Mostrando resultados por narrador "Anna Cordell" en Todas las categorías

London 1958. Twenty-six-year-old Betty Fisher is one of the first to join the Campaign for Nuclear Disarmament and attend its inaugural meeting, where she meets John Harris. Posted to Berlin towards the end of the war, John has been left traumatised by his experiences in Germany. And, as his initial admiration for Betty shifts into an overwhelming need to protect her, he is plagued by flashbacks and fantasies. John's increasing fragility brings to the surface Betty's own memories. And soon her past, too, begins to unravel...

"There is a fish on the sand; I see it clearly. But it is not on its side, lying still. It is partly upright. It moves. I can see its gills, off the ground and wide open. It looks as though it’s standing up." A few decades into the twenty-first century, in their permanently flooded garden in Cornwall, Cathy and her wife Ephie give up on their vegetable patch and plant a rice paddy instead. Thousands of miles away, ex-pat Margaret is struggling to adjust to life in Kuala Lumpur, now a coastal city. In New Zealand, two teenagers marvel at the extreme storms hitting their island.

The legal speed limit for vehicles traveling along the Old Military Road was 60 miles an hour, and he was breaking it. If a car rounded a corner in the opposite direction, it would end up in a ditch, because this driver was not in the mood to slow down for anyone. The sound of cannon fire blasted from his top pocket, and he reached for his phone. He took his eyes off the road to read the text, grunted, and handed the phone to the person seated beside him. The passenger glanced at the short message, looked up, and saw they were approaching a humpback bridge. "You're going too fast."

A young bride leaves a sleepy town with the man she loves, but within months, he is torn from her life. Returning home, the house is the same, but her whole world has changed. Determined to rise above all that has happened, she accepts a job to sell a huge white elephant located on a forbidding moor. Alone at the vast property, she meets a traveler whose roguish charm hides the truth of what really lies within the former Victorian workhouse. Not realizing the risk she is taking, she tracks down an entrepreneur with a worldwide reputation who is attracted by her business proposal.

With her West Highland terrier Hamish at her side, Lucy plans to relax and read up on the women of nearby Bletchley Park. But the villagers of Little Maudley have other ideas and she finds herself caught up in the campaign to turn a dilapidated telephone box into a volunteer-run library. Along the way, she makes friends with treehouse designer Sam and finds herself falling for the charms of village life. And it seems Bunty has a special connection to Bletchley and the telephone box, one that she's kept secret for decades....

From the beginning of their lives, the Olivier sisters stood out: surprisingly emancipated, strikingly beautiful, markedly determined and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; and Virginia Woolf found them curiously difficult to read. The sisters seemed always to be one step ahead of their time. Margery and Daphne studied at Cambridge when education was still thought by some to be damaging to ovaries.

Can she save her family and her name from destruction? As financial troubles wrack the Killigrew household, the passion and strength of the man Morwen loved so dearly ebb away. Into this turbulent landscape arrives a dynamic stranger from America. Randell Wainwright is determined to forge a stronger bond with one particular person - Morwen. As old hurts are renewed, bitter family quarrels rage and blackmail and tragedy threaten the foundation of her home, Morwen struggles to save her name and her family from destruction.

When Morwen Tremayne read her vows to Ben Killigrew, now master of the greatest clay works in Cornwall, she swore to stay by his side until death parted them. Had she known how closely she would have to hold to those words, she would still have sworn them a thousand times and with all her heart....

Stella’s life hasn’t quite gone to plan. She imagined that, at forty, she’d be settled with a supportive husband, two kids and a dog. Instead, she’s single and living at home with her mum, Bonnie, and grandmother, Florence. She passes the evenings in her childhood bedroom, obsessively searching for the perfect sperm donor. Unbeknownst to Stella is that Bonnie and Florence both also had difficult journeys to motherhood. And now that they’re writing down their stories for Stella’s unborn child, the truth about their family is becoming harder to conceal.

The land, sea and skyscapes of the UK are constantly shifting. Species, landmarks and ways of life slip in and out of existence, and firm ground is often just out of reach. Weaving together stories drawn from literature, local history and her own family heritage, Oxford professor Fiona Stafford leads us along coastlines and through forests and fens, revealing the forces, both natural and human, which leave places unrecognisably changed.

The day Louisa and James bring their newborn son home from the hospital marks a new beginning for all of them. To hold their child in their arms makes all the stress and trauma of fertility treatment worth it. Little Cory is theirs and theirs alone. Or so they think.... After her mother’s suicide when she was a child, Louisa’s life took an even darker turn. But meeting James changed everything. She can trust him to protect her and to never leave her. Even if deep down she worries that she has never told him the full truth about her past - or the truth about their baby.

Zofia's son, Janek, has vanished without a trace. Leaving behind her native Warsaw, she arrives in London, determined to uncover the truth - and she's certain that a celebrated writer called Steve holds the key to Janek's disappearance. To fund her DIY investigation, Zofia takes on a string of cleaning jobs - a professional trajectory she finds very much beneath her. Armed with little more than her stubborn resolve and a second-hand detective manual, Zofia gathers evidence.

Kitty Cox is adjusting to a new life alone. She’s spent several years caring for her ailing husband but now she’s having to adjust to a life without him.When Kitty’s old friend Vee reappears in the village in desperate need of a place to stay, Kitty quickly sees an obvious solution to both their dilemmas. She invites Vee, her new partner Raf and young son Bear to move in with her for the summer.

Sergeant Belinda 'Billy' Kidd is driving home from the airport, jet-lagged and ready to resign from a career that has left her traumatised. Menopause has robbed her confidence too - now she's a traffic cop who's afraid to drive. When brake lights haemorrhage up the motorway, the cars grind to a halt. Moments later she finds a dead driver in a black sedan. He has a metal skewer in his neck. But how? The killer can't have left the scene without being spotted by the dozens of witnesses - so he must still be there, among them.

Detective Inspector Bethany Smith arrives at the scene of the crime still dressed in her funeral attire. Her head thick with emotion. Her colleagues think she's mad. But she wants to be there. She needs to be there. Even if what she sees makes her skin crawl. The next day another body is discovered. The victim has suffered a similar gruesome fate. Left for dead at the bottom of his garden where the creepy-crawlies can get to him.

This cold call is murder. Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen.

The Number 1 International Bestseller. The heartbreaking, inspiring true story of a girl sent to Auschwitz who survived Mengele’s evil experiments. With a foreword written by His Holiness Pope Francis. Lidia was just three years old when she arrived in Auschwitz-Birkenau with her mother...

In a beautiful house in the wilds of Cornwall, Daphne du Maurier is on the brink of a nervous breakdown. Tangled in a self-destructive love affair that threatens to unravel her marriage, she is also distracted by worry for the family friend whose shadow looms over her childhood: J. M. Barrie, author of Peter Pan. Daphne tries to escape into writing her new book, but the line between fiction and reality blurs dangerously when her own characters start manifesting before her eyes—in particular a woman called Rebecca who looks suspiciously like her husband's alluring ex-girlfriend.

A letter and a hand-drawn map arrive at the police station for the attention of Detective Bethany Smith. The map leads them to Shadwell Hill. They search the area and find a human-sized mound of dirt. DS Wilkins recognizes the unearthed victim. It's sixty-five-year-old Margaret Allthrop, a minor royal and local celebrity. But her burial was anything but regal.

When We Were Bad is a spellbinding, witty and poignant portrayal of a family in crisis, in love, and in denial. 'As intelligent as it is funny. A beautifully observed literary comedy as well as a painfully accurate description of one big old family mess. A joy' – The Observer In North London...