Showing results by author "Gertrude Stein" in All Categories

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.

Celebrated for her innovative literary bravura, Gertrude Stein (1874-1946) settled into a bustling Paris at the turn of the 20th century, never again to return to her native America. While in Paris, she not only surrounded herself with - and tirelessly championed the careers of - a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times).

"Tender Buttons" consists of multiple poems covering the everyday mundane, Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar. It is renowned for its Modernist approach to portraying the everyday object and has been lauded as a "masterpiece of verbal Cubism". Its first poem, "A Carafe, That Is a Blind Glass", is arguably its most famous, and is often cited as one of the quintessential works of Cubist literature.

Gertrude Stein held a unique position at the center of the modernist movement. She was a novelist, poet, playwright, and art collector. Born in America, she moved with her family to Paris where she ran a Paris salon frequented by many famous historical figures, such as Ernest Hemingway, Pablo Picasso, F. Scott Fitzgerald, Henri Matisse, Ezra Pound, Sherwood Anderson, and Sinclair Lewis.

Written in her unique prose style, Gertrude Stein's The World Is Round chronicles the adventures of a young girl named Rose - a whimsical tale that delights in wordplay and sound while exploring the ideas of personal identity and individuality. This stunning volume replicates the original 1939 edition to a T. Also featured here are two essays that provide an inside view to the making of the book.

Gertrude Stein’s pioneering triptych Three Lives portrays the lives of three working-class women in the fictional American town of Bridgepoint (Baltimore). A progenitor of the "stream of consciousness" technique later adopted by Joyce and Woolf, Stein takes us into the minds of three distinct women, who are each trapped in their societal positions. "The Good Anna" follows a stern but kind German immigrant, "Melanctha" the tragic life of an African-American woman of the same name, and "The Gentle Lena" a dreamy and unopinionated servant whose passiveness becomes her undoing.

In Women Who Wrote, editors have thoughtfully curated classic and groundbreaking works from some of literature’s bravest and most talented women. In this gorgeous, giftable volume, the literary selections feature brief introductory biographical sketches of these revolutionary women writers and details the greater historical value of their work. For years to come, the women in your life will enjoy this beautiful and powerful collection, which features writings from Jane Austen, Louisa May Alcott, Emily Dickinson, Edith Wharton, Phyllis Wheatley, Zitkala-Sa, and more.

Gertrude Stein, scrittrice e poetessa statunitense, ha vissuto gran parte della sua vita in Francia, e ha conosciuto e sostenuto molti pittori e scrittori, quando erano agli esordi. Sua l'amicizia pluriennale con Matisse e Picasso, che le fece un famoso ritratto. Non ha mai fatto mistero della sua omosessualità, e della sua relazione con Alice Toklas.

In this, the most memorable of her works, Gertrude Stein paints striking portraits of three women. "The Good Anna" is the story of a sober housekeeper of German stock. "The Gentle Lena" is concerned with a passive German girl who endures her woeful life until she dies in childbirth. "Melanetha" tells of a young, intelligent, half-white girl's sexual searching and tragic love affair.

Gertrude Stein's work flourished in a world which was finding bold new ways of expressing itself. Forms like Impressionism, cubism, expressionsism and other non-representational styles were developed that provoked and challenged the observer (as well as the established art world). What avant-garde artists did with paint and ink, Gertrude Stein did with words – dispensing with conventions of grammar and clarity, she gave free rein to word play and the musicality of sounds, without regard to their meaning or relationships.