Mostrando resultados por autor "George Eliot" en Todas las categorías

Praised by Virginia Woolf as one of the only novels "written for grown-up people", Middlemarch is a highly accomplished story, whose characters are involving and intriguing. Dorothea's story interlinks powerfully and tantalisingly with that of Lydgate's, a doctor, who joins her for a some of her journey towards making sense of her role in the world, both as a woman and as an idealist.

Silas Marner is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, Eliot's celebrated novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

Silas Marner: The Weaver of Raveloe, published in 1861, is the third novel by George Eliot, the pen name of Mary Anne Evans. The seemingly simple story of the weaver Silas Marner deals with issues like community, industrialization, and positive transformation in sophisticated and engaging ways. Silas, a weaver in a city in the north of England, is falsely accused of theft and cast out by his circle of friends. He moves to a city in the Midlands where he lives as a loner for many years. His hoarded wealth is stolen but he soon finds a far greater treasure.

Élevée au moulin de Dorlcote, dans les paysages verdoyants du Lincolnshire, la toute jeune et idéaliste Maggie Tulliver forme avec son frère Tom un couple lié par un amour indestructible. Ce lien est pourtant mis à mal après la mort de leur père, que la faillite a contraint à vendre son moulin. Maggie se morfond dans sa nouvelle vie et se rapproche un peu plus de Philip Wakem, un jeune homme sensible et cultivé, issu d'une famille rivale. Au grand dam de Tom, qui a dû abandonner ses études pour subvenir aux besoins des siens, au prix d'un labeur acharné...

Outcast from the church, community, and close friends for a crime he did not commit, Silas Marner's trust and faith falls away. A broken, disillusioned man, he builds a new faith, that will never let him down: gold. He weaves his cloths, counts his money, baptises himself with the coins of his new religion. When tragedy strikes again and all his money is stolen he's bereft and grief stricken. Then on New Year's Eve a vision of gold flickers before the flames.

The Lifted Veil is a captivating novella by George Eliot, first published in 1859. Departing from the realistic fiction she is celebrated for, Eliot delves into the realms of extrasensory perception, the nature of physical existence, the possibility of life after death, and the intricate workings of fate. This thought-provoking work stands as a remarkable entry in the Victorian tradition of horror fiction, inviting readers to explore the unknown. (Summary from Wikipedia)

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of ...

A commentary on guilt, material wealth, community, religion, and more, this novel is a thought provoking yet heartwarming tale. Banished from his church after being falsely accused of theft, Silas Marner becomes a bitter hermit consumed only by the wealth and goods he has been able to attain in exile. After losing everything he loved from his past, he clings now to the materials he has gained since. However, he must suffer through losing those too and instead gain the love of an innocent orphan to find the redemption he didn’t know he needed.

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women’s fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women’s intellectual capacities within society.

L'action se situe dans les premières années du XIXe siècle. Silas Marner, tisserand, fait partie d'une petite congrégation calviniste à Lantern Yard, dans un faubourg déshérité d'une ville du nord de l'Angleterre. Il est accusé à tort d'avoir volé l'argent de la congrégation pendant qu'il veillait le diacre, gravement malade. Deux indices accusent Silas : un couteau de poche, et la découverte à son domicile du sac ayant contenu l'argent.

Although set in the heart of rural England, in a place still untouched by industrial development or social upheaval, Silas Marner is no idyllic country tale. Eliot depicts village life good and bad: Silas’s suspicious neighbours are far from perfect and both the squire’s sons are deeply flawed characters. The hero himself is a naïve individual and – in his unhappiness – becomes a miser.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

Reputed as Eliot’s favourite novel "Silas Marner" is set in the early years of the 19th century. Marner, a weaver, is a member of a small congregation in Lantern Yard. Falsely accused of a crime he didn’t commit, he leaves his home and lives a solitary life near the village of Raveloe. Dedicating his life to weaving and hoarding gold for the next fifteen years, circumstances beyond his control shape his destiny and help to restore his faith in humanity.

Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered. How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and that the tedium of life can reach a pitch where plum-buns at discretion cease to offer the slightest excitement.

George Eliot’s 1859 novella, "The Lifted Veil", departs radically from the grounded realism of her longer and better known works, such as "Middlemarch" and "Daniel Deronda". Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins ("The Moonstone"), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker ("Dracula") and Mary Shelley ("Frankenstein"). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen.

Latimer is convinced that he has a special power. According to him, he can see into the future and he can also read people's mind. Actually everybody’s but one; his brother’s wife Bertha's mind remains closed to him. Although he marries her after his brother’s death, he still cannot manage to read her thoughts. What he realizes however is that Bertha is manipulative and her heart is not pure.

Silas Marner, a weaver, is a good man but he is mistaken for a thief who stole donations at his church. He moves to the city and begins his new life weaving and saving gold which is then stolen. A forlorn child comes into his life and his life improves dramatically after suffering much sadness and loneliness.

Embittered by a false accusation, disappointed in friendship and love, the weaver Silas Marner hoards a treasure that destroys his spirit until fate steals it from him and replaces it with a golden-haired child. Where she came from, who her parents were, and who really stole the gold are the secrets that fill this moving tale of guilt and innocence.

Why is this feeling of regret so familiar to her? Why must she always wish she had done something different? Maggie Tulliver and her brother, Tom, grow up in the mill on the River Floss. Although Maggie adores Tom, she often finds him cruel and cold. All she wants is for life to be full and warm.The Tulliver family’s traditional way of living is threatened by changes beyond their control. Will the educated world of lawyers and lawsuits destroy what generations have enjoyed?

"It’s a woman. She’s dead, I think--dead in the snow at the Stone-pits--not far from my door." Since his arrival in the small village of Raveloe, Silas Marner has been an outsider. Nobody knows where he came from, nobody understands him, nobody dares to invite him in. All of this changes when a little girl wanders through his door one snowy night. What feelings will she stir in Silas’ lonely heart? How will she draw Silas closer to the heart of Raveloe?