It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident--an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander--until he becomes a suspect.
With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn, she takes her masterful plotting one step further. Like a set of Russian dolls, each thread of the narrative reveals itself to be related to the last.
Her Dickensian cast of characters are all looking for love or money and find it in surprising places. As ever with Atkinson, what each one actually discovers is his or her true self.
Unpausable and triumphant, One Good Turn is a sharply intelligent listen that is also percipient, funny, and totally satisfying.
©2006 Kate Atkinson (P)2015 Random House Audiobooks
This was such a treat of a story to listen to on all the long drives we've done lately. We hung on every word and revelled in Steven Crossley's delivery. Highly recommended.
I like the Atkinson novels but in this case I was a bit disappointed, the technique she use of many chatacthers telling the story is ok but it has ben used too much and the story has lost some suspense. I have 4 stars because she can write and create a good setting.
"A good read, with some annoying elements!"
This was a really good, clever, interwoven story, full of rich characters and many twists and turns. Sometimes Kate Atkinson's habit of wandering off into another story, or adding in a mass of detail, became annoying. But overall better than your average thriller. Stephen Crossley is an excellent narrator, and managed to convey a vast cast of characters clearly and distinctly.
I'll continue to follow Jackson's adventures - and his unfortunate love life!
I always enjoy Kate Atkinson's story-telling and style. Unfortunately this was spoiled sometimes by the narrator's seeming lack of feeling for the sense of what she had written, resulting in errors of pronunciation, stress and intonation which altered the meaning of the text!
I'm not sure that this is a book about moments. The plot is a mesh of interwoven stories -most memorable are the characters.
Yes he did. I have listened to him reading other novels. The characters do have different voices but those voices are not always those which I should allot to the characters. I often find his female voices extremely irritating, their regional accents heavy and overdone, giving an impression of a lack of intelligence. He didn't learn how to pronounce Niambh until Book 3. His ugly pronunciation jarred every time.
Yes. I enjoyed the book despite the narrator's efforts to prevent this. I had read the novel some years previously and had read too quickly because of my need to know what would happen next - listening at reading pace meant that I savoured the text more slowly. To continue the metaphor, however, the dish was nearly spoiled by the seasoning of the narration.
The narrator made mistakes. This is important in a novel where the narrator is 'all knowing'.We the listener/reader assume that he or she knows the story. This is not the case here. One gets the impression that the narrator had simply picked up the text for the first time and had no more insight into what would happen than we had. I'm surprised that the errors were not picked up. Surely there is an editing process?
"Intricate and intriguing"
Story telling at its best: I was absorbed from the first paragraph until the end of this intriguing novel. Each character was brought to life through cleverly woven sub plots and the whole brought together with style and panache. A great read.
"Not enough mystery and suspense"
An average light read, I wouldn't know how to compare it to the average Jackson Brodie story, because I haven't read very many. After finishing the book, I couldn't help thinking that it was as if Kate Atkinson herself graded the book/ and series as average crime novels, through her character writer, also her description of the average reader wasn't very flattering either. That was the irony and tragedy of the book. Good imagination, but few of her characters were a bit shallow. Well, if Kate Atkinson feels that it is time for her to write a more serious novel, then I hope she can live up to the challenge, but why undermine this story by sharing the frustration.
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