Mostrando resultados por narrador "Anthony Rey Perez" en Todas las categorías

In the early 1500s, Ponce de Leon was one of the most important Spanish military figures in the Caribbean. He made his first voyage across the Atlantic with Christopher Columbus and then, after years of battle with the native Taino, became the first governor of Puerto Rico. Although the story of his search for the Fountain of Youth is entirely fictional, his noteworthy expedition to—and naming of—Florida is one of his greatest legacies.

Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In Cowboy Graves, Arturo Belano - Bolaño's alter ego - returns to Chile after the coup to fight with his comrades for socialism.

From David Levithan’s story about a non-binary kid collecting pieces of other people’s collections to Jenny Torres Sanchez's tale of a girl gathering types of fire while trying not to get burned to G. Neri's piece about 1970's skaters seeking opportunities to go vertical—anything can be collected and in the hands of these award-winning and bestselling authors, any collection can tell a story. Nine of the best YA novelists working today have written fiction based on a prompt from Printz-winner A.S. King (who also contributes a story) and the result is itself an extraordinary collection.

Pete Fernandez should be dead. His life—professional and personal—is in ruins. His best friend is dead. His newspaper career is past tense. His ex is staying with him as her own marriage crumbles. On top of that, the former journalist finds himself in the eye of a dangerous storm; investigating a missing girl with an unexpected partner and inching closer and closer to a vicious, calculating killer cutting a swath of blood across Miami—while at the same time battling his own personal demons that refuse to be silenced.

A propulsive and ambitious novel as electrifying as The Wire, from a writer hailed as the West Coast's Richard Price—a mesmerizing epic of crime and opportunity, race, revenge, and loyalty, set in the chaotic streets of South Central LA in the wake of one of the most notorious and incendiary trials of the 1990s. At 3:15 p.m. on April 29, 1992, a jury acquitted three white Los Angeles Police Department officers charged with using excessive force to subdue a black man named Rodney King and failed to reach a verdict on the same charges involving a fourth officer. Less than two hours later, the city exploded in violence that lasted six days. In nearly 121 hours, fifty-three lives were lost. But there were even more deaths unaccounted for: violence that occurred outside of active rioting sites by those who used the chaos to viciously settle old scores.

Startling new evidence in a cold case that's haunted Pete drags the exiled PI back to his hometown of Miami. But as Pete and his partner, Kathy Bentley, delve deeper into the unsolved murder, they become entangled in Miami’s obsession with a charismatic and dangerous cult leader and his even more menacing followers. At the same time, the detectives find themselves at odds with a Florida politician’s fixation on wealth, fame, and power. It all converges in the heart of the Magic City, and Pete is left scrambling to pick up the pieces—or die trying.

Pete Fernandez has settled into an easy, if somewhat boring life as a PI. The days of chasing murderous killers are behind him. Or are they? When his sometimes partner Kathy Bentley approaches him with a potential new client, Pete balks. Not because he doesn’t need the money, but because the case involves Gaspar Varela, a former Miami police officer serving a life sentence for the murder of his wife—one of the most infamous crimes in Miami history. The client? None other than Varela’s daughter, Maya, who’s doggedly supported her father’s claims of innocence.

Lina has come home to the country of her childhood. Sent away from Colombia to England after her mother's death 20 years before, she's searching for the one person who can tell her about their shared past. She's never forgotten Matty - her childhood friend and protector who now runs the Anthill, a day care refuge for the street kids of Medellín. Lina begins volunteering there, but her reunion with Matty is not what she hoped for.

A year has passed since Pete Fernandez’s latest, closest brush with death. After months of recovery, the newly sober Pete has managed to rebuild his life, contentedly running a small Miami bookstore and steering clear of the dangers of private eye work. So when an aging Cuban mobster asks Pete to find out who killed his drug-addicted jazz-pianist son and to locate his missing daughter-in-law, Pete balks. Until another victim suggests that the murder of the gangster’s son may be connected to the people who nearly ended Pete’s life.

There are plenty of words Jonah Collins could use to describe Dylan Ramírez. 'Arrogant', 'spoiled', and 'golden boy', to name a few. Likewise, Dylan thinks he has Jonah all figured out: an attention-seeking asshat who never shuts his filthy mouth. Their friends are convinced Jonah's and Dylan's disdain for one another is just thinly veiled lust - a rumour that surges like wildfire when the two wake up in the same bed after homecoming...

After the violent, shadowy events surrounding his father's disappearance and his siblings' disbandment, Martín flees Mexico City with his wife, newborn son, and dog. Isolated and homesick in Madrid, Martín awakes one sticky, hot morning, quietly overwhelmed by the circumstances - his growing aversion to his son, the dog's sudden illness, and the vague unresolved danger from his abandoned homeland.

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family's isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

When the failed Bay of Pigs invasion in 1961 solidifies Castro’s power in Cuba, 12-year-old Cumba’s family makes the difficult decision to send him to Florida alone. Faced with the prospect of living in another country by himself, he tries to remember the sound of his father’s clarinet, the smell of his mother’s lavender perfume.

Lina has come home to the country of her childhood. Sent away from Colombia to England after her mother's death 20 years before, she's searching for the one person who can tell her about their shared past. She's never forgotten Matty, her childhood friend and protector, who now runs The Anthill, a day-care refuge for the street kids of Medellín. Lina begins volunteering there, but her reunion with Matty is not what she hoped for. Medellín is entering a new era, and Matty appears to have taken the city's attempts to redefine itself post-conflict to heart.

Neither Mason, a US Special Forces medic, nor Lisette, a foreign correspondent, has emerged from America's long wars in Iraq and Afghanistan unscathed. Yet, for them, war still exerts a terrible draw - the noble calling, the camaraderie, the life-and-death stakes. Where else in the world can such a person go? All roads lead to Colombia, where the US has partnered with the local government to stamp out a vicious civil war and keep the predatory narco gangs at bay. Mason is ready for the good war, and Lisette is more than ready to cover it.

Claire Walker has always had her life in perfect order, including her high-powered job at one of Manhattan's top corporate law firms. Yet the one thing she cannot seem to find is a perfect love to complete it, until fate pushes Matías de León into her path. Matías is a Spanish artist who is everything that Claire is not: free-spirited and creative, chaos to her order. She falls for him, hard—and he for her. A year later, however, Claire begins to question everything about their relationship. How can they possibly work long-term when they're so different? Might it be best to end it?