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After Edward, a rising young author, pens a savage review of the new novel by the world-famous O.M. Tyrell, he is surprised to receive an invitation to visit the old man at his villa in the south of France. The night of their meeting, Tyrell dies, and soon after, Edward's career mysteriously starts to soar as he earns fame, fortune and critical acclaim. But despite his achievements, Edward seems haunted, even tormented.

In the worlds of Steve Rasnic Tem, a father takes his son "fishing" in the deepest part of downtown, flayed rabbits visit a suburban back yard, a man is haunted by a surrealistic nightmare of crutches, a father is unable to rescue his son from a nightmare of trees, a bereaved man transforms memories of his wife into performance art, great moving cliffs of detritus randomly prowl the world, a seemingly pointless life finds final expression in bits of folded paper, a nuclear holocaust brings about a new mythology, an isolated man discovers he’s part of a terrifying community, and more.

The Norfolk coast made for a perfect holiday - as long as the sun still shone. But when the rain came, the creatures left the shadows. Spectres from the past tortured James Hildebrand's mind. His blackest nightmares were crowded with malevolent, coiling images of decay. Then, suddenly, he knew the threat was real. The dead alone could not quench their hunger. And, for the living, the horrors that fed and multiplied in the darkness of the night became more terrible with the dawn.

With a wide range of themes and styles, ranging from traditional ghost stories to contes cruels, black humor, tales of dark fantasy and surreal nightmare, and perhaps the best story about a ventriloquist and his dummy ever written, there are stories here to suit the tastes of any connoisseur of horror and weird fiction.

Gregory Dawson, a middle-aged and disillusioned writer, is holed up in a Cornish hotel working on a film script he must finish. A chance encounter with an old acquaintance in the bar sends him back to the England of 1913, when he was just 18 and longed to enter the seemingly magical world of the glamorous Alington family and its three lovely daughters.

Set against the seedy backdrop of 1960s Tangier, The Wrong People (1967) is the story of Arnold Turner, a repressed English schoolmaster on holiday in Morocco, where he meets Ewing Baird, a wealthy American expat with a dark secret. Ewing lavishly entertains him and even provides him with a young lover, but as Arnold becomes more and more involved with Ewing he realizes only too late that he has been lured into a dangerous trap - and his only chance of escape is by helping Ewing to carry out a sinister plan.

To Florence Hackett and her daughters Elinor and Louisa, Richard Baurie, a handsome young bookstore clerk and aspiring poet, seems a little odd but harmless enough. With his amusing conversation and his eager-to-please attitude, Richard works his way into the Hacketts' confidence until he is almost one of the family. When he suggests they rent Wisteria Cottage, a charming seaside residence, it seems to promise a summer of pleasant companionship and fun.

Mr. Crabtree has just arrived to take over as headmaster at Weatherhill, an English public school whose reputation is on the decline, and with the help of his meddlesome wife and odious daughter, he is determined to turn things around. But Crabtree is totally devoid of either sympathy or understanding and his misguided efforts lead to hilarious disasters, such as when he invites a girls' school for tea to try to woo the boys from their 'unnatural ways'.

"We daren't go a-hunting for fear of little men"—words from an old children's song, but to the residents of one Welsh village, it's more than just a nursery rhyme. A legend has been handed down through the ages, telling of an ancient mountain people, dedicated to evil, who were massacred by the villagers' ancestors 3,000 years ago. What does this folktale have to do with a man's recurring nightmares, the murder of a High Court judge, an outbreak of food poisoning, a strange road accident, and the death of a rock climber? Sir Marcus Levin is determined to find out.

Young Chris Callaway finds escape from the diagnosis of his terminal illness in the company of vampires, but he soon discovers that "life" among the undead holds its own set of terrors.

