Mostrando resultados por narrador "Hannah Curtis" en Todas las categorías

A few years ago, Laura lost her daughter in tragic circumstances. Now, she is running from her past, but a chance encounter with a frightened teenager, Miriana, drags her back into a web of secrets and danger. As Miriana’s cryptic story unravels, Laura realises the threat is closer than she ever imagined. Someone is hunting Laura, determined to bury the truth about what really happened to her daughter. A predator is watching. Waiting. Ready to strike again. Trapped between fear and fury, Laura must confront her darkest suspicions and uncover the terrifying truth before the hunter closes in.

A stunning debut novel from the Northern Irish poet Eoghan Walls, The Gospel of Orla is the coming-of-age story of a young girl, Orla, and the man she meets who has an astonishing and unique ability.

When Kate Arden discovers a secret stash of drawings hidden in the pages of an old volume of poetry given to her as a baby, her breath catches. All her life, she has felt like an outsider in her aristocratic adoptive family, who refuse to answer any questions about her past. But the drawings spark a forgotten memory: a long journey by boat, warm arms that held her tight, and then let go.

Esther Holley, the eldest in the family, has always had her life firmly in control until a miscarriage knocks her off course. Two months later, still emotionally spinning, she separates from her husband, Will, a sheep farmer and man of few words and moves back in with her parents. Life as a singleton 30-something living in her parents’ house is miserable, but Esther is determined to reboot her life, including going on a few unfortunate dates. She’s shocked when tight-lipped Will shows up on her doorstep determined to woo her back.

Grace has a perfect life. Then her husband replaces her with a younger, blonder version. Three years later, Grace’s sixteen-year-old daughter Tara is stabbed to death in a seedy hotel. Grace’s life stops. After a harrowing trial, Tara’s boyfriend is convicted of her murder. At least now it’s over—until someone breaks into Grace’s house and ransacks Tara’s belongings. Now the questions have only just begun. Grace thought she knew her daughter. But Tara had been keeping secrets from her. Very dark secrets.

When Thalia, Kalliope, and Charis set off to Regency London for their first Season, they each have clear goals―few of which include matrimony. Thalia means to make her mark among the intelligentsia and publish her poetry, Charis hopes to earn her place among the scientific elite, and Kalliope aims to take the fashionable ton by storm. But this Season, it doesn’t take long for things to fall apart. Can this roller-coaster Season find its happily ever after?

Anna was living a normal life. She was ambitious and worked hard; she had just bought an apartment; she was falling in love. But then she started to develop worrying symptoms: her face felt like it was burning whenever she was in front of the computer. Soon this progressed to an intolerance of fluorescent light, then of sunlight itself. The reaction soon spread to her entire body.

I know I’m lucky. I have a stunning Cheltenham apartment and a charming weekend cottage in Devon. Chris, my partner, is kind and supportive. He loves me in spite of my scars—the result of a childhood incident I don’t talk about. Most of all, I love my job, helping young women with eating disorders. But I can’t help everyone, as I tell Kyle Stannard. Kyle was once a top male model—before he was left horrifically scarred in a random attack. Kyle thinks we’re the same, but I can’t help him with his problems. It’s not my field. Then creepy things start to happen.

The two oldest Dashwood sisters approach romance differently. One impulsively jumps into love while the other is far more prudent. When tragedy strikes they find themselves searching for suitable husbands. Elinor feels ill-equipped to compete with the self-centred, fortune-driven society she finds herself in, whilst Marianne's unshakeable belief in her own feelings makes her susceptible to the designs of unscrupulous men. Can they find true love?

Kate Fordham, escaping terrible personal trauma, has fled to the beautiful sunlit city of Granada, the ancient capital of the Moors in Spain. There she is scraping by with an unfulfilling job in a busy bar. One day, in the glorious gardens of the Alhambra—once home to Sultan Abu Abdullah Mohammed—Kate finds a scrap of paper hidden in one of the ancient walls. Upon it, in strange symbols, has been inscribed a message from another era.

Lauren Wade hates Jem Carter, and Jem hates her. So when Lauren gets a message from Jem asking for help, she suspects it’s some sort of attention-seeking stunt by the woman she caught in bed with her husband. Lauren decides to simply alert her ex, Daniel, who thinks Lauren is the one trying to cause trouble. However, when Jem’s car is found abandoned on a bridge, the police become involved...and Lauren finds herself panicking. She is sure they will find out about a secret she's been hiding.

My husband’s dead. They say my best friend did it. I can’t believe it. Not Lisa. There’s no way she could have done something so terrible. I look around at her shaken family, her two devastated children and her shocked husband, as they watch the most important woman in their lives being arrested for murder… I always thought Lisa was the perfect wife and mother. We’ve been best friends ever since I moved to Dragonfly Close. But then I remember the day I saw her at the coffee shop with Russell.

Detective Mary Hume stares at the crime scene in confusion. She's in an empty flat. Peeling wallpaper. A bloodstained chair in the middle of the room. But no body. Her sergeant hands her a burner phone. On it is a video clip. It shows a woman. Tied to the chair in the flat, a carving knife pressed to her throat. Placed in the woman's lap is a piece of cardboard. Written on it in blood-red is one word: DEADTOWN.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

After a mysterious fire at their home in Regency London displaces Gentlewitch Edith Rookwood and her now much-reduced family to their ancestral seat of Netherford Hall in Kent, she faces a new threat in the form of her tenant—the chaotic and lovely Poppy Brightwell. The repairs on the old pile are prohibitive, Edith's standing is uncertain, and her inheritance has been challenged by a forgotten American branch of the family. It is clear she needs to marry, soon and wisely—but the lively girl from Harrow House gradually comes to occupy all of her thoughts.

In her second collection from Trepidatio Publishing, award-winning author Gemma Files takes her listeners on journeys out beyond safe borders—from the trackless depths of the sea, to the empty desert frontiers of the Weird West, even to the edges of cracks between worlds. Here, in these narrow spaces between the known and the unknown, behind the paper-thin curtains of reality, lurk monsters both human and ancient: selkies and avenging revenants, voodoo priestesses and pirate sorcerers, ghosts and vampires, and the most famous murderer of all time.

Natania Barron presents Book 2 in the Love in Netherford series.

Caron Rivers appeared to have it all: a lovely home, a loving spouse, and a happy marriage. But behind closed doors, things were not what they seemed. Why did Caron snap and kill her husband? Now she finds herself at the police station, facing questions about exactly what happened and what led to the shocking event. With Bill dead, she is free to tell her story. But the police may not believe it.

A bloodstained coat. Three missing women. One dead body. Detective Mary Hume reckons she's seen it all. But she's never seen anything like this. It begins with the discovery of a broken body in a lift shaft in an old Victorian warehouse. The postmortem reveals the bloodstains on the dead man's coat belong to three different people. DNA identifies one of them as Julie Cross, whose body was discovered six months earlier, covered in horrifying wounds.

London, 1943: War and dwindling resources have taken their toll on the book publishing industry, but Alice Cotton, a young editor at Partridge Press, has seen her star begin to rise. She has a knack for creating new books to distract readers from the grim realities of the war. And the demand for books is greater than ever, both on the battlefield and on the home front. But just as her hard work seems poised to pay off, Alice unexpectedly falls pregnant. Facing the stigma of being an unwed mother, Alice flees to a small town to give birth to her child.