeve doesn’t think it’s the same killer but a copycat killer, and she sets out to find the murderer while working also on the serial killer case. In some ways this was a compelling book. The character of Maeve reminds me of Paddy Sheehan, Denise Mina’s character, fighting for respect from her family and from her male colleagues. The use of alternating viewpoints in this novel didn’t work for me. The narrator did very well with all the characters, portraying them. But with the alternating voices, particularly if the character now speaking isn’t named, which happened a couple of times, even the best of narrators couldn’t have avoided some confusion for the reader. Having said this, I liked Maeve as a character and am willing to read more books in this series.
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English (as in Scotland Yard), Enjoyable, Feminine Perspective
One of the selling points for this series is of course the lead detective, Maeve Kerrigan, who is smart and fairly unflappable. She definitely has some commitment issues in her personal life that she's going to have to get over...I sometimes find myself losing patience with all the back and forth with her boyfriend/fellow police officer, Rob.
I appreciated Maeve's obvious empathy with the female victims.
A good listen if you enjoy British police procedurals with a psychological bent.
Not a writer, a writer wannabe, editor, lit maj, or pretend literary critic. Just an avid reader/listener. My ratings are opinion only.
A good solid listen even if you figured it out in the first 2 chapters. Excellent narration for an enjoyable story.
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