Mostrando resultados por Editor "Faber & Faber" en Todas las categorías

Feelings, messages, symbols, visions.... Emily Berry's latest collection takes shape in the half-light between the real and the imagined, where everything is lost and yet 'nothing goes away'. Here life's innumerable impressions, moods, seasons and déjà vus collect and disarrange themselves, while a glowing, companionable 'I' travels the mind's landscapes in hope of refuge and transformation amid these displaced moments in time.

This memorial anthology will weave together the pieces that defined her reputation as one of the most important and formidable investigative journalists of her generation. It showcases the expansive breadth of McKee's voice by bringing together unpublished material alongside both her celebrated and lesser-known articles.

All three of the popular rhyming stories in one audiobook. Saffron Coomber reads with funny sound effects, while catchy songs will have everyone up and dancing. Instrumental versions mean you can sing along too!

Enter, Fleeing is an enthralling new volume by one of the UK's most distinctive poets. The work gathered here displays Ford's power to amuse and startle, to move and disconcert. Some poems re-create moments from the poet's peripatetic childhood in Africa, America, Asia and the Gulf while others dramatise anarchic or violent encounters with a range of shadowy antagonists. Enter, Fleeing is without doubt this highly original poet's most eloquent and compelling collection to date.

In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another.

It's Ife's dream wedding - until her new husband Ade is arrested for murder. His missing ex, Cynthia, has been found dead on the Dorset coast. Case closed: it's always the ex, right? But did Ade kiss, marry - and kill? One person hopes the truth never comes out.

Aidy's just punched a co-worker, but he hasn't got time to deal with the fallout. With a deadline fast looming, he must get home, knuckle down, and finish the story he's been working on, a story he hasn't been able to stop thinking about. Set across one weekend, About to Fall Apart is the exhilarating story of a man of mixed heritage - living on the Irish border - as he tries to stay positive, reconnect with his children, and maybe, even, find his own birth mother.

Maurice Riordan's keenly anticipated new collection continues his agile exploration of time, both in its depredations and rewards, while also bringing a sceptical, enquiring intelligence to bear on the anxieties and vanities of our age. Here we have disquieting songs of a mutable self; a projected online deathbed confession; the soul haranguing the body; while encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Old English. These poems pulse with mischief and macabre humour, making for a pungent and haunting listen.

The Floodmeadow draws us into a seething pastoral where lightning threatens and thunder gathers, pylons and powerlines hum, and steel-framed gates sing out into the wind. In these incantatory pieces, everything is present at once. This is a visionary collection that invokes other times, dimensions and soundscapes to tell out some word of beauty and abundance in the here and now.

Blackpool, 1938. Miss Margaret Finch - a rather demure young woman - has just begun work in a position that relies on her discretion and powers of observation, when her path is crossed by the disgraced Rector of Stiffkey (aka Harold Davidson) who is the subject of a national scandal, and newspaper headlines. Margaret is determined to discover the truth about Davidson; is he a maligned hero or an exploiter of the vulnerable? But her own troubles are never far away, and Margaret's fear that the history is about to repeat itself means she needs to uncover the truth urgently.

Eager to clean up his act after his troubled early 20s, Owen has returned to Kentucky to take a job as a groundskeeper at a small college in the Appalachian foothills, one which allows him to enrol on their writing course. It's there that he meets Alma, a writer-in-residence, who seems to have everything Owen doesn't - a prestigious position, an Ivy League education and published success as a writer.

Part memoir, part manifesto, Some Answers Without Questions is a rigorous and lyrical work of self-investigation. Lavinia Greenlaw sets out to explore the impulse to say something, to write or sing, and finds herself confronting matters of presence and absence, anger and speechlessness, authority and permission. The result is important and timely, a spirited and vital exploration of what enables anyone - but a woman and an artist in particular - to create and record even when not invited to do so.

Nidhi Zak/Aria Eipe's spellbinding debut poetry collection explores love and the wounds it makes. Its first half is composed of five sections, corresponding to the five arrows of Kama, the Hindu God of Love, Desire and Memory. Each arrow has its own effect on some body - a very real, contemporary body - and its particular journey of love. The second is a long narrative poem, 'A is for ????? [Arabs]', which follows a different kind of journey: a family of refugees who have fled to the West from conflict in an unspecified Middle Eastern country.

Kismet [n.] /'kismet/ Destiny; Fate. Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'. Anna [n.] /'æne/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; in love. Or maybe not. Anna's a free spirit. Definitely happy. Or anxious. Or is it more panicked? She's certainly talented. Unless she's really a fraud. Absolutely hilarious - but possibly grieving. And lustful. On the edge. Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to its very limits.

Look We Have Coming to Dover! is the most acclaimed debut collection of poetry published in recent years as well as one of the most relevant and accessible. Nagra, whose parents came to England from the Punjab in the 1950s, draws on both English and Indian English traditions to tell stories of alienation, assimilation, aspiration and love, from a stowaway's first footprint on Dover Beach to the disenchantment of subsequent generations.

Welsey Cunningham grew up running barefoot through the orchards of his Quaker family farm, working with horses and dreaming of one day building himself a house on his own patch of ground above the river. The Second World War interrupted those dreams: it took Wes to New Guinea as a medic and then sent him home with healing bullet wounds in his legs. While Wes was away, life in Almond Tree continued but everyone's been changed by the war.

Dominic Cummings has a lively mind. He is constantly thinking; planning; coming up with big ideas. During a time of momentous events in Britain (Brexit, a general election, The COVID-19 pandemic) the government's chief adviser has been writing down his thoughts - in diaries, blog posts, on post-it notes and any scrap of paper he can find.

Sir Lenny Henry rang up the Office for National Statistics to confirm something he'd been thinking about for a long time. They told him that only 29.5 per cent of the United Kingdom's population is made up of white, heterosexual, able-bodied men. So, he wonders, why do they still make up the vast majority of people we see in our media? Joining forces with the former chair of the Royal Television Society's Diversity Committee Marcus Ryder, he draws on decades of experience to reveal why recent efforts to diversify media have been thus far ineffective and why they are simply not enough.

The Late Sun asserts a balance between memorialisation of the recently dead and celebration of the vitality of the living. Early in the collection is a set of poems about the poet's mother, who died in great age after a life of exotic travel, and the poet's own travels, his sense of both place and displacement, are vibrantly explored in other pieces.

Matthew Francis' latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations.