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Robinson Crusoe is considered by many to be the first novel in the English language. The term 'Robinsonade' has even been coined to describe the various spin-offs of Robinson Crusoe. It is astonishing how much of the book has become part of the language; the very term 'Robinson Crusoe' has become synonymous with the concept of a castaway.

This is one of Sir Walter Scott’s greatest adventures, set amongst the roaring battles of the struggle between the Normans and the Saxons for control of medieval England. It deals with the rivalry between King Richard the Lion-Heart and his brother, John. We follow the adventures, skirmishes and romances of the hero, Ivanhoe, a Saxon knight loyal to King Richard, as he attempts to survive the England of King John alongside the disguised Richard and, of course, Robin Hood.

"It is a far, far better thing that I do, than I have ever done...." With these words and a superb act of bravery and sacrifice, one of the most badly behaved heroes of all time ends Charles Dickens' great tale of the French Revolution. This is a firework display of a book, a crackling picture of the ravages and excesses of starving, furious men and the astonishing acts of heroism that usually accompany them.

One of the wittiest and most scathing of Henry James' novellas, The Aspern Papers chronicles the attempt to extract the valuable letters of the famous and recently deceased poet Jeffrey Aspern from the hands of his past lover and formidable adversary in the battle Juliana Bordereau. The plot was reputedly suggested to James by a story he heard of an illicit attempt to get hold of several of Lord Byron's letters.

Written as the diary of someone who would not normally merit a memoir but considers that he should have one written about him anyway, The Diary of a Nobody chronicles in agonizing but very funny detail everyday life in the lower middle class suburbs of Victorian England and the attempts of a social climber to better himself. It was published in 1892. First published in the satirical magazine Punch as a serial between 1888 and 1889, with illustrations by the author’s brother, Weedon.

Illusion and love - two of James' favourite things - grin thorough this collection of funny and wicked tales. The illusion of social class, a favourite stamping ground for James, is explored in the glittering social comedy "The Real Thing", first published in 1892, in which an artist attempts vainly to capture the nature of aristocracy via painting what he takes to be 'real' members of that social group.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

The wild and passionate tale of Cathy and Heathcliff's impossible love for each other and its phenomenal setting on the blasted Yorkshire moors has to be one of the best-known love affairs in literature.

The legendary British actor Terence Stamp reads the book that he says 'changed his life'. This is an exploration of our existence and a journey towards enlightenment. In what the author calls 'the fine print' at the start of the book, David Carse wrote: 'There are many books out there that will help you to live a better life, become a better person, and evolve and grow to realise your potential as a spiritual being. This is not one of them....'

Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

This is Jane Austen's lighthearted lesson in what you get for reading too many gothic novels. It is a mark of the astonishing talent of the woman, however, that even a flippant swipe at the trashy reading of the day turned out to be an elegant if extremely funny classic. Catherine Morland is another one of those Austen girls who, in spite of her gloriously ironic portrait as a romantic heroine in training, ends up being someone whose story you'd follow to the end of the world, or at least until the end of the book.

The battle between a father and a daughter is usually portrayed in literature as a struggle between a headstrong but feisty girl and a tradition-bound lead weight of a father. Henry James, of course, had to do it somewhat differently. He tells a story of an intelligent man riding the turn of the tide in mid-19th-century New York and watching what he sees as his numbingly dull and conventional daughter making the mistake of her life in her choice of husband.

The Mill on the Floss is one of the great works of English literature. It is perhaps the most autobiographical of all Eliot's novels. The relationship between its heroine, Maggie Tulliver, and her brother, Tom, closely resembles that of George Eliot and her own brother, Isaac. The subject of sibling affection was clearly a deeply poignant one for George Eliot - she also wrote a series of beautiful and evocative sonnets entitled 'Brother and Sister'.

Fanny Burney's wickedly funny satire follows the trials and romantic adventures of the young and beautiful Evelina as she tries to make her way through 18th-century Britain handicapped by her three great problems: being poor, being illegitimate - and being a girl. Evelina was a raging best seller when it was first published in 1778 and is widely credited with being the first of the great British domestic novels. Burney was a direct influence on her immediate follower, Jane Austen.

The tale of Dr. Frankenstein and the horrendous monster he unleashes on the world when he tinkers with the laws of nature had almost as strange a birth as the monster itself. It was the product of one of the most famous ghost story telling sessions in history. Lord Byron, Percy Bysshe Shelley and several others were stranded on the shores of Lake Geneva during a particularly sodden summer.

The story of young Tom Brown's seemingly hideous years spent at rugby school and his spirited and astonishingly stalwart response to the institutionalised bullying prevalent at the 'Great' British public schools became exactly the campaigning tool its author hoped it would. The regimes at these schools had been largely unchallenged, with the assumption being that the education and training received were the best.

First conceived during a rainy summer holiday in the Highlands of Scotland in an attempt to amuse his stepson, Treasure Island began with the map. Young Lloyd Osbourne had drawn a crude version of an island, and Stevenson, looking over the boy's shoulder, began to elaborate, christening various curves and smudges the famed names of Skeleton Island and Spyglass Hill and finally adding the three red crosses marking the buried treasure.

Persuasion tells the story of one of the most popular of literary heroines, the glorious Anne Eliot. Persuaded out of marrying the man she loves due to his not being a good enough match, Anne calmly and wittily takes us through her journey from her life as the middle daughter of a spendthrift and vain baronet through a sojourn in the marriage market that the City of Bath became in the 19th century to a final and merry resolution of the long search for the ideal match.

Riotous, sexy and groundbreaking, Henry Fielding's Joseph Andrews: The History of the Adventures of Joseph Andrews and His Friend Mr. Abraham Adams, published in 1742, was one of the first English novels. Fielding was melding and parodying the two major forces battling for control of the fiction market at the time - the mock heroic, neoclassical tradition as practiced by Pope and Swift and the popular and populist fiction of the new novelists such as Defoe and Richardson.

The three tales that make up Edgar Allan Poe's The Dupin Mysteries introduce us to the cracking character of Chevalier Auguste Dupin. As a rationalist and practitioner of brilliant deduction, he was to become the template for most of the detective fiction that followed speedily in his wake. The first tale, "The Murders in the Rue Morgue", details a form of murder solving that was to become only too familiar.