Mostrando resultados por narrador "Alex McKenna" en Todas las categorías

After selling her first novel - a dream she'd worked long and hard for - Stephanie Danler knew she should be happy. Instead, she found herself driven to face the difficult past she'd left behind a decade ago: a mother disabled by years of alcoholism, further handicapped by a tragic brain aneurysm; a father who abandoned the family when she was three, now a meth addict in and out of recovery.

On Day 56 of the pandemic called BluStar, 16-year-old Nadia's mother dies, leaving her responsible for her younger brother, Rabbit. They secretly received antivirus vaccines from their uncle, but most people weren't as lucky. Their deceased father taught them to adapt and survive whatever comes their way. That's their plan as they trek from Seattle to their grandfather's survivalist compound in West Virginia....

Pearl's job is to make people happy. Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion? Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness"....

Finley and Betty's close friendship survived Fin's ninth-grade move from their coastal Maine town to Manhattan. Calls, letters, and summer visits continued to bind them together, and in the fall of their senior year, they both applied to NYU, planning to reunite for good as roommates. Then Betty disappears.

Trouble knows two things: They are a shapeshifter, and they are running from something - but they don't know what. So when the StarLeague shows up, Trouble figures it's time to flee. Changing from blob of goo form, to adorable puppy form, to human boy form, Trouble stows away on the Hindsight, a ship crewed by the best navigators and engineers in the galaxy, led by the fearsome Captain Astra. When a young StarLeague cadet shows up to capture Trouble, things get complicated, especially when Trouble reveals a shape-shifter form that none of them could have expected.

It's 1983. David Bowie reigns supreme, and downtown Manhattan has never been cooler. But Justine and Eve are stuck at Griswold Academy, a Connecticut boarding school. Griswold is a far cry from Justine's bohemian life in New Haven, where her parents run a theater and struggle to pay the bills.

Odessa is one of Karthia's master necromancers, catering to the kingdom's ruling Dead. Whenever a noble dies, it's Odessa's job to raise them by retrieving their soul from a dreamy and dangerous shadow world called the Deadlands. But there is a cost to being raised: the Dead must remain shrouded. If even a hint of flesh is exposed, a grotesque transformation begins, turning the Dead into terrifying, bloodthirsty Shades.

When Page Dickey moved away from her celebrated garden at Duck Hill, she left a landscape she had spent thirty-four years making, nurturing, and loving. She found her next chapter in northwestern Connecticut, on 17 acres of rolling fields and woodland around a former Methodist church. In Uprooted, Dickey reflects on this transition and on what it means for a gardener to start again. The sur­prise at the heart of the book? Although Dickey was sad to leave her beloved garden, she found herself thrilled to begin a new garden in a wilder, larger landscape.

A resentful member of a high school Quiz Bowl team with an unrequited crush. A Valentine's Day in the life of Every Day's protagonist, "A". A return to the characters of Two Boys Kissing. 19 Love Songs, from New York Times best-selling author David Levithan, delivers all of these stories and more. Born from Levithan's tradition of writing a story for his friends each Valentine's Day, this collection brings all of them to his listeners for the first time. With fiction, nonfiction, and a story in verse, there's something for every listener here.

It’s 1997 and Missy is a cellist in an indie rock band on tour across America. At twenty-two years old, she gets on stage every night and plays the song about her absent mother that made the band famous. As the only girl in the band, she’s determined to party just as hard as everyone else, loving and leaving a guy in every town. But then she meets a tomboy drummer who is hard to forget, and a forgotten flap of cocaine strands her at the border.

A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust.

Centering us in Rome, but transporting us seamlessly into worlds as varied and exotic as they are emotionally real, these stories paint landscapes that are populated - vividly, hauntingly - by animals: from squawking, violent seagulls, to magical snakes, to a tiny dog on the side of a deserted road, to starlings circling the evening sky in exhilarating formation.

Emily has the life, selling what Time Magazine hails as the revolutionary new treatment for cancer. Her boyfriend’s start-up gets acquired for almost half a billion dollars, and the view from their beachfront LA penthouse looks bright. Few know she’s on a dangerous journey of extremes, riding an alluring threshold of risk, while languishing at hedonistic soirees. Nothing is too big, too excessive, or ever enough. And then, Emily has a shock discovery that forces her to lose everything.

Cole Weston - former friend, former boyfriend - has become dangerous, erratic. Something needs to be done. Getting rid of Cole is practically a public service. So high school seniors Holly Morse, Grayson Hobbs, Logan Bailey, and Meeka Miller devise a plan. Kill Cole. Bury him in the woods behind Meeka's house. Bury him deep, deep in the ground along with four old cell phones, wiped except for their video confession as insurance that no one will ever betray the group.

Aimee Bender’s Willful Creatures conjures a fantastical world in which authentic love blooms. This is a place where a boy with keys for fingers is a hero, a woman’s children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

In a Philadelphia high school, who doesn’t care about the prom? It’s pretty much the only good thing that happens there, and everyone plans to make the most of it - especially Ash’s best friend, Natalia, who’s the head of the committee and has prom stars in her eyes. Then the faculty advisor is busted for taking the prom money, and Ash finds herself roped into putting together a gala dance. But she has plenty of help - and in making the prom happen, Ash learns some surprising things about making her life happen, too.

Hopuonk, Massachusetts, 1999: Taylor Garland's good looks have earned her the admiration of everyone in her small town. She's homecoming queen, the life of every party, and she's on every boy's most-wanted list. People think Taylor is living the dream, and assume she'll stay in town and have kids with the homecoming king - maybe even be a dental hygienist if she's super ambitious. But Taylor is actually desperate to leave home, and she hates the smell of dentists' offices. Also? She's completely in love with her best friend, Susan.

Prestigious. Powerful. Privileged. This is Fullbrook Academy, an elite prep school where history looms in the leafy branches over its brick walkways. But some traditions upheld in its hallowed halls are profoundly dangerous. Jules Devereux just wants to keep her head down, avoid distractions, and get into the right college, so she can leave Fullbrook and its old-boy social codes behind. She wants freedom, but ex-boyfriends and ex-best friends are determined to keep her in place.

A young woman thinks she has escaped her past only to discover that she’s been hovering on its edges all along: She and her younger sister bide their time in a dilapidated warehouse in a desolate town north of New York City; their parents settled there with dreams of starting an art commune. But after the girls’ father vanishes, all traces of stability disappear for the family, and the girls retreat into strange worlds of their own mythmaking and isolation.

Olivia Reed needs a break. She doesn’t want to think about her name plastered on tabloids or be reminded of her recent meltdown on a Manhattan street. Her micromanaging publicist has just the thing in mind: a remote retreat in upstate New York—the House of Light. It’s not rehab; it’s a Spiritual Center, a site for seeking realignment and personal growth. There will be yoga and morning meditation, soft bamboo-blend fabrics and no shortage of crystals to cleanse her energy.