Showing results by author "Loren D. Estleman" in All Categories

In 1944 Al Capone, the most notorious Mob boss in history, has already been released from prison. Though Capone is no longer the enormously powerful force who dominated Chicago’s underworld for years, he is still a thorn in the side of J. Edgar Hoover. The FBI chief knows that if he can somehow manage to get Capone to reveal details of crimes he and his Outfit committed, the Bureau has a good chance of nailing key members who now are active in the wartime black market.

Thirteen bibliomysteries by best-selling and award-winning authors are contained in this first of volume of a must-listen collection.

1946. Fresh from the War in Europe, hack writer Jacob Heppleman discovers a changed world back home. The pulp magazines he used to write for are dying, replaced by a revolutionary new publishing racket: paperback novels, offering cheap excitement for the common man and woman. Although scorned by the critics, the tawdry drugstore novels sell like hotcakes—or so Jacob is assured by the enterprising head of Blue Devil Books, a pioneer in paperback publishing, known for its two-fisted heroes and underclad cover girls.

Marla Bernstein is a pretty, dark-haired teenager who also happens to be the ward of Ben Morningstar - a semi-retired mobster who prefers to keep family business out of the newspapers. When Marla suddenly disappears, the gang boss is forced to call in private eve Amos Walker, who quickly learns his new employer doesn't take "no" for an answer when he offers a job opportunity. Unfortunately, the only clue to Marla's whereabouts is a pornographic photograph that clearly proves that she's become part of a world that disgusts even her criminal guardian....

The most renowned American authors in Western fiction are brought together in one bang 'em-up, shoot-it-out collection! Including titles by Louis L'Amour, Brian Garfield, Marcia Muller, Bill Pronzini, Thomas Thompson, John M. Cunningham, Chad Oliver, Donald Hamilton, Loren D. Estleman and Owen Wister.

Countless tragedies occurred during the 1967 Detroit riots, and one of them belonged to Richard DeVries. A 22-year-old black man about to play for the Pistons, he was spotted tossing a Molotov cocktail at an abandoned building, arrested on the spot, and then charged with robbing an armored car. 20 years later he’s free, and the first man he calls on is Amos Walker. With 20 years of savings he buys a month of Walker’s time, asking for help finding the men who robbed the armored car. DeVries has already paid for stealing that $200,000, and now it’s time to collect it.

Jay has never forgotten the photo once sent to him of his young fiancée - naked in the arms of another man. Now on his deathbed and convinced the photo was a fake, the hunt is on for a modern-day witchfinder. And Amos Walker is the man for the job.

Ater a tour in Vietnam and several years working the streets of Detroit as a private investigator, Amos Walker has seen a lot. But he’s never encountered anything quite like his newest assignment. Ann Maringer, an aging stripper hard at work at one of the city’s many low-grade joints, hires him to find a missing person: herself. She expects to disappear any day now, she says, and she wants to be found.

When Amos Walker was a teen, he had a poster of Gail Hope on his wall. A 60s bombshell in the beach-blanket tradition, she has fallen hard since her glory days as one of the dying studio system’s final starlets. But when she calls on Amos Walker she remains as lovely as ever: an elegant beauty with a $750,000 problem.

In the private eye business, mistakes can be fatal. Just ask Amos Walker.

A fragmented story comprised of anecdotal episodes from the early days of Hollywood.

Tracking down a runaway wife is run of the mill. That's yesterday's blues. But finding the trombonist father of black, beautiful, reformed hooker Iris threatens to blow up into the case of a lifetime. The trail Amos Walker follows through Detroit's smoky music clubs leads him to dens of hard crime and harder drugs - where Iris and Amos will be lucky to escape with their lives, much less the truth about a past packed with menacing secrets. And that's no jazz.

Spring has come to Detroit's Sugartown enclave, and Amos Walker would like to feel kindly toward the human race. Unfortunately, his first case of the new season immediately leads him into trouble among the Polish settlers of neighboring Hamtramck, when old Martha Evancek hires him to look for her missing grandson. But even before Walker gets a chance to investigate, he's presented with a second case: an eminent Russian novelist who fears that someone is out to kill him.

Locked in a deadly feud, cowboys Randy Locke and Frank Farmer have spent decades attempting to annihilate each other any time they are within shooting distance. So far, the men are even. One of Frank's bullets has given Randy a permanent limp. Vain Frank wears a prosthetic ear, his own lost to Randy's assault. If either of them remembers the original reason for the feud, it seems moot now.

In You Know Who Killed Me, by multiple award-winning author Loren D. Estleman, Amos Walker is at low ebb. Just released from a rehab clinic, the Detroit private detective has to marshal his energies to help solve a murder in Iroquois Heights, his least favorite town. The area is flooded with billboards rented by the widow of Donald Gates, an ordinary suburbanite found shot to death in his basement on New Year's Eve: "You know who killed me!"

Everyone knows the Frankenstein monster was played by Boris Karloff. But before Karloff’s memorable portrayal, another famous 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The screen test footage was lost for decades, until Valentino, the never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage. But it comes with a price far greater than the money he’ll have to pay.

What could be more innocent than watching old movies? For Neil Catalin, a wealthy man with a happy home, old-fashioned pictures were a hobby that became an obsession. But he wasn’t watching The Wizard of Oz. Crime movies were his passion, the sort where life is cheap and death is free, and Catalin sank himself into them as an escape from the stresses of suburbia. Now he has disappeared, and his wife believes the clue may be in his collection of gruesome classics.

For years, Donna ignored the guns in her husband's safe, his long hours, and all the cash he couldn't possibly have made as an "efficiency expert." But finally she was forced to admit that Peter Macklin is a killer for hire. Donna wants a divorce, and she wants to take her husband for all he's worth. But she won't get a penny if he's dead.