Mostrando resultados por autor "Hollywood 360" en Todas las categorías

Although "Ol' Blue Eyes" would conquer records, film, and television, it was radio that first made Frank Sinatra a star. Spanning the years 1943 to 1954, this collection showcases Sinatra from such shows as Suspense, The Frank Sinatra Show, The Jack Benny Program, The Burns and Allen Show, and more. Included is the final episode of Sinatra's action/detective series, Rocky Fortune, a low-budget radio series that he decided not to continue after winning his Academy Award.

Movie star Alan Ladd played Dan Holiday, retired newspaperman turned fiction writer and adventurer extraordinaire. To gain ideas for his books, Holiday placed an ad in the Star-Times newspaper: "Adventure wanted - will go anywhere, do anything - Box 13." It wasn't long before his Box 13 became jammed with adventures galore.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

Set in Los Angeles, and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.

The Cisco Kid was a popular film, radio, television, and comic-book series based on the fictional Western character created by O. Henry in his short story, "The Caballero's Way," published in 1907 in the collection Heart of the West. Films and television depicted the Cisco Kid as a heroic Mexican caballero, a more honorable character than in O. Henry's original story.

Created by author Jack Boyle, Boston Blackie was a master safecracker and hardened criminal who served time in a California prison. Rehabilitated, he decided to use his knowledge of the underworld to fight crime as an amateur detective. Known as "an enemy to those who make him an enemy, friend to those who have no friend", Boston Blackie's exploits were adapted to film, radio, and television.

There were several newspaper-based dramas during radio's golden age, including Box 13, Let George Do It, and Casey, Crime Photographer, but Night Beat was a cut above. It was the story of Randy Stone, hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines.

Throckmorton P. Gildersleeve was a popular character,appearing each week on the Fibber McGee & Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy show, The Great Gildersleeve, which was radio’s first spin-off. Gildersleeve moved from the town of Wistful Vista to Summerfield, where he oversaw his late brother-in-law’s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley).

This collection contains 12 of the greatest mystery shows ever broadcast during the golden age of radio, featuring the legendary stars that made them great. You will hear Orson Welles, Humphrey Bogart, Peter Lorre, Vincent Price, Basil Rathbone, Joan Fontaine, and other stars in classic radio episodes from such radio shows as Suspense, Escape, The Whistler, Inner Sanctum, The Screen Directors Playhouse, and The Weird Circle, among others.

Mr. District Attorney came to radio in 1939 and focused on a crusading DA named Paul Garrett. Created, written, and directed by former law student Ed Byron, the series was inspired by the early years of New York governor Thomas E. Dewey. It was Dewey's public war against racketeering that led to his election as governor and enabled him to run for the presidency of the United States.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962, and is considered by many to be the best mystery/drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills" it focused on suspenseful thrillers starring the biggest names in Hollywood.

Duffy's Tavern, first heard in 1940, was co-created and written by Ed Gardner, who played Archie, the manager of Duffy's Tavern, which was a flea-infested dive in New York City. Archie's abuse of the English language quickly became a favorite feature of the show. Regulars on the show included Duffy's man-hungry daughter Miss Duffy; Clifton Finnegan, the classic village idiot, played by Charlie Cantor; Eddie the waiter, played by Eddie Green; and Clancy the cop, played by Alan Reed. Duffy himself was never heard on the show.

Freeman Gosden and Charles Correll made their radio debut on January 12, 1926, as the comedic blackface characters Sam 'n' Henry. On March 19, 1928, they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country tuned in to their adventures.

Created by Blake Edwards of The Pink Panther fame, Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and singer Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder, My Sweet and jumped at the chance to play a suave detective on radio.

Movie star Alan Ladd played Dan Holiday, a former newspaperman turned mystery novelist and adventurer. To gain ideas for his books, Holiday placed an ad in the Star-Times newspaper: "Adventure wanted - will go anywhere, do anything - write Box 13, Star-Times." It wasn't long before his post office box became jammed with adventure offers galore. The stories follow his escapades when he responds to the letters.

Throckmorton P. Gildersleeve was a popular character appearing each week on the Fibber McGee and Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy, The Great Gildersleeve, becoming radio's first spin-off. Gildersleeve moved from the town of Wistful Vista, where Fibber McGee and Molly lived, to Summerfield, where he oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie and Leroy Forrester.

In the March 1934 issue of the legendary pulp magazine Black Mask, Jack "Flashgun" Casey, crime photographer, made his debut. His creator was former newspaper and advertising executive George Harmon Coxe Jr., who wrote more than 60 crime fiction novels in his lifetime. Casey's keen eye for detail served him well on the job, helping him to solve the crimes he was assigned to photograph for the newspapers.

The Aldrich Family was a popular situation comedy that was heard on radio and seen in films, on television, and in comic books. Teenager Henry Aldrich, the creation of playwright Clifford Goldsmith, was an endearingly bumbling kid growing awkwardly into adolescence. Episodes revolved around Henry's misadventures with girls, his family, and his friends.

Our Miss Brooks was a highly popular radio sitcom that was eventually adapted for both television and film. It starred Hollywood film and New York stage veteran Eve Arden, who specialized in playing the wisecracking friend. She often did it better than anyone else, receiving an Oscar nomination for the 1945 film Mildred Pierce. Since her skill with the wicked one-liner was beginning to lead to typecasting, Arden signed on for the lead in radio's Our Miss Brooks to find a new image.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928, they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of the show's popularity, almost the entire country listened to the 15-minute adventures of Amos and Andy that aired Monday through Friday.