Mostrando resultados por narrador "Fajer Al-Kaisi" en Todas las categorías

Vincent van Gogh’s paintings look utterly unique - his vivid palette and boldly interpretive portraits are unmistakably his. Yet however revolutionary his style may have been, it was actually built on a strong foundation of paintings by other artists, both his contemporaries and those who came before him. Now, drawing on Van Gogh’s own thoughtful and often profound comments about the painters he venerated, Steven Naifeh gives a gripping account of the artist’s deep engagement with their work.

Twelve-year-old Amir is one of the heirs to the Rafiq Bricks Company, a wealthy brick kiln business in Pakistan—except he wants none of it. Seeing straight through the jeweled smiles and transactional conversations, Amir would rather spend time in the courtyard garden, where he can almost feel his missing mother’s presence again. Amir is devastated when his baba announces plans to remarry by the end of the summer, dropping all searches to find Amir’s mother. It’s all a business move, just like everything else in his life.

Sébastien recently moved to supernatural Paris hoping to get away from his troubles at home and live a peaceful life learning magic. But what are you going to do when the really hot vampire you made out with last night to forget your troubles turns out to be your new neighbor? Sébastien (a demisexual boy with “main character hair” and a bunny named Pierre), meet Elia (a hot, supermodel, vampire neighbor and crush).

Growing up together in the Surra section of central Kuwait, Katkout, Fahd, and Sadiq share neither ethnic origin nor religious denomination - only friendship and a rage against the unconscionable sectarian divide turning their lives into war-zone rubble. To lay bare the ugly truths, they form the protest group Fuada’s Kids. Their righteous transgressions have made them targets of both Sunni and Shi’a extremists. They’ve also elicited the concern of Fahd’s grandmother, Mama Hissa, who cautions them that should they anger God, the sky will surely fall.

Six hundred years ago, the author of this landmark work of history and religious thought—an esteemed judge, poet, and scholar in Cairo—survived the bubonic plague, which took the lives of three of his children, not to mention tens of millions of others throughout the medieval world.

Come Join Us by the Fire S2: Originals is the second installment of Nightfire's audio-first horror anthology, featuring a wide collection of short stories from emerging voices in the horror genre as well as longtime fan favorites.

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers except for one secret: He sees a hallucinatory double, an imaginary friend who seems absolutely real, a shape-shifting familiar he calls Brother.

Veteran Toronto Star editor Haroon Siddiqui, brown and Muslim, has spent a life on the media front lines, covering conflicts both global and local. Siddiqui’s journey took him from a divided India to a welcoming Canada—until the cataclysm of 9/11 hardened attitudes to Muslims around the world. His personal story weaves through growing Islamophobia in both India and North America. Siddiqui's experiences in the corridors of power in newsrooms and warzones are threaded with insights about historic changes in the last seventy years in India and Canada.

The lean entrepreneurship movement has captivated Silicon Valley and entrepreneurs across the country. It provided an agile framework to develop the right product solution for a given target market and is now used by almost every fledgling company to do just that. The next challenge is growth - to achieve the financial returns and, more importantly, the impact they dreamed of when starting off on their adventure.

The Backstreets is an astonishing novel by a preeminent contemporary Uyghur author who was disappeared by the Chinese state. It follows an unnamed Uyghur man who comes to the impenetrable Chinese capital of Xinjiang after finding a temporary job in a government office. Seeking to escape the pain and poverty of the countryside, he finds only cold stares and rejection. He wanders the streets, accompanied by the bitter fog of winter pollution, reciting a monologue of numbers and odors, lust and loathing, memories and madness.

Patagonia. The name connotes the exotic and a distance that seems nearly mythical. Tucked toward the toe of South America, this largely unsettled landscape is among the most varied and breathtaking in the world - aching in its beauty as it sweeps from the Andes through broad, arid steppes to pristine beaches and down to a famously violent sea. It is also home to a vast array of rare wildlife as diverse and fascinating as the region itself.

There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different - except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic.

In State Capitalism, Joshua Kurlantzick ranges across the world - China, Thailand, Brazil, Russia, South Africa, Turkey, and more - and argues that the increase in state capitalism across the globe has, on balance, contributed to a decline in democracy. He isolates some of the reasons for state capitalism's resurgence: the fact that globalization favors economies of scale in the most critical industries and the widespread rejection of the Washington Consensus in the face of the problems that have plagued the world economy in recent years.

In Wars of Ambition, Afshon Ostovar explores the evolution of the metastasizing conflict as it unfolded over a span of more than two decades. Not just an account of the interaction between America’s Middle East policies and ambitious regional states on the receiving end, it also provides a powerful analysis of conflicting visions of the future that transcend regional politics.

In Seasons of Purgatory, the fantastical and the visceral merge in tales of tender desire and collective violence, the boredom and brutality of war, and the clash of modern urban life and rural traditions. Mandanipour, banned from publication in his native Iran, vividly renders the individual consciousness in extremis from a variety of perspectives: young and old, man and woman, conscript and prisoner. While delivering a ferocious social critique, these stories are steeped in the poetry and stark beauty of an ancient land and culture.

All around the world, the words "Wall Street" conjure up a powerful image. For some, it is the center of America's capitalist system and the engine of its economic growth. For others, it is the home of rapacious bankers and reckless traders whose greed would lead to a global financial crisis. For an Indian-born blackjack player, Wall Street represented something else entirely—a chance for him to play in the largest casino in the world.

This riveting memoir follows a Lebanese Muslim American and 30-year US Marine veteran who suffered a six-month ordeal at the hands of a brutal regime in Yemen - and remained loyal to his country through it all.

November 7, 1980. An Egyptian writer has chosen the wrong time to come to Beirut in search of a publisher for his controversial new book. Men with machine guns are on every street corner. When the writer meets an old friend from his revolutionary student days, he is introduced to two fascinating women: idealistic filmmaker Antoinette and Lamia, the seductive wife of his would-be publisher.

Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.

Having lost his mother and been shunned by his father, Zabor grows up in the company of books, which teach him a new language. Ever since he can remember, he has been convinced that he has a gift: If he writes, he will stave off death; those captured in the sentences of his notebooks will live longer. Like a kind of inverted Scheherazade saving his fellow men, he experiments night after night with the delirious power of the imagination.