Mostrando resultados por Editor "Book*hug Press" en Todas las categorías

Imminent Domains: Reckoning with the Anthropocene invites listeners to join a contemplation of survival—our own, and that of the elements that surround us. Using research, lyric prose, and first-hand experiences, Alessandra Naccarato addresses fundamental questions about our modern relationship to nature amidst depictions of landscapes undergoing dramatic transformation. Naccarato offers not blanket answers about our future, but rather myriad ways to find our own, individual response to an imminent question.

With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a poetic voice.

Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva's wife worries about her mental health; Finn's teenager follows in her footsteps, using forearm bones for drumsticks; Grace's network constantly worries about the prolific writer's penchant for self-harm, and the over-use of her vitals for art.

On her first book tour at the age of 26, Lee Maracle was asked a question from the audience, one she couldn't possibly answer at that moment. But she has been thinking about it ever since. As time has passed, she has been asked countless similar questions, all of them too big to answer, but not too large to contemplate. These questions, which touch upon subjects such as citizenship, segregation, labor, law, prejudice and reconciliation, to name a few, are the heart of My Conversations with Canadians.

The experience of motherhood is monumental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it? Good Mom on Paper is a collection of twenty essays that goes beyond the clichés to explore the fraught, beautiful, and complicated relationship between motherhood and creativity. Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers and asks how we can better support their work.

A young translator living in Toronto frequently travels abroad—to Hong Kong, Macau, Prague, Tokyo—often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances.

1930s, Hogan's Alley—a thriving Black and immigrant community located in Vancouver's East End. Junie is a creative, observant child who moves to the alley with her mother, Maddie: a jazz singer with a growing alcohol dependency. Junie quickly makes meaningful relationships with two mentors and a girl her own age, Estelle, whose resilient and entrepreneurial mother is grappling with white scrutiny and the fact that she never really wanted a child. As Junie finds adulthood, her mother sinks further into the bottle while the thriving neighborhood—once gushing with potential—begins to change.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

Lambda Literary and Stonewall Book Award-winner Hasan Namir shares a joyful collection about parenting, fatherhood and hope. These warm free-verse poems document the journey that he and his husband took to have a child. Between love letters to their young son, Namir shares insight into his love story with his husband, the complexities of the IVF surrogacy process and the first year as a family of three. Umbilical Cord is a heartfelt book for parents or would-be parents, with a universal message of hope.

Anna is utterly lost. Still in shock after the birth of her son, she moves to snowbound Stockholm with her newborn and boyfriend, where a chasm soon opens between the couple. Lonely and isolated, Anna reads too many internet articles and shops for clothes she cannot afford. To avoid sinking deeper into her depression, she must read and write herself back into her proper place in the world.

Following in the tradition of Sara Ahmed (the originator of the concept "feminist killjoy"), Wunker brings memoir, theory, literary criticism, pop culture, and feminist thinking together in this collection of essays that take up Ahmed's project as a multi-faceted lens through which to read the world from a feminist point of view.

The stories in How You Were Born, each more incisive and devastating than the last, examine the difficult business of love, loyalty, and memory. Sharing the bizarre and tragi-comic of life—whether in present-day Toronto or in small towns of the early 20th century—Cayley champions the importance of connections, even when missed or mislaid, and the possibility of redemption.

It's 2006 and down-and-out protagonist Ghislain works as a reader for a publishing house in Montreal. He's bored with all the wannabe writers who are determined to leave a trace of their passage on earth with their feeble attempts at literary arts. Obsessed by literature and its future (or lack thereof), he reads everything he can in order to translate reality into the literary delirium that is Readopolis--a world imagined out of Chicago and Montreal, with few inhabitants, a convenience store, a parrot, and all kinds of dialogues running amok: cinematic, epistolary, theatrical, and Socratic.

Deep Salt Water is a stirring memoir about loss and abortion, expressed through the layering of imagery from the ocean. In detail at once sensual and sophisticated, Apostolides unfurls the emotional experience of a love affair and unwanted pregnancy, the abortion itself, and her reconnection with the man seventeen years later--a rekindling of love which stimulates this gentle attempt to come to terms with the abortion and its consequences.

From Vancouver-based writer Chelene Knight, Dear Current Occupant is a creative non-fiction memoir about home and belonging set in the 80s and 90s of Vancouver's Downtown Eastside. Using a variety of forms, Knight reflects on her childhood through a series of letters addressed to all of the current occupants now living in the twenty different houses she moved in and out of with her mother and brother.

Kerstin Ostheim, a journalist, and P. J. Banner, a freelance photographer, have been together six months after meeting on a dating website. They are getting married in two weeks and as the wedding fast approaches, they question their compatibility while investigating mysterious horse killings that are taking place in Ogweyo's Cove, the Pacific tourist haven where they live.

The Handsome Man is a collection of linked stories that follow several years of the life of a young man as he is drawn around the world: from Toronto to Montreal, New York, Ohio, New Mexico, British Columbia, Berlin, Rome, and Northern Ontario, along the way meeting hippies, healers, drinkers, movie stars, old friends, and welcoming strangers. He isn’t traveling, however; he’s running away. But as far and fast as he runs, the world won’t let him disappear, and each new encounter and every lost soul he meets along this journey brings him closer and closer to certain truths he’d locked away.

Aleya’s world starts to unravel after a café customer leaves behind a collection of short stories. Surprised and disturbed to discover that it has been dedicated to her, Aleya delves into the strange book. A mad scientist seeks to steal his son’s dreams. A struggling writer, skilled only at destruction, finds himself courted by Hollywood. A woman seeks to escape her body and live inside her dreams. Citizens panic when a new city block manifests out of nowhere. The more Aleya reads, the deeper she sinks into the mysterious writer’s work.

Let's get one thing straight: Small, Broke, and Kind of Dirty: Affirmations for the Real World is not a book of advice. You're not going to find a step-by-step guide to meditation here, or even reminders to drink lots of water and get enough sleep. Those things are all good for you, but that's not what Hana Shafi wants to talk about. Instead, Small, Broke, and Kind of Dirty focuses on our common and never-ending journey of self-discovery. It explores the ways in which the world can all too often wear us down, and reminds us to remember our worth, even when it's hard to do so.

A widow visits a spiritualist community to attempt to contact her late husband. A grieving teenager confronts the unfairness of his small-town world and the oncoming ecological disaster. A sexual assault survivor navigates her boyfriend's tricky family and her own confusing desires. A mother examines unresolved guilt while seeking her missing daughter in a city slum. A lover exploits his girlfriend's secrets for his own purposes. Whether in Ecuador or San Francisco, rural Ontario or northern Manitoba, the landscape in each of Carter's poignant short stories reflects each character's journey.