After the death of their infant son, Hal and Rowan Graham decide to leave the mad bustle of London and move to a quiet country refuge. And the rustic village of Moorstone seems perfect. Too perfect? Lying beneath a hill capped by an enormous stone, Moorstone hides mysterious secrets. Why does such a small town need such a large insane asylum? Why do the village's elderly residents leave everything they own to young newcomers they barely know? And why is everyone so friendly, so handsome, and so preoccupied with Hal and Rowan's health?

The 13 stories collected here represent the complete short fiction of Bernard Taylor, one of the best-selling horror authors of the 1970s and 80s, author of The Godsend and Mother’s Boys, both adapted for film, and Sweetheart, Sweetheart, hailed by Charles L. Grant as the finest ghost story of all time. In these tales, which often feature an unexpectedly cruel or bizarre twist, Taylor offers a clever mixture of horror and black humor that will delight fans of the genre.

Though best known for his classic novel of Edwardian childhood The Go-Between, L. P. Hartley was also a master of supernatural and macabre fiction, the best of which is collected in The Travelling Grave and Other Stories. This volume demonstrates Hartley's versatility, ranging from traditional ghost stories like "Feet Foremost" and "The Cotillon" to the wonderfully black humor of the horror masterpieces "The Travelling Grave" and "The Killing Bottle". Originally published in 1948 and long out of print, this collection features 12 of Hartley's best tales.

When Woodsley, a young English painter, arrives in Barbados and finds no lodging available, he thinks himself fortunate to be invited to stay at Eltonsbrody, a mansion belonging to the eccentric widow Mrs Scaife. But behind the locked doors of the house’s disused rooms lurk terrible secrets, and soon strange and blood-curdling events begin to unfold. The tension builds towards a shocking and unforgettable conclusion, when the full horror of Eltonsbrody will be revealed.

Gerard Sorme thinks the key to a more meaningful life lies in an expansion of human consciousness, and he believes that one way to expand it is through sexual experiences. He sets out to record in diary form his sexual encounters with various women: the middle-aged Gertrude, her teenage niece Caroline, and Diana, the wife of a mad composer determined to adapt Varney the Vampire into an opera. But Sorme finds his beliefs and ideas challenged when he meets the fascinating and dangerous Caradoc Cunningham.

When photographer Jonathan Brewster’s four-year-old daughter, Joanne, tells him about her new invisible friends, he doesn’t think too much about it. But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?

Once a celebrated singer, Rosemary Paul is now an embittered woman in her 60s, forgotten by nearly everyone but her assistant, Carrie Markham, who idolizes her and panders to her every need. When Rosemary receives the unexpected news that her record company is dusting off one of her albums for a reissue, the old hunger for fame and success is reignited, and with Carrie's help she begins to plan her big comeback. But as preparations commence, long buried secrets begin to resurface, and Rosemary's quest for fame at any price will lead to murder.

World War III left the world in ruins, but now a new society has sprung up from the ashes, ruled by an unseen dictator who believes a system of strict equality is the best way to prevent future strife. Too much beauty, intelligence, or personality is severely frowned upon. Those who run afoul of the Dictator are punished, sometimes with death and sometimes with a more mysterious and terrible fate, being "emptied".

"But come back soon", the sign said. Obviously it was a lie. The people in the grocery store just wanted to make sure he couldn't buy the spice he needed to make the recipe he'd selected for that night (recipes must be followed exactly). Obviously they wanted him to eat out...to meet the waitress, Marta, to see her horrible, unspeakable, unbearable ugliness. It was obvious to him: her maimed, twisted face was the living desire to be dead. He had to help Marta be dead.

Charles Lumley feels that he has been born in captivity - the captivity of his smugly conventional bourgeois upbringing. Now he has just graduated from university, only to make the discouraging discovery that his education has rendered him unfit for any kind of useful employment. Wondering what to do with the rest of his life and longing to escape, a chance remark overheard in a pub sets him off on a picaresque and hilarious tour of 1950s Britain. He undergoes a string of comic misadventures as he works as a window cleaner, a drug trafficker, a hospital orderly, and a chauffeur.