Mostrando resultados por autor "E.F.Benson" en Todas las categorías

E. F. Benson fue novelista, biógrafo y escritor de cuentos de terror. Estudió en Temple Grove, East Sheen, Surrey, luego en Marlborough, y terminó sus estudios en el Kings College de Cambridge, donde se aficionó grandemente a la arqueología.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E. Nesbit, and E.F. Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

The Man Who Went Too Far: A Ghost Story by E. F. Benson opens one summer’s day in a beautiful, sequestered garden on the edge of the New Forest. A forty-something artist visits a friend to recuperate from a debilitating illness but is staggered to discover him looking remarkably young and oddly vibrant. He listens as this ‘boy’ explains his new found philosophy, expands on the delight he takes in the natural world all around him and describes the strangely haunting music he has begun to hear in the woods and among the reeds.

Taking a winter holiday in a splendid resort in the Swiss Alps our hero finds himself billeted in a surprisingly large room, furnished with two beds. He checks with the man at the bureau, but there’s no mistake: it’s all his, a veritable snip at 12 francs a night! What a stroke of luck! And what could possibly connect this alpine idyll with Boston, Massachusetts? E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror.

Brain surgeon Dr Francis Assheton is sceptical when one of his oldest friends holds a séance to show him ‘The Thing’ that has been appearing at his home. But when he witnesses it for himself and his friend then dies in mysterious circumstances, the doctor must recount his tale before it is too late.

Set in the remote Yorkshire Valleys, the narrator in this story returns to the holiday home of his childhood. He has inherited the house from his uncle and has come to oversee the renovations with a friend. However, it soon becomes apparent the house is haunted by a ghost with an awful secret.

As the invention of the automobile enabled quicker travel and enhanced the lives of the early motorists, it also gave new impetus to a generation of story writers. Automobiles were unusual, unfamiliar beasts. They combined speed and danger with an uncanny ability to break down at unexpected moments, catapulting the unhappy traveller into new adventures, or thusting mystery strangers onto the inhabitants of remote houses.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The Horror Horn is set in the Swiss Alps and opens in the cosy lounge of a resort hotel, where a string ensemble strikes up with the sugary strains of Puccini. Our hero is further entertained to an unlikely yarn of savage sub-humans living near the Ungeheuerhorn, or Horror Horn, a forbidding mountain peak nearby. Next day, a skiing trip to St. Luigi in the next valley to lunch with a friend marks the start of an unexpectedly terrifying adventure. The Horror Horn is not a ghost story as such: the creatures in it are most definitely flesh and blood and they are hungry!

Thirty little gems by some of the world's great classic short story writers, including: 'The Flying Man' by H. G. Wells, 'Between Rounds' by O. Henry, 'A School Story' by M. R. James, 'A Pair of Silk Stockings' by Kate Chopin, 'A Deal in Ostriches' by H. G. Wells, 'The Piano Next Door' by Elia W. Peattie, 'Royal Visitors' by E. F. Benson, 'The Stolen Bacillus' by H. G. Wells, 'The Story of Chugoro' by Lafcadio Hearn, 'One Law for the Rich' by Stacy Aumonier, 'My Enemy and Myself' by Vincent O'Sullivan and more.

Edward Frederic Benson (1867 - 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, best known as the true master of the gothic occult story. Gavon's Eve is a terrifying story of mysterious occult devil worship and witchcraft which pervades a remote rural district in Great Britain.

E. F. Benson's ghost story In The Tube is posited as an exposition of a vast metaphysical question that we as human beings cannot understand. Our suppositions of time and space are taken to task. This is fiction with historical significance.

Hester Ward is blessed with youth, health, beauty, a husband and two adorable children, but she is being tormented by a face in her dreams. It is hoped that a holiday by the coast will relieve her, but the face eventually manifests itself.

Bobby is an accomplished and charming pianist who has befriended a number of rich elderly widows and spinsters, each of which he refers to as 'aunt'. He already has his own Bechstein grand piano, plus another concert grand which was (touchingly but highly inconveniently) left to him by a late 'aunt'. Now various of his other 'aunts' are also keen to offload their grand pianos on him....

Six creepy horror stories of sinister, murderous and ghostly cats. 'The White Cat' by Hugh Walpole; 'The Cat' by E. F. Benson; 'The Cats of Ulthar' by H. P. Lovecraft; 'The Black Cat' by William James Wintle; 'The Grey Cat' by Barry Pain; 'The Black Cat' by Edgar Allan Poe.

The unnamed narrator had planned the perfect getaway, at a charming Italian villa. But the moment he crosses its threshold, he senses something is amiss. When a bout of insomnia robs him of sleep one night, and he goes exploring, he stumbles across a heart-stopping sight: a room swarming with massive, mottled, luminescent caterpillars.

A gripping collection of classic stories in which the central figures are highly dangerous female characters - ranging from the creepy and unsettling to the utterly terrifying.

Fifty of the greatest classic horror stories ever written: 1. "The Beast with Five Fingers" by W. F. Harvey 2. "The Well" by W. W. Jacobs 3. "The Nightmare Room" by Sir Arthur Conan Doyle 4. "The End of a Show" by Barry Pain 5. "Bagnell Terrace" by E. F. Benson 6. "Fingers of a Hand" by H. D. Everett 7. "The Interruption" by W. W. Jacobs 8. "Gavon’s Eve" by E. F. Benson 9. "The Ring of Thoth" by Sir Arthur Conan Doyle 10. "Moon’s Gibbet" by Egerton Castle 11. "The Mystery of Sasassa Valley" by Sir Arthur Conan Doyle

Keen to escape London to work on their respective music scores and novel, two cousins stumble across a rural holiday let that is well below their budget. But it soon proves too good to be true when something on the top landing starts spooking them and their staff.

E. F. Benson (1867-1940) is probably best known today for his sparkling, comic Lucia novels. In his own day it was his ghost stories that were his most popular works. "Naboth's Vineyard" exemplifies Benson's fine literary style and his ability to create the most frightening of supernatural and macabre tales.