Mostrando resultados por autor "G.K. Chesterton" en Todas las categorías

Saint Francis of Assisi is one of the most influential men in the whole of human history. This acclaimed biography of Saint Francis examines the life of a pure artist, a man "whose whole life was a poem". Here is the Saint Francis who prayed and danced with pagan abandon, who talked to animals, and who invented the crèche. Yet Francis also acknowledged the mystic responsibility to communicate his divine experience.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Dubbed the "Dumb Ox" by his classmates for his shyness, Saint Thomas Aquinas proved to be possessed of the rarest brilliance, justifying the faith of his teacher, Albertus Magnus, and sparking a revolution in Christian thought. Chesterton's unsurpassed examination of Aquinas' thinking makes his philosophy accessible to listeners of any generation.

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

First published in 1925, The Everlasting Man is in many ways a direct rebuttal to H.G. Wells’s The Outline of History, wherein he states that man is merely a development from animal life, and that Jesus was just a charismatic figure. Although a popular secular idea at the time, Chesterton believed otherwise. He argued that in order to understand both humanity and history, we ought first to recognise the uniqueness of both man and Christ.

Effortlessly blending biography, philosophy and humour, Chesterton recounts with great imaginative depth the renowned Italian priest and theologist, Thomas Aquinas. Known as the ‘Angelic Doctor’, Aquinas was not just a scholar, but a passionate intellectual who was deeply in love with truth and natural theology.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

In What's Wrong With the World, G.K. Chesterton discusses big business, education, government, feminism, and more. The work draws on thousands of essays Chesterton contributed to newspapers and periodicals over his lifetime. Eloquently opposing materialism, hypocrisy, and snobbery, Chesterton was a steadfast champion of family, faith, and the working man. The work includes a discussion of humankind and its nature, the power of spirituality and the consequences of increasing secularism in the modern world, and the role of education in shaping the young to fit into the society.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

The experiments of both Capitalism and Communism are almost complete, and they both lead to one big organization controlling everything you do. In 1925, when this book was first published, it was true, and it is even truer today.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

Published in 1911, The Ballad of the White Horse by G. K. Chesterton is a poem about the deeds of King Alfred the Great. The epic ballad tells the story of how the King defeated the invading Danes at the Battle of Ethandun in the Valley of the White Horse, beneath an ancient equine image on the Berkshire hills. Chesterton employs this mysterious figure as a symbol of the traditions that guard and protect humanity.

Considered by many to be one of G.K. Chesterton’s greatest works, The Everlasting Man (first published in 1925), along with many of Chesterton’s other works, were heavily influenced by his own spiritual journey into Christianity. Published in 1925, The Everlasting Man is said to be a rebuttal of H.G. Wells’ The Outline of History, in which Chesterton delves into the history of religion and the spiritual exploration of Western society while defending any objections to Christianity.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

Classic Poems for Boys comprises a delightfully varied set of over 20 poems for 5- to 10-year olds. From rousing favorites like Felicia Dorothea Hemans’ "Casabianca" and John Keats’ "A Song About Myself", to dreamy, thoughtful poems by Henry Wadsworth Longfellow and Rudyard Kipling, this is a collection to be treasured.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.