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Pulitzer Prize-winning playwright Tennessee Williams is one of the three most important American dramatists of the 20th century, alongside Arthur Miller and Eugene O'Neill. Acclaimed for their lyrical language, dark themes and vivid portrayal of the American South, his works have spawned several Oscar-winning films and been translated and performed worldwide. Collected here are some of the best, beginning with the play that launched Williams' career: The Glass Menagerie. 

Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.

Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death in 2002, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.

For millions of people, both in Britain and across the world, Elizabeth II is the embodiment of monarchy. Her long life spans nearly a century of national and global history, from a time before the Great Depression to the era of COVID-19. Her reign embraces all but seven years of Britain's postwar history; she has been served by 15 UK prime ministers from Churchill to Johnson, and witnessed the administrations of 13 US presidents from Truman to Trump. The vast majority of Britons cannot remember a world without Elizabeth II as head of state and the Commonwealth.

A BBC radio collection of full-cast dramatisations, bringing together Edith Wharton’s most popular and best-loved works. 

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

Simon Russell Beale stars in this BBC Radio 4 dramatisation of John le Carré's first novel, which introduced his most famous character, George Smiley. This dramatisation, set in London in the late 1950s, finds Smiley engaged in the humdrum job of security vetting. But when a Foreign Office civil servant commits suicide after an apparently unproblematic interview, Smiley is baffled. Refusing to believe that Fennan shot himself, Smiley decides to investigate.

It began in a women's club in London on a February afternoon. A discreet advertisement in The Times, addressed to "Those who Appreciate Wistaria and Sunshine..." lures four very different women away from the dismal British weather to San Salvatore, a castle high above a bay on the sunny Italian Riviera. There, the Mediterranean spirit stirs the souls of Mrs Arbuthnot, Mrs Wilkins, Lady Caroline Dester, and Mrs Fisher, and remarkable changes occur.

Archie Logan, a country doctor, and his wife Liza lead an orthodox-seeming life, and everything is well until Archie's father, a widower for over 30 years, falls in love. His choice, a woman of powerful charm, has a profound effect on all the Logans, adults and children alike. The house and family turn from being a refuge to being a cage. Archie and Liza risk losing everything they have built.

May's second marriage to Colonel Herbert Brown-Lacey is turning out to be a terrible mistake. Her children find the Colonel's presence oppressive.

The story follows the life of Tina, a young woman caught between the mother who adopted her - the beautiful, upstanding Delia - and her true mother, her plain, unmarried ‘aunt’ Charlotte, who gave Tina up to provide her with a socially acceptable life. The three women live quietly together until Tina’s wedding day, when Delia’s and Charlotte’s hidden jealousies rush to the surface.

Lifelong friends, now in their sixties, James, a teacher, and Hugh, a TV personality, both live with attractive women 25 years their junior. But the age difference is a time bomb, ticking away at the heart of both relationships. Kate's hunger for a life more in keeping with her own age threatens to bring her eight years with James to an end. And how is Julia to cope when her own career begins to blossom while Hugh's is withering before their eyes? The arrival of Miss Beatrice Bachelor, a razor-sharp Oxford spinster, fuels the discontent in both girls.

A dying woman confesses a terrible secret to her priest along with a cryptic list of nine names. Before he is able to uncover anything more, the priest is struck dead in the fog and the police discover the list in his shoe. Our hero Mark Easterbrook, a historian, learns of a secretive organisation known as The Pale Horse and of their supernatural connections in the village of Much Deeping. The list of names seems to foretell the deaths of several people and Mark must piece together the clues and unearth the connections between them all.

From our funniest writer, a portrait of our most talked-about royal. She made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her. For Pablo Picasso, she was the object of sexual fantasy.

Eugenia, an American expatriate brought up in Europe, arrives in rural New England with her charming brother Felix, hoping to find a wealthy second husband after the collapse of her marriage to a German prince. Their exotic, sophisticated airs cause quite a stir with their affluent, God-fearing American cousins, the Wentworth's - and provoke the disapproval of their uncle, suspicious of foreign influences.

Beatrice considers herself to be delicate and sensitive, idle and confused. Forced into early retirement, she has an unashamed and romantic desire to be rescued by the ideal man. But Beatrice's only family is her orderly sister, Miriam.

Anne and Edmund Cornhill have a happy marriage and a charming house. They are content, complete, absorbed in their private idyll. Arabella, who comes to stay one lazy summer, is rich, rootless and amoral - and, as they find out, beautiful and loving.With her elegant prose the author traces the web of love and desire that entangles these three; but it is Arabella who finally loses out.

The Chronicle is one of the most ambitious productions ever commissioned. An epic eye-witness history of the last five hundred years, told entirely in the words of those who were there. Performed by an outstanding cast of actors in a dramatised setting, we take you on a daily journey from January 1st to December 31st to reveal a fascinating and intriguing record of life as witnessed by some of history’s most colourful characters.

Classic plays and ghost stories, as performed by the residents of Ambridge and friends - plus bonus drama Dead Girls Tell No Tales. Borsetshire's queen of amateur theatricals, Lynda Snell, never misses the chance to put on a Christmas show. Her productions are always a big hit with Ambridge audiences - and now, Archers fans can enjoy these top-notch performances alongside them (as well as eavesdropping on the shenanigans backstage). 

Joseph and Harriet Blackstone emigrate from Norfolk to New Zealand in search of new beginnings and prosperity. But the harsh land near Christchurch where they settle threatens to destroy them almost before they begin. When Joseph finds gold in the creek he is seized by a rapturous obsession with the voluptuous riches awaiting him deep in the earth.