Mostrando resultados por autor "E. M. Forster" en Todas las categorías

"Howards End" is a novel by English novelist, short story writer, essayist and librettist E. M. Forster. It was first published in 1910. "Howards End" is considered by some to be Forster's masterpiece. In 1998, the Modern Library ranked "Howards End" 38th on its list of the 100 best English-language novels of the 20th century. It's about social conventions, codes of conduct, and personal relationships in turn-of-the-century England. This is also a story of difference between the middle class and the poor.

E. M. Forster’s tale of the future sounds frightening today due to its elements of prescience. Individuals live isolated lives below ground where they communicate through video conferencing and their physical and spiritual needs are met by a sinister global Machine. Things start to fall apart when it becomes virtually impossible to visit the surface world and the religion of Technopoly is re-established.

First published in 1910, Howards End is considered by many to be Forster's greatest novel. Set at the beginning of the 20th century it follows the fortunes and interrelations between three family groups of differing backgrounds and outlooks. At the top of the money tree are the Wilcoxes who represent broadly materialism and an upper-class English archetype. The family has made money in the colonies and also have a property - Howards End - owned by the terminally-ill mother, Ruth Wilcox, who must decide how best to pass on the estate.

Representing every phase of E. M. Forster's career as a writer, the fourteen stories in this book span six decades–from 1903-1957 or even later. Only two were published in his lifetime. Most of the remaining stories remained unpublished because of their overtly homosexual themes; instead they were shown to an appreciative circle of friends and fellow writers, including Christopher Isherwood, Siegfried Sassoon, Lytton Strachey and T. E. Lawrence.

Die Menschen leben in winzigen sechseckigen Waben tief unter der Erde, genießen jedoch allen Komfort. Ihr Alltag ist durch die "Maschine" perfekt geregelt. Ohne das Bedürfnis nach persönlichen Begegnungen kommunizieren sie über elektronische Hilfsmittel, die maximal miteinander vernetzt sind. Das Handbuch der Maschine ist zu ihrer Bibel geworden, wer nicht maschinenkonform denkt und handelt, wird verstoßen. Als der rebellische Kuno entdeckt, dass die Maschine langsam versagt, wagt er einen folgenschweren Ausbruch.

Cambridge philosophy student Rickie Elliot—an orphan, lame in one foot—wants to be a writer. He exists in the intense university environment, influenced by relationships with other students both intellectual and sporty, and faces a growing involvement with the beautiful Agnes Pembroke. But he finds himself ill prepared for the reality of life and work in the outside world, further complicated by the unexpected appearance of a half-brother. His life moves toward compromise shaped by marriage and a teaching post. Where will this ultimately lead?