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The Stan Freberg Show ran on CBS radio for only 15 episodes in 1957. Despite its short run, the show developed running gags and stock jokes that are still remembered today. Much of the show took deadly satiric aim at the advertising business, making it difficult for CBS to find a sponsor. By week 13 it was apparent that a sponsor would not be signing on, so CBS cancelled the show. This collection features all 15 episodes of The Stan Freberg Show plus a bonus episode of The CBS Radio Workshop where Stan explains the art of satire to a skeptical censor.

Initially launched as Barrie Crane, Confidential Investigator on NBC in 1951, the series soon made a name change to Barrie Craig, Confidential Investigator. It starred movie and film veteran William Gargan as hard-boiled New York-based private eye Barry Craig. Gargan had been playing Martin Kane, Private Detective on both radio and TV. In the summer of 1951, Gargan cleared the decks for his role as Barrie Craig. Gruff, blunt and sardonic but with a good sense of humor, Gargan was perfect for the genre and in the role of Barrie Craig.

Have Gun-Will Travel followed the adventures of Paladin, a soldier of fortune-turned-hired gunfighter, played by John Dehner. Paladin preferred to settle problems without violence, yet, when forced to fight, excelled. He lived at the swanky Carlton Hotel in San Francisco, where he dressed in formal wear, ate gourmet food, attended the opera and enjoyed the company of beautiful women. When working as a gun-for-hire, he dressed in all black, used calling cards and wore a holster, decorated by a characteristic chess knight emblem.

The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim & Marian Jordan in Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny, Bob Hope, Fred Allen, Bing Crosby, Groucho Marx, Ann Sothern as Maisie, and many more!

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy. Department stores open in the evening piped in the broadcasts, so shoppers wouldn't miss an episode.

This collection contains 12 of the greatest science-fiction shows ever broadcast during the Golden Age of Radio - including episodes of X Minus One, Suspense, The Lux Radio Theatre, Escape, Murder At Midnight, Dimension X, and many others. You’ll be entertained by master sci-fi writers: H. G. Wells, Frederic Brown, Henry Bates, Arch Oboler, H. Beam Piper and Robert Newman. Relive 12 of the best radio sci-fi shows from yesterday and the legendary stars that made them amazing in this incredible collection.

The golden age of radio had incredible western shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear western heroes catch the bad-guys and save ladies in distress. This collection includes John Wayne and Mel Ferrer starring in a radio adaptation of the John Ford film “She Wore a Yellow Ribbon” on The Lux Radio Theatre; William Conrad as U.S. Marshal Matt Dillon on Gunsmoke; Joel McCrea in a true-crime story on Tales of the Texas Rangers and Curley Bradley starring in two episodes of Tom Mix.

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos ‘n’ Andy. Department stores piped in the broadcasts so shoppers wouldn’t miss an episode, and movie theaters scheduled their features to end just prior to the start of Amos ‘n’ Andy so they too could pipe it in.

The Adventures of Philip Marlowe was radio's top detective program. Raymond Chandler's celebrated hardboiled private eye, Philip Marlowe, made his radio debut in 1945 on The Lux Radio Theatre with "Murder My Sweet" starring Dick Powell. Two years later, NBC would bring the character to the air in his own weekly series starring Van Heflin in The New Adventures of Philip Marlowe. Being a summer replacement for The Bob Hope Show, the series was short-lived and ended on September 9th, 1947.

Michael Shayne, “the reckless, red-headed Irishman” was a popular hard-boiled detective created by crime novelist Brett Halliday. Mike settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The back-story on Mike is that he was happily married, but suddenly his wife is tragically murdered, which hit him hard. Grief-stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of Miami seeking out his style of revenge on injustice.

The golden age of radio had incredible spine-chilling mystery shows that kept Americans glued to their radio sets. In this collection of 16 episodes, you’ll hear Lights Out! with Arch Oboler; three episodes of Suspense starring Agnes Moorehead, Howard Duff, and Paul Henreid; The Black Museum starring Orson Welles; The Mysterious Traveler starring Maurice Tarplin; Quiet Please starring Ernest Chappell; two episodes of Escape starring William Conrad and John Dehner; and many more!

Night Beat followed Randy Stone, a hard-nosed Chicago Star newsman and his quest for the human-interest story behind the headlines. Hollywood actor Frank Lovejoy voiced the role of Randy Stone, who brought the character to vivid life thanks to expert scripts written by Russell Hughes, E. Jack Neumann, John Michael Hayes (who would later write the Hitchcock film classics "To Catch a Thief" and "Rear Window"), and Larry Marcus.

Created by S.S. Van Dine, Philo Vance was quite popular in books, movies, and on radio. He was portrayed as a stylish, very intelligent, and cultured private detective - an Americanized Sherlock Holmes - working out of New York. Not that Vance needed any help solving a crime, he did work closely with his secretary and right-hand woman Ellen Deering and his pal John Markham, New York County District Attorney. First heard for a brief time on NBC radio in 1945-46, it enjoyed success in syndication beginning in 1948 starring Jackson Beck.

From the pens of the world’s best-known and respected supernatural fiction authors comes The Weird Circle - tales of mystery, suspense, horror, and the macabre! Now, enjoy sixteen of the greatest mysteries of all time! The Weird Circle was an anthology of classic thrillers from the pens of the world’s best-known and respected fiction authors of the 19th century. The focus was horror and suspense stories by Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley (among others), with the occasional drama by Emily Bronte, Charles Dickens, and George Eliot.

The Cisco Kid was a popular film, radio, television and comic book series loosely based on the fictional Western character created by O. Henry in his short story, “The Caballero’s Way”, published in 1907 in the collection Heart of the West. “The Cisco Kid” came to radio October 2, 1942, and was followed by another Mutual series in 1946, starring Jack Mather and Harry Lang, who continued to head the cast in the syndicated radio series with more than 600 episodes from 1947 to 1956.

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

As Lucy Ricardo, Lucille Ball brought a tomboy’s enthusiasm and a scatterbrained quality to the long-running I Love Lucy (1951-61) television program. She was the wacky wife making life difficult for her loving but perpetually irritated husband, Ricky Ricardo (played by Ball’s real-life husband, Desi Arnaz). Long before I Love Lucy, Ball worked her way up Hollywood’s ladder with appearances in films and in many radio shows, including dramatic roles where she could really show her acting chops.

Detective series Let George Do It came to radio in 1946. It starred Bob Bailey as ex-GI and detective-for-hire George Valentine. Clients came to Valentine’s office after reading a newspaper carrying his classified ad: Personal notice: Danger’s my stock in trade. If the job’s too tough for you to handle, you’ve got a job for me. George Valentine.