Mostrando resultados por Editor "Granta Books" en Todas las categorías

Rebecca Solnit maps the extraordinary revolution of ideas and rights that we've experienced over the last fifty years, which has profoundly changed our world. In recognising the interdependent and symbiotic relationships in nature and among humans, this revolution is beginning to overturn capitalism, white supremacy, patriarchy and the human domination of nature - despite the best efforts of the old world to fight back.

Meet Keiko. Keiko is 36 years old. She's never had a boyfriend, and she's been working in the same supermarket for eighteen years. Keiko's family wishes she'd get a proper job. Her friends wonder why she won't get married. But Keiko knows what makes her happy, and she's not going to let anyone come between her and her convenience store.

In 1981, Rebecca Solnit rented a studio apartment in San Francisco that would be her home for the next twenty-five years. There, she began to come to terms with the epidemic of violence against women around her, the street harassment that unsettled her, and the authority figures that routinely disbelieved her. That violence weighed on her as she faced the task of having a voice in a society that preferred women to shut up or go away.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia.

Are there any genuinely wild places left in Britain and Ireland? Or have we tarmacked, farmed and built ourselves out of wildness? In his vital, bewitching, inspiring classic, Robert Macfarlane sets out in search of the wildness that remains.

In 2000, a Chinese woman gave birth to twins in a bamboo grove, trying to avoid detection by the government because she already had two daughters. Two years later, an American couple travelled to Shaoyang to adopt a Chinese toddler they thought had been abandoned. Their understanding had been that China's brutal one-child policy was leading to hundreds of abandoned girls, desperate for the care of adopted parents.

Once we thought monsters lived there. In the Enlightenment we scaled them to commune with the sublime. Soon, we were racing to conquer their summits in the name of national pride. In this ground-breaking, classic work, Robert Macfarlane takes us up into the mountains: to experience their shattering beauty, the fear and risk of adventure, and to explore the strange impulses that have for centuries lead us to the world's highest places.

The remarkable new novel from the Booker Prize-shortlisted author of Do Not Say We Have Nothing, which leaps across centuries past and future as if different eras were separated by only a door. Why did people, who lived so briefly in this universe, contain so much time? Lina and her ailing father have taken refuge at an enclave called the Sea, a staging post between migrations, with only a few possessions, among them three volumes from The Great Lives of Voyagers encyclopaedia series.

Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practise her other calling: as an unofficial shrink. For years, she has supported her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but then her old mentor, Sylvia Liller, makes a proposal. Sylvia has become famous for her prescient podcast, 'Hell and High Water', and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.

Amane is ten years old when she discovers she's not like everyone else. Her school friends were all conceived the normal way, by artificial insemination, and raised in the normal way, by parents in 'clean', sexless marriages. But Amane's parents committed the ultimate taboo: they fell in love, had sex and procreated. As Amane grows up and enters adulthood, she does her best to fit in and live her life like the rest of society: cultivating intense relationships with anime characters, and limiting herself to extra-marital sex, as is the norm.

A powerful, compressed masterwork for fans of Shirley Jackson and Claire-Louise Bennett. A woman moves from the place of her birth to a remote northern country to be housekeeper to her brother, whose wife has just left him. The youngest child of many siblings - more than she cares to remember - from earliest childhood she has attended to their every desire, smoothed away the slightest discomfort with perfect obedience, with the highest degree of devotion. The country, it transpires, is the country of their family's ancestors, an obscure though reviled people.

When X - an iconoclastic artist, writer and polarizing shape-shifter - dies suddenly, her widow, wild with grief, hurls herself into writing a biography of the woman she deified. Though X was recognised as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals and destruction.

Helen Grant is a mystery to her daughter. An extrovert with few friends who has sought intimacy in the wrong places; a twice-divorced mother-of-two now living alone surrounded by her memories, Helen (known to her acquaintances as 'Hen') has always haunted Bridget. Now, Bridget is an academic in her forties. She sees Helen once a year, and considers the problem to be contained. As she looks back on their tumultuous relationship - the performances and small deceptions - she tries to reckon with the cruelties inflicted on both sides. But when Helen makes it clear that she wants more, it seems an old struggle will have to be replayed.

England, 1643. Parliament is battling the King; the war between the Roundheads and the Cavaliers rages. Puritanical fervour has gripped the nation, and the hot terror of damnation burns black in every shadow. In Manningtree, depleted of men since the wars began, the women are left to their own devices. At the margins of this diminished community are those who are barely tolerated by the affluent villagers - the old, the poor, the unmarried, the sharp-tongued.

Karachi. Pakistan's largest city is a sprawling metropolis of 20 million people. It is a place of political turbulence in which those who have power wield it with brutal and partisan force, a place in which it pays to have friends in the right places and to avoid making deadly enemies. It is a society where lavish wealth and absolute poverty live side by side, and where the lines between idealism and corruption can quickly blur.

Roses, pleasure, and politics: a fresh take on Orwell as an avid gardener, whose political writing was grounded in his passion for the natural world. "Outside my work the thing I care most about is gardening" wrote George Orwell in 1940. Inspired by her encounter with the surviving roses that Orwell planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power.

When Louis Pasteur discovered the process of fermentation in the 1870s, he noted that, while most organisms perished from lack of oxygen, some were able to adapt and even thrive as 'life without air'. In this capricious, dreamlike collection, characters and scenes traverse states of airlessness, from suffocating relationships, religions and institutions to toxic environments and ecstatic asphyxiations. Both compassionate and ecologically nuanced, this innovative collection bridges poetry and prose to interrogate the conditions necessary for survival.

"I'M A FAN" tells the story of an unnamed narrator's involvement in a seemingly unequal romantic relationship. With a clear and unforgiving eye, Sheena Patel makes startling connections between power struggles at the heart of human relationships to those in the wider world, offering a devastating critique of social media, access and patriarchal systems.

In "Rendang", Will Harris complicates and experiments with the lyric in a way that urges it forward. With an unflinching yet generous eye, "Rendang" is a collection that engages equally with the pain and promise of self-perception. Drawing on his Anglo-Indonesian heritage, Harris shows us new ways to think about the contradictions of identity and cultural memory. He creates companions that speak to us in multiple languages; they sit next to us on the bus, walk with us through the crowd and talk to us while we're chopping shallots.

Jane Pearson is camping with her husband Leo and their five-year-old son Benjamin, deep in the California woods on an evening in late August. At the moment that she drifts to sleep outside the tent where Leo and Benjamin are preparing for bed, every single person with a Y chromosome vanishes from the world, disappearing from operating theatres mid-surgery, from behind the wheels of cars, from arguments and acts of love. Children, adults, even fetuses are gone in an instant. Leo and Benjamin are gone. No one knows why, how, or where.