"My father was in the hospital and every night when I visited him, I read aloud to him. James Thurber. And one night he said, 'You really should do that on your show,' and I said, 'Dad, it’s a television newscast. I’d love to, but how could it possibly fit?' And he said, 'How often have I ever suggested anything for your shows?' And I remembered that he never had. But I also reminded him that there were things like copyrights and bills, to which he said, 'Try it. You never know.'
"I began to read Thurber once a week on television, and continue to do so whenever and wherever I can. I’m happy to say this has sparked a mini-revival, which I hope erupts into a full-scale newfound appreciation for a man whose writings are nearly perfect. He did not intend them to be read aloud, but they are ideally suited for the task: clean, economical, vivid, full of crashes and thuds - and silences, too. And for that matter, they make wonderful tributes to memories - memories of my dad, and Rosemary Thurber’s."
Keith Olbermann, May 19, 2011
Stories included in The James Thurber Audio Collection: "There’s No Place Like Home", "The Bear Who Let It Alone", "The Greatest Man in the World", "The Night the Ghost Got In", "I Went to Sullivant", "The Unicorn in the Garden", "How to Relax While Broadcasting", "The Tortoise and the Hare", "A Box to Hide In", "The Owl Who Was God", "The Secret Life of Walter Mitty", "If Grant Had Been Drinking at Appomattox", "The Moth and the Star", "The Dog That Bit People", "The Topaz Cufflinks Mystery", "The Little Girl and the Wolf", "The Macbeth Murder Mystery", "The Rabbits Who Caused All the Trouble", "The Night the Bed Fell", "Sex Ex Machina", "The Scotty Who Knew Too Much", "The Car We Had to Push", and "The Peacelike Mongoose".
©1956 Rosemary A. Thurber (P)2011 HarperCollins Publishers
An old broad that enjoys books of all types. Would rather read than write reviews though. I know what I like, and won't be bothered by crap.
I remember James Thurber from high school when we did a play called "The Unicorn in the Garden". I enjoyed that so much I read some other short stories he had written like, "The Night The bed Fell" and the different fables he wrote.
All of these and more are included here and for the most part they really hold up today.
Keith Olbermann's introduction explains that he read these to his dying father in the hospital and his father told him he should do this for a living. So this selection is lovingly done with his father in mind.
I can't recommend this enough. It will have you falling on the floor laughing!
Thrurber's oddities are thoroughly enjoyable, but may have been even more so if most had been presented by a less frenetic narrator. Olbermann did, however, have his moments, and the way he came to this was very touching...
I had downloaded this book some time ago, and kept it as a 'buffer', to listen to when one audiobook ran out and there was no quick replacement. When I finally got to listen to it, I was pleasantly surprised. Olberman does a masterful job, and gets things out of the reading that truly adds to the enjoyment of these Thurber classics.
More Thurber in audiobook form should cause jubilation, and the 23 selections are among the most beloved of the author's writing (the cartoons are missing, of course). Keith Olbermann is therefore to be commended for undertaking the project.
One wishes, however, that the broadcaster's delivery was not so melodramatically urgent. Hard-sell punch was perfect for ESPN, and less so for his evening news/talk cable shows. With Thurber, it often creates the kind of cognitive dissonance that would occur if one was shaken awake by someone screaming, "I love you!"
One is pleased to find Audible also offers "My World and Welcome to It," read by a less-histrionic John Cullum, who allows the wit to sneak up on you rather than being shot from a cannon.
Varied, extraordinarily well articulated, top-notch Dramatic Interpretation.
The mother in the ghost story was so clearly illuminated through the entire vocalization ... nearly perfectly stereotyped franticly anxious maternal figure. It's an entirely different archetype from what I perceive Keith Olbermann's to be ... but it's obvious he was drawing from someone he's known!
I've listened to a few pieces by Keith Olbermann before ... he is a tremendous narrator and voice actor, and this talent really seemed to take off, be highlighted, by this vocal performance of Thurber's works ... it was ... the beginning, and I think one of his piece de resistances.
Though not written for narration, it is perfectly suited for it; I don't imagine anyone better than Keith Olbermann, himself a native New Yorker and broadcaster/media talent of a century, as was Thurber, could have brought this to life in this precise, exactly right kind of way.
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