Showing results by narrator "Stephen Collins"

Anton Chekhov’s The Seagull is considered one of his most haunting and atmospheric character studies. A would-be playwright is at war with his egoistic mother while the town has become intoxicated by a sensational author. And as the alluring newcomer steals away Kosta’s only love, their new romance could have devastating consequences. An L.A. Theatre Works full-cast performance.

Like his father before him, Arthur Winthrop is the Headmaster of Vermont’s elite Lancaster School. It is the place he feels has given him his life, but is also the site of his undoing as events spiral out of his control. Found wandering naked in Central Park, he begins to tell his story to the police, but his memories collide into one another, and the true nature of things, a narrative of love, of marriage, of family and of a tragedy Arthur does not know how to address emerges. Luminous and atmospheric, the novel is part mystery, part love story and an exploration of the ties of place and family.

There’s something Constance Middleton’s friends are dying to tell her: her husband is having an affair – with her best friend! Despite their hints, Constance remains ever cool, and seemingly oblivious. Or is she? In this biting comedy of manners, marriages and mistresses, Constance – a not-so-desperate housewife - has some ideas of her own about extra-marital activity that surprise everyone in the end!

Composed over 400 years ago, the tragic tale of young Prince Hamlet remains one of the theater’s most studied and performed works, presented here in a new full-cast recording, directed by Martin Jarvis and featuring a special appearance by Stacy Keach as The Ghost.

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."

It's Saturday night in Santa Barbara and it seems like everyone is headed to the same destination. The reason is simple: To celebrate the end of school. But for eleven different people the motives are bit more complicated - to be noticed, to hook up, to make friends, to numb the pain, to get over an ex, to say goodbye. As each character takes a turn and tells his/her story, the eleven individuals intersect, reconnect, and combine in ways that none of them ever saw coming.