Mostrando resultados por autor "G.K. Chesterton" en Todas las categorías

This audiobook contains a collection of crime short stories by the greats, including Arthur Conan Doyle, G. K. Chesterton, and Edgar Wallace.

La solución, en las malas ficciones policíacas, es de orden material: una puerta secreta, una barba suplementaria. En las buenas, es de orden psicológico: una falacia, un hábito mental, una superstición. Ejemplo de las buenas y aun de las mejores es cualquier relato de Chesterton.

A man has died. But there's really no mystery in that. His heart failed, that's all. But when Father Brown goes into a room to write down the man's final confession, he is distracted by the strange way in which someone is walking outside his door. From the gait of the queer feet, he deduces all.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Purple Wig, an investigative journalist, Frances Finn, sets out to discover the strange secret of the dukes of Exmoor and the legend of their mysterious hereditary deformed ear. When Finn meets the current duke, he is wearing a hideous purple wig, which apparently he never takes off in the presence of anybody.

Eight adventures in this classic British mystery series featuring Horne Fisher and his trusted friend Harold March. Horne is a natural sleuth, but his inquiries develop moral consequences. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper crust English society before World War One. Contains eight stories: "The Face in the Target", "The Vanishing Prince", "The Soul of the Schoolboy", "The Bottomless Well", "The Fad of the Fisherman", "The Hole in the Wall", "The Temple of Silence", and "The Vengeance of the Statue."

In 1917, G.K. Chesterton published an essay in response to an English minister’s objection to people sending cigarettes to British soldiers fighting in the trenches of World War I, titled "The Dregs of Puritanism". He writes that a large number of young men were being hurt by shells, bullets, fever, hunger and horror of hope deferred. The “good reverend”, however, was anxious that they should not be hurt by cigarettes.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

Heretics is a collection of 20 essays and articles by G. K. Chesterton, in which he appraises prominent figures of his time in the worlds of literature and the arts. He scrutinises the work of luminaries such as George Bernard Shaw, Rudyard Kipling, and H. G. Wells with insight and wit, criticizing those who hold incomplete and flawed views of "life, the universe, and everything".

"Orthodoxy," a series of essays by Gilbert Keith Chesterton. First published in 1908. Read by David "Grizzly" Smith. "The only possible excuse for this book is that it is an answer to a challenge. Even a bad shot is dignified when he accepts a duel." This is how Chesterton explains "Orthodoxy," the sequel to Heretics. "I have attempted in a vague and personal way, in a set of mental pictures rather than in a series of deductions, to state the philosophy in which I have come to believe. I will not call it my philosophy; for I did not make it. God and humanity made it; and it made me." This is a...

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

In his second collection of stories about the deceptively unassuming Father Brown, Chesterton give us another 12 tales of misunderstanding, deception, theft, murder, mystery, and suicide, unravelled with modesty and compassion by the little priest-detective....

A gripping collection of the very best classic mystery and adventure stories. 1. "Rose Rose" by Barry Pain 2. "The Perfect Crime" by Seamark 3. "The Well" by W. W. Jacobs 4. "The Tea-Leaf" by Edgar Jepson and Robert Eustace 5. "The Step" by E. F. Benson 6. "The Queer Feet" by G. K. Chesterton 7. "The Beast with Five Fingers" by W. F. Harvey 8. "The Enemy" by Hugh Walpole 9. "An Impromptu Dance" by A. J. Alan 10. "The Red-Headed League" by Sir Arthur Conan Doyle 11. "The Wedding Guest" by Guy Boothby

In this classic of Christian apologetics, Chesterton lays out a sort of “spiritual autobiography”—how he personally came to believe. Chesterton considered it a companion book to his earlier work Heretics. Where Heretics was a collection of essays defending the Christian faith, Orthodoxy is Chesterton’s own story of how he came to believe that faith.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.