Mostrando resultados por narrador "David Parker" en Todas las categorías

John Clare was the forgotten Romantic poet, until the late 20th century. Known by his contemporaries as the Peasant Poet, he recorded in his poems the natural landscape of rural England before the Industrial Revolution. His poems rival Wordsworth’s for their sensitivity to nature and pantheism: ‘I feel a beautiful providence ever about me,’ Clare wrote. But his life was a long struggle against poverty and mental collapse. Some of his finest poems were written in the local asylum

The Master tells me that when Quentin Colins finds my heart, I can come back.... Over a century ago, the first Quentin Collins built a stairway to traverse time, opening the way to countless realms of past and future. Now a new stairway has appeared at Collinwood, and the present-day Quentin is drawn to explore its dark path, forging an unlikely alliance with Angelique. Can she use her powers to help him, even at the risk of her own eternal damnation?

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

As the repercussions of Quentin’s return are felt, Maggie Evans finds herself the target for a terrifying supernatural attack. What lies in wait in Collinwood’s abandoned wing? And can Quentin and Angelique contain the evil of the house once and for all?

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Some describe it as the town at the edge of the world. When Melody and Michael Devereux come to Collinsport on their honeymoon, they don't know the secrets that are hidden behind closed doors. But those secrets will be unearthed when an innocent is viciously murdered. Collinsport will be a town divided. One woman's rise to power will lead to further death and destruction. Families will be ripped apart. Blood will be spilt. And the dark forces that wait in the shadows will wait no more.

Lady Cecelia is to mysteries what a pack of foxhounds is to a fox...and her interference brings her to disaster. But Captain Serrano isn't about to let her employer - and now her friend - be destroyed. With the help of Lady Cecelia's nephew and his friends, including Lord Thornbuckle's adventurous daughter, Heris plots a rescue, while trying to re-balance her own life and recover relationships with some of her former crew. In the process, she and Lady Cecelia bring down a government.

Leo Tolstoy was born in 1828 in the Russian province of Tula to a wealthy noble family. As a child, he had private tutors but he showed little interest in any formal education. When he went to the University of Kazan in 1843 to study oriental languages and law, he left without completing his courses. Life now was relaxed and idle but with some writing also taking place. In 1852 ‘Childhood’ was published to immediate success and was followed by ‘Boyhood’ and ‘Youth’. His experience in the army and the horrors he witnessed resulted in ‘The Cossacks’ in 1862 and the trilogy ‘Sevastopol Tales’.

With clear-eyed observations and gentle musicality, Allen takes stock of the burden of our collective history and looks directly into passing storms that we each must face alone. When the skies clear, how do we come to terms with self and our place in this world, and what do we build from the wreckage?

Guy de Maupassant is justly revered as one of the strongest proponents of the short story. The miniature gems he created are woven from the many worlds and strata of society that surrounded him. From feuds and revenge to tales of avarice and friendship de Maupassant is the master of all and second to none.

Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitability of his death so much as a passing thought. But one day death announces itself to him, and to his shocked surprise he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth?

Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

In this volume we examine the German language. Or rather the authors who wrote in German but are here translated into English. German is most often called the language of philosophers due to its precision and clarity. However, if you’ve studied German, you will know that sentence construction can be difficult to grasp. However, within these stories the language of these great talents express themselves in dazzling prose and searching narratives. And the characters? Clearly the works of genius.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

Everything’s unravelling. Soon he’ll come for us...and he won’t stop. The Lorelei has gone, and Barnabas and Quentin are missing, presumed dead. As Willie attempts to protect Maggie from the sheriff’s investigations, Angelique begins to uncover the truth about Barnabas and Quentin’s fate. But a powerful force is waiting in the wings, and its arrival in Collinsport will soon change the lives of everyone forever.

Saadat Hasan Manto was born in 1912. As a playwright and author, he wrote in what was then British India until the 1947 partition placed him on the Pakistan side of the new border. He wrote mainly in Urdu and was a prolific short story writer. His writing attracted controversy, and he was arrested and charged with obscenity 6 times but was never convicted.

When archaeologist Annja Creed is hired to find the lost city of Promise in Brazil, she is more than intrigued. Legends abound of a magical place where slaves were rumored to have discovered the secret to eternal youth and life. But strangers are not welcome in Promise. Annja soon learns that the residents have gone to extreme lengths to guard their precious secret. Making her way from the steamy port of Belém to the brutal slums of Northeast Brazil, Annja faces unexpected peril, from poisoned arrows to Amazonian anacondas.

Shamela is a bawdy, spirited, and hilarious response to Samuel Richardson's hugely popular 1740 novel, Pamela. In this pointed satire, Shamela (which transpires to be the real name of Richardson's Pamela) reveals the ulterior motives behind the events that took place in Pamela. Shamela is unlike the virtuous young lady portrayed in Richardson's novel and she takes command of her master, Squire Booby. Our heroine has planned it all out from the start and she is determined to entrap her master into marriage